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Soap Bubbles (film)
''Soap Bubbles'' (french: Les Bulles de savon animées) is a 1906 French silent trick film by Georges Méliès. Plot With smoke from a brazier, a magician makes a woman appear in midair and slowly float to the ground. Two assistants bring in an arrangement of pedestals, onto which they lead the woman. The magician blows soap bubbles through a straw, and they appear as women's faces, floating up to join the woman posing on the set of pedestals. Next they themselves change into real butterfly-winged women, before the whole tableau disappears. Having his assistants bring on a wide plinth, the magician summons up the three women again, joining them on the plinth before they fade away. Finally, the magician curls up into a ball, becomes a giant soap bubble, and floats slowly upward. The magician returns to join his surprised assistants in a curtain call. Production Méliès is the magician in the film, which combines stage machinery, pyrotechnics, substitution splices, multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple Exposure
In photography and cinematography, a multiple exposure is the superimposition of two or more exposures to create a single image, and double exposure has a corresponding meaning in respect of two images. The exposure values may or may not be identical to each other. Overview Ordinarily, cameras have a sensitivity to light that is a function of time. For example, a one-second exposure is an exposure in which the camera image is equally responsive to light over the exposure time of one second. The criterion for determining that something is a double exposure is that the sensitivity goes up and then back down. The simplest example of a multiple exposure is a double exposure without flash, i.e. two partial exposures are made and then combined into one complete exposure. Some single exposures, such as "flash and blur" use a combination of electronic flash and ambient exposure. This effect can be approximated by a Dirac delta measure (flash) and a constant finite rectangular window, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Robert-Houdin
The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Knight Of Black Art
''The Knight of Black Art'' (french: Le Tambourin fantastique) is a 1907 French silent trick film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1030–1034 in its catalogues. Plot A magician, aided by his assistant and two women dressed as pages, constructs a large tambourine from two hoops and a piece of cloth. The magician paints a face on the head of the tambourine, and magically extracts wine bottles and clothing, including old-fashioned dresses, from the face. Multiplying the pages into four, the magician throws the dresses upon them, and they perform a brief dance. Next the magician takes the frame of the tambourine (now without its head), and, suspending it from wires, makes one of the women rise up from it. He then disappears into the frame himself, to the astonishment of his servant, before returning for a final trick: separating the frame back into two hoops, he turns them into the wheels of a bicycle, and rides cheerfully away. Prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Witch (1906 Film)
''The Witch'' (french: La Fée Carabosse ou le Poignard fatal, literally "The Fairy Carabosse or the Fatal Poignard") is a 1906 French short silent film by Georges Méliès. The film is named for a witch, Carabosse, who tells a poor troubadour that he is destined to rescue a damsel in distress, but demands a high price for a magic charm to help the troubadour in his quest. When the troubadour cheats the witch to obtain the magic charm, she sets out in pursuit of him, and puts various obstacles in his way before finally being vanquished by forces of good. The film, said to have been inspired by Breton folklore, combines the traditional figure of Carabosse—first created in a 17th-century literary fairy-tale by Madame d'Aulnoy—with a varied array of other magical and legendary elements, including ghosts, Druids, and monstrous beasts. It was commissioned by the Grands Magasins Dufayel department store, for children to watch while their parents shopped. Méliès made the fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tramp And The Mattress Makers
''The Tramp and the Mattress Makers'' (french: La Cardeuse de matelas) is a 1906 French short silent comedy film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 818–820 in its catalogues. Plot In front of a shop, three mattress makers are busy sewing a mattress. When they go into a cheap wine bar for a break, a drunken tramp ambles onto the scene, and decides to take a nap inside the mattress. The workers come back and finish sewing up the mattress, not noticing the tramp sleeping inside it. Suddenly the tramp wakes up and tries to struggle out. Workers and passersby alike are startled to see what appears to be a living mattress tumbling and stumbling in the street. The tramp, still completely inside the mattress, makes his way into the nearby wine bar. In the ensuing confusion, all the customers and bar staff run out, and a policeman rushes in to arrest the living mattress. When he stumbles into the policeman, the tramp finally manages to tear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rip's Dream
''Rip's Dream'' (french: La Légende de Rip Van Vinckle ) is a 1905 French silent film directed by Georges Méliès. Plot Production ''Rip's Dream'' is based on two sources: the original 1819 "Rip Van Winkle" story by Washington Irving, and the 1882 operetta version of ''Rip Van Winkle'' (with music by Robert Planquette and libretto by Henri Meilhac, Philippe Gille, and Henry Brougham Farnie). Two elements, the mysterious snake and the village idiot, are Méliès's own creations. Méliès himself plays Rip. His son André appears as a village child carrying a large lantern. (Rip's friends' lanterns are in fact Bastille Day celebratory lanterns with the initials RF, for République française, clearly marked upon them.) Like many of Méliès's films made around 1905, ''Rip's Dream'' revels in theatricality. While some of Méliès's earlier major films, such as ''The Impossible Voyage'' and '' The Kingdom of the Fairies'', had experimented with innovative cinematic continuity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Card
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissolve (filmmaking)
In the post-production process of film editing and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may be used in montage sequences also. Generally, but not always, the use of a dissolve is held to indicate that a period of time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback. Creation of effect In film, this effect is usually created with an optical printer by controlled double exposure from frame to frame. In linear video editing or a live television production, the same effect is created by interpolating voltages of the video ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
