So You Think You Can Dance (Malaysian TV Series) Seasons
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So You Think You Can Dance (Malaysian TV Series) Seasons
''So You Think You Can Dance'' is a franchise of reality television shows in which contestants compete in dance. The first series of the franchise, created by '' Idols'' producers Simon Fuller and Nigel Lythgoe, premiered in July 2005 and has broadcast sixteen seasons since. Adaptations of the show began airing in other countries in late 2005 and to date 30 localized adaptations have been produced, representing 41 different countries and comprising more than ninety individual seasons. Format Although each varies in the particulars of its format and presentation, all shows in the ''So You Think You Can Dance'' franchise share a premise of placing dancers-—who come from a wide variety of dance backgrounds and are often amateur or semi-professional in experience—-in a competition which requires them to adapt to multiple styles of dance. As the competition progresses, a combination of judge decisions and at-home-viewer votes determine which dancers will advance in the comp ...
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Simon Fuller
Simon Fuller (born 17 May 1960) is a British entrepreneur, artist manager, and film and television producer renowned for nurturing and inspiring world class entertainment talent. He is the creator of the ''Idols'' TV format, including the UK series '' Pop Idol'' and the US series ''American Idol''. In 2020, Fuller signed an exclusive agreement with tech firm TikTok to create a new TikTok supergroup and concluded an agreement with Verizon Communications to develop 5G content. In 2021 Pearson PLC announced a partnership with Simon Fuller to create a new global education business in Performing Arts.In 2016, Simon Fuller persuaded Swedish quartet ABBA to re-unite to explore working in virtual reality, which led to the ABBA Voyage project. ''Time'' has named Fuller one of the 100 most influential people in the world. He has been certified as the most successful British music manager of all time by ''Billboard''. Fuller received the 2,441st star on the Hollywood Walk of Fame on 23 ...
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Electric Boogaloo (dance)
Electric boogaloo (sometimes referred to as electric boogie on the East Coast) is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles. It is characterized as a fluid leg-oriented style danced to funk music, utilizing rolls of the hips, knees, legs, and head, which was later combined with popping. Dance steps ;Creepin : A foundational step of Boogaloo done in Oakland inspired by cartoons Goofy, typically done as an entry and exit step with arms out, legs extended. Sometimes the Creep can be combined with a physical pointing hand gesture to challenge an opponent. ;Crazy legs :A footwalk that was created by Poppin Pete. He invented "Crazy Legs" by watching a boy ...
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English Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ...
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Quickstep
The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Black Americans. Its origins are in combination of slow foxtrot combined with the Charleston (dance), Charleston, a dance which was one of the precursors to what today is called swing dancing. History The quickstep evolved in the 1920s from a combination of the foxtrot, Charleston (dance), Charleston, Collegiate shag (dance), shag, Peabody (dance), peabody, and One-Step, one-step. The dance is English in origin and was standardized in 1927. While it evolved from the foxtrot, the quickstep now is quite separate. Unlike the modern foxtrot, the lead and follow, leader often closes his feet, and syncopated steps are regular occurrences (as was the ...
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Argentine Tango
Argentine tango is a musical genre and accompanying social dance originating at the end of the 19th century in the suburbs of Buenos Aires. It typically has a or rhythmic time signature, and two or three parts repeating in patterns such as ABAB or ABCAC. Its lyrics are marked by '' nostalgia'', sadness, and laments for lost love. The typical orchestra has several melodic instruments and is given a distinctive air by the bandoneon. It has continued to grow in popularity and spread internationally, adding modern elements without replacing the older ones. Among its leading figures are the singer and songwriter Carlos Gardel and composers/performers Francisco Canaro, Juan D'Arienzo, Carlos Di Sarli, Osvaldo Pugliese, and Ástor Piazzolla. History of tango The origins of tango are unclear because little historical documentation from that era exists. However, in recent years, a few tango aficionados have undertaken a thorough research of that history and so it is less mysteriou ...
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Ballroom Tango
Ballroom tango is a ballroom dance that branched away from its original Argentine roots by allowing European, American, Hollywood, and competitive influences into the style and execution of the dance. The present day ballroom tango is divided into two disciplines: American Style and International Style. Both styles may be found in social and competitive dances, but the International version is more globally accepted as a competitive style. Both styles share a closed dance position, but the American style allows its practitioners to separate from closed position to execute open moves, like underarm turns, alternate hand holds, dancing apart, and side-by-side choreography. History upAmerican tango American style tango American style tango's evolutionary path is derived from Argentina to the United States, when it was popularized by silent film star Rudolph Valentino in 1921, who demonstrated a highly stylized form of Argentine tango in '' The Four Horsemen of the Apocalypse''. ...
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Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ...
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Waacking
Waacking (also ''whacking'', ''posing'' or ''punking'') is a form of street dance created in the LGBT clubs of Los Angeles during the 1970s disco era. The style is typically done to 70s disco music and is mainly distinguishable by its rotational arm movements, posing and emphasis on expressiveness. History In the early 1970s a dance style known as punking emerged, with "punk" being a derogatory term for gay men at the time. The term "whack" was a specific movement within the punking style which involved moving the arms over the head in a rhythmic fashion. Although the wider club-going community took part in punking, they did not want the dance to have negative connotations attached to it and therefore renamed the genre "Waackin". Later, Jeffery Daniel added the "g" to waackin to make it "waacking", the name by which the style is commonly known today. The terms 'Whacking' and 'Wacking' are also occasionally used to refer to the dance style. The originators of waacking were sa ...
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Voguing
Vogue, or voguing, is a highly stylized, modern house dance originating in the late 1980s that evolved out of the Harlem ballroom scene of the 1960s. It gained mainstream exposure when it was featured in Madonna's song and video "Vogue" (1990), and when showcased in the 1990 documentary '' Paris Is Burning'' (which went on to win the Grand Jury Prize at the 1991 Sundance Film Festival). In its modern form, this dance has become a global phenomenon that continues to evolve both stylistically and demographically. History This style of dance arose from Harlem ballroom cultures, as danced by African-American and Latino gay and trans people, from the early 1960s through the 1980s. The Harlem Renaissance shaped a distinctly Latino and African American LGBTQ culture in Harlem from 1920 to 1935, which included advancement in literature, arts and music and demonstration that aspects of identity like race, gender and sexuality can be fluid and intersecting. The Balls that began during ...
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Stepping (African-American)
Stepping or step-dancing (a type of step dance) is a form of percussive dance in African-American culture. The participant's entire body is used as an instrument to produce complex rhythms and sounds through a mixture of footsteps, spoken word, and hand claps. Though stepping may be performed by an individual, it is generally performed by groups of three or more, often in arrangements that resemble military formations. Stepping may also draw from elements of gymnastics, break dance, tap dance, march, or African and Caribbean dance, or include stunts as a part of individual routines. The speed of the step depends upon the desired beat and rhythm of the performers. Some forms of stepping include the use of props, such as canes, rhythm sticks and/or fire and blindfolds. The tradition of stepping is rooted within the competitive schoolyard song and dance rituals practiced by historically African American fraternities and sororities, beginning in the 1900s. Stepping Stepping fi ...
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Popping
Popping is a street dance adapted out of the earlier Boogaloo (funk dance) cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier Boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a ''pose'', ''pop'' or a ''hit''.Guzman-Sanchez, T. (2012) "The Oakland ...
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