Social Call (Charlie Rouse And Red Rodney Album)
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Social Call (Charlie Rouse And Red Rodney Album)
''Social Call'' is an album by saxophonist Charlie Rouse and trumpeter Red Rodney which was recorded and released on the Uptown label in 1984. Reception The AllMusic review by Scott Yanow stated "Old friends Rouse and Rodney work off each other very well, and the results are swinging and enjoyable". The authors of '' The Penguin Guide to Jazz Recordings'' called the album "a fine showing from the saxophonist," and praised Dailey's contribution, stating that he is "hugely authoritative... and plays with relaxed power." David Franklin of '' Jazz Times'' noted that Rouse's "appealing, distinctive tone, his clipped, inventive phrasing and his forceful swing-all characteristics" are "clearly in evidence" on the album, and called Rodney "a fine intuitive player" who "never fails to swing infectiously while crafting steadfastly melodic lines." Track listing # "Little Chico" (Charlie Rouse) – 6:20 # "Social Call" ( Gigi Gryce) – 5:46 # "Half Nelson" ( Miles Davis) – 6:29 # "Gr ...
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Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital ...
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Darn That Dream
"Darn That Dream" is a popular song composed by Jimmy Van Heusen with lyrics by Eddie DeLange. It was published in 1939 and ranked No. 1 in 1940 when a recording was released by Benny Goodman in an arrangement by Eddie Sauter with Mildred Bailey singing the vocal. Other popular recordings in 1940 were by Blue Barron & His Orchestra (vocal by Russ Carlyle) (#14 in Billboard charts) and by Tommy Dorsey (vocal by Anita Boyer) (#16 in Billboard charts). The song was introduced in the Broadway musical ''Swingin' the Dream'', a variation on ''A Midsummer Night's Dream'' by William Shakespeare set in New Orleans in 1890. The musical opened at Center Theatre in November 1939 and closed after 13 performances. Other versions * Tony Bennett – for his album ''Cloud 7'' (1955). * Jane Ira Bloom – ''Sixteen Sunsets'' (2013) * Petula Clark – ''Petula Clark in Hollywood'' (1959). * Miles Davis – ''Birth of the Cool'' (1950) * Doris Day – a single release for Columbia Records (catalog No. ...
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Don Sickler
Don Sickler (January 6, 1944) is an American jazz trumpeter, arranger and producer.Carr, Ian; Fairweather, Digby and Priestley, Brian ''Rough Guide to Jazz''
Rough Guides, 2004 "Don Sickler" at Google Books
In the 1980s, he set up a tribute band called with , to play the music of

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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Kenny Washington (musician)
Kenny Washington (born May 29, 1958) is an American jazz drummer born in Staten Island, New York. His brother is bassist Reggie Washington. He grew up in the Stapleton Houses and attended P.S. 14. He studied at The High School of Music & Art, graduating in 1976. He has worked with Ronnie Mathews, Lee Konitz, Betty Carter, Johnny Griffin, Dizzy Gillespie, Clark Terry, George Cables, Benny Goodman, Lionel Hampton, Ahmad Jamal, Sonny Stitt, James Spaulding, Phil Woods, Bill Charlap, Bobby Watson, Curtis Lundy, and Tommy Flanagan. Washington serves on the faculty of SUNY Purchase and The Juilliard School. Discography As sideman With Ruby Braff *''Cape Codfather'' (Arbors, 2000) *''In the Wee, Small Hours in London and New York'' (Arbors, 2000) *''Music for the Still of the Night'' (Arbors, 2001) With Joshua Breakstone *''Self-Portrait in Swing'' (Contemporary, 1989) *''9 by 3'' (Contemporary, 1991) *'' Walk Don't Run'' (King, 1992) *''This Just In'' (Double-Time, 1999) With ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Cecil McBee
Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums. Biography Early life and career McBee was born in Tulsa, Oklahoma, United States. He studied clarinet at school, but switched to bass at the age of 17, and began playing in local nightclubs. After gaining a music degree from Ohio Central State University, McBee spent two years in the U.S. Army, during which time he conducted the band at Fort Knox. In 1959, he played with Dinah Washington, and in 1962 he moved to Detroit, Michigan, where he worked with Paul Winter's folk-rock ensemble between 1963 and 1964. New York His jazz career began to take off in the mid-1960s, after he moved to New York, when he began playing and recording with a number of significant musicians including Miles Davis, Andrew Hill, Sam Rivers, Jackie McLean (1964), Wayne Shorter (1965–66), Charles Lloyd (1966), Y ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Albert Dailey
Albert Preston Dailey (June 16, 1939 – June 26, 1984) was an American jazz pianist. Early life Dailey was born in Baltimore, Maryland. His parents were Albert Preston Dailey Sr, and Gertrude Johnson Dailey.Jon Pareles"Albert Dailey, 46, Jazz Pianist" ''The New York Times'', July 3, 1984. He began studying piano as a child, and his first professional appearances were with the house band of the Baltimore Royal Theater in the early 1950s. Later in the decade, he studied at Morgan State University and the Peabody Conservatory. Later life and career He backed Damita Jo DuBlanc on tour from 1960 to 1963, and following this briefly put together his own trio in Washington, D.C., playing at the Bohemian Caverns. In 1964, he moved to New York City, where he played with Dexter Gordon, Roy Haynes, Sarah Vaughan, Charles Mingus, and Freddie Hubbard. In 1967, he played with Woody Herman at the Monterey Jazz Festival, and played intermittently with Art Blakey's Jazz Messengers from 1968 to ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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