So Far Away (album)
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So Far Away (album)
''So Far Away'' is The Chords debut album. It reached a peak of number 30 on the U.K. albums chart in a three-week chart run. The cover was inspired by the second LP by The Spencer Davis Group. Track listing All songs written & composed by Chris Pope except as noted. ;Side One #"Maybe Tomorrow" #"Happy Families" #"Breaks My Heart" #"Tumbling Down" #"Hold On, I'm Coming" (Hayes/Porter) #"I'm Not Sure" ;Side Two #"Something's Missing" #"It's No Use" #"What Are We Gonna Do Now" (Billy Hassett) #"She Said, She Said" (Lennon–McCartney Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney (born 1942) of the Beatles. It is the best-known and most successful musical collaboration ever by records sold, with the ...) #"Dreamdolls" (Chris Pope/Billy Hassett) #"So Far Away" References {{Authority control 1980 debut albums Polydor Records albums ...
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The Chords (British Band)
The Chords are a 1970s British pop music group, commonly associated with the 1970s mod revival, who had several hits in their homeland, before the decline of the trend brought about their break-up. They were one of the more successful groups to emerge during the revival, and they re-formed with the four original members for a UK tour during 2010. Career The Chords, a South East London group, formed in 1978 when singer/guitarist Billy Hassett and his bassist cousin, Martin Mason, advertised for musicians in the ''NME'' and found guitarist and songwriter, Chris Pope. Original drummer Paul Halpin did not stay long, at least behind his drum kit, and eventually became the group's tour manager. In his place came Brett "Buddy" Ascott, and by March 1979 The Chords were taking the stage. They gigged continuously over the spring and summer, headlining two mod festivals at London's Marquee Club and recording their first BBC Radio 1 session for DJ John Peel in early July. They also fea ...
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Mod Revival
The mod revival was a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree). The mod revival's mainstream popularity was relatively short, although its influence lasted for decades. The mod revival post-dated a Teddy Boy revival, and mod revivalists sometimes clashed with Teddy Boy revivalists, skinhead revivalists, casuals, punks and rival gang members. The late 1970s mod revival was led by the band the Jam, who had adopted a stark mod look and mixed the energy of punk with the sound of early 1960s mod bands. It was heavily influenced by the 1979 film ''Quadrophenia''. The mod revival was a conscious effort to harken back to the earlier generation in terms of style and presentation. In the early 1980s in the UK, a mod revival scene influenced by the original mod subculture of the 1960s developed. 1970s The late 1970s mod revival combined musical and cultural elements of the 1970s pub rock, punk rock and new ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ...
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Polydor
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 19 ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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The Spencer Davis Group
The Spencer Davis Group were a British band formed in Birmingham in 1963 by Spencer Davis (guitar), brothers Steve Winwood (keyboards, guitar) and Muff Winwood (bass guitar), and Pete York (drums). Their best known songs include the UK number ones "Somebody Help Me" and "Keep on Running" (both written by reggae musician Jackie Edwards), " I'm a Man" and "Gimme Some Lovin'", which reached #2 in the UK and #7 in the US. Steve Winwood left in 1967 to form rock band Traffic. After releasing a few more singles, the band ceased to be active in 1969. Davis revived the group on two more occasions, without the involvement of the Winwood brothers, first in 1973–1974 for two more albums, and again from 2006, since when they had primarily been a touring act. Davis died on 19 October 2020, effectively ending the band. History Formation The Spencer Davis Group was formed in 1963 in Birmingham after the Welsh guitarist Spencer Davis encountered vocalist and organist Steve Winwood (then ...
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Hold On, I'm Coming
Hold may refer to: Physical spaces * Hold (ship), interior cargo space * Baggage hold, cargo space on an airplane * Stronghold, a castle or other fortified place Arts, entertainment, and media * Hold (musical term), a pause, also called a Fermata * "Hold" (song), a song by Vera Blue * "Hold", a song by Axium from '' Blindsided'' * "Hold", a song by Saves the Day from '' I'm Sorry I'm Leaving'' * Hold, in a card game (e.g., blackjack or poker, the cards that are kept in a hand, not those discarded and replaced * Handhold (dance), a type of hold in dance * Hold (novel) a novel by Michael Donkor Law * Legal hold, a legal ruling or official declaration * Secret hold, a parliamentary procedure Sports * Hold (baseball), a statistic that may be awarded to a relief pitcher * Climbing hold, on climbing walls * Grappling hold, a specific grip applied to an opponent in wrestling or martial arts Technology * Hold (aviation), a manoeuvre designed to delay an aircraft already in flight whi ...
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Isaac Hayes
Isaac Lee Hayes Jr. (August 20, 1942 – August 10, 2008) was an American singer, actor, songwriter, and composer. He was one of the creative forces behind the Southern soul music label Stax Records, where he served both as an in-house songwriter and as a session musician and record producer, teaming with his partner David Porter during the mid-1960s. Hayes and Porter were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of songs for themselves, the duo Sam & Dave, Carla Thomas, and others. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. " Soul Man", written by Hayes and Porter and first performed by Sam & Dave, was recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, by ''Rolling Stone'' magazine, and by the Recording Industry Association of America (RIAA) as one of the Songs of the Century. During the late 1960s, Hayes also be ...
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David Porter (musician)
David Porter (born November 21, 1941) is an American record producer, songwriter, singer, entrepreneur and philanthropist. Porter was a 2005 inductee into the Songwriters Hall of Fame, with catalog sales exceeding 400 million units. In 2015, ''Rolling Stone'' listed him among the 100 Greatest Songwriters of All Time. He is best known for songwriting, having written Sam & Dave's " Soul Man" (1968 Grammy winner), and "Hold On, I'm Comin'". His songs have been sampled in Mariah Carey's "Dreamlover" (1993 Grammy winner), and Will Smith's "Gettin' Jiggy wit It" (1999 Grammy winner). He is also the founder of the Memphis-based Consortium MMT, a nonprofit organization seeking to develop the music industry in Memphis. Porter has over 1700 songwriter and composer credits for a range of artists, including Aretha Franklin, James Brown, Celine Dion, Otis Redding, Drake, ZZ Top, Tom Jones, Ted Nugent, Bonnie Raitt, Wu-Tang Clan, Eminem, Patsy Cline, Albert King and Eurythmics. Biography ...
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She Said, She Said
"She Said She Said" is a song by the English rock band the Beatles from their 1966 album ''Revolver (Beatles album), Revolver''. Credited to Lennon–McCartney, it was written by John Lennon with assistance from George Harrison. Lennon described it as "an 'acidy' song" with lyrics inspired by actor Peter Fonda, Peter Fonda's comments during an LSD trip in August 1965 with members of the Beatles and the Byrds. "She Said She Said" was the last track recorded for ''Revolver''. Due to an argument over the song's musical arrangement, Paul McCartney walked out of the studio during the song's recording. Background and inspiration In late August 1965, Brian Epstein had rented a house at 2850 Benedict Canyon Drive in Beverly Hills, California for the Beatles' six-day respite from their The Beatles' 1965 US tour, US tour. The large Spanish-style house was hidden within the side of a mountain. Soon their address became widely known and the area was besieged by fans, who blocked roads and ...
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Lennon–McCartney
Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney (born 1942) of the Beatles. It is the best-known and most successful musical collaboration ever by records sold, with the Beatles selling over 600 million records worldwide as of 2004. Between 5 October 1962 and 8 May 1970, the partnership published approximately 180 jointly credited songs, of which the vast majority were recorded by the Beatles, forming the bulk of their catalogue. Unlike many songwriting partnerships that comprise a separate lyricist and composer, such as George and Ira Gershwin, Richard Rodgers and Oscar Hammerstein, or Elton John and Bernie Taupin, both Lennon and McCartney wrote lyrics and music. Sometimes, especially early on, they would collaborate extensively when writing songs, working "eyeball to eyeball" as Lennon phrased it. During the latter half of their partnership, it became more common for either of them to write most ...
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