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Snöfrid
', Op. 29, is a melodrama or "improvisation for narrator, mixed choir and orchestra" by Jean Sibelius. He completed it in 1900 on a text by Viktor Rydberg. It was first performed in Helsinki on 20 October 1900, with the Orchestra of the Helsinki Philharmonic Society, conducted by Robert Kajanus. History The poem had previously been set in full by Wilhelm Stenhammar (Op. 5) in 1891. Sibelius composed the work in the fall of 1900 on a poem by Viktor Rydberg. He later noted: "I wrote Snöfrid more or less at one sitting after I came home from three days of lively celebrations." The plot on which it is based is inspired by old Scandinavian balladic stories. A female protagonist appeals to her compatriots, in particular a hero, to fight for freedom as a higher goal than fortune, fame and pleasure. Sibelius was inspired by several works by Rydberg, including solo songs and '' Skogsrået'' (The Wood Nymph). He liked Rydberg's free verse, expressing both erotic and political ideas. ...
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The Wood Nymph
''The Wood Nymph'' (in Swedish: '; subtitled '), Op. 15, is a programmatic tone poem for orchestra composed in 1894 and 1895 by the Finnish composer Jean Sibelius. The ballade, which premiered on 17 April 1895 in Helsinki, Finland, with Sibelius conducting, follows the Swedish writer Viktor Rydberg's 1882 poem of the same title, in which a young man, Björn, wanders into the forest and is seduced and driven to despair by a ', or wood nymph. Organizationally, the tone poem consists of four informal sections, each of which corresponds to one of the poem's four stanzas and evokes the mood of a particular episode: first, heroic vigor; second, frenetic activity; third, sensual love; and fourth, inconsolable grief. ''The Wood Nymph'' was performed three more times that decade, then, at the composer's request, once more in 1936. Never published, the ballade had been thought to be comparable to insubstantial works and juvenilia which Sibelius had suppressed until the Finnish musi ...
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Rakastava
' (''The Lover''), Op. 14, is a suite by Jean Sibelius. He completed it in 1912, scored for string orchestra, percussion and triangle. He based it on his earlier composition of the same title, a song cycle of four movements for men's chorus a cappella completed in 1894. The works are based on a Finnish text in Book 1 of the ''Kanteletar''. History In 1894, Sibelius completed ', a cycle of four a cappella songs for men's chorus on a Finnish text in Book 1 of the collection of Finnish folk poems, the ''Kanteletar''. He first set it in 1894, as an entry for a local competition. He won the second prize, while the first prize went to his former teacher. Sibelius arranged the cycle for men's chorus and string orchestra in 1894, and for mixed choir in 1898. Sibelius used the cycle as the basis for the orchestral suite ' for string orchestra, percussion and triangle, to which he assigned the opus number 14. He completed it in 1912, when he also wrote his Fourth Symphony. Sibeli ...
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Oma Maa
''My Own Land'' (Finnish title: '; sometimes translated as ''Our Native Land''), Op. 92, is a single-movement cantata for mixed choir and orchestra written in 1918 by the Finnish composer Jean Sibelius. The piece, which is a setting of (a pseudonym for Samuli Kustaa Bergh) Finnish language poem of the same name, is the first in a series of four "little known but beautiful", patriotic cantatas from the composer's mature period—including ''Song of the Earth'' (Op. 93, 1919); '' Hymn of the Earth'' (Op. 95, 1920); and '' Väinämöinen’s Song'' (Op. 110, 1926). ''My Own Land'' premiered on 25 October 1918 in Helsinki with conducting the Helsinki Youth League (the predecessor to the Finnish National Chorus)—the commissioning ensemble and dedicatee—and the Helsinki Philharmonic Orchestra. Orchestration ''My Own Land'' is scored for the following instruments and voices: *Vocalists: Mixed choir (SATB) *Woodwinds: 2 flutes, 2 oboes, 2  ...
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Wilhelm Stenhammar
Carl Wilhelm Eugen Stenhammar (February 7, 1871 – November 20, 1927) was a Swedish composer, conductor and pianist. Biography Stenhammar was born in Stockholm and was the brother of architect Ernst Stenhammar. He received his first musical education in Stockholm. He then went to Berlin to further his studies in music. He became a glowing admirer of German music, especially Richard Wagner and Anton Bruckner. Stenhammar himself described the style of his First Symphony in F major as "idyllic Bruckner". He subsequently sought to emancipate himself and write in a more "Nordic" style, looking to Carl Nielsen and Jean Sibelius for guidance. The latter's Symphony No. 2, especially, had a great effect on him, leading him to change his style and withdraw his own First Symphony from performance. Having seen Sibelius's symphony performed in Stockholm, Stenhammar wrote to him:You should know that you are in my thoughts daily ever since I heard the symphony. You magnificent person, it is ...
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Compositions By Jean Sibelius
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Melodramas
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Tomi Mäkelä
Tomi Matti Mäkelä (born 4 January 1964 in Lahti) is a Finnish musicologist and pianist, professor at the Martin-Luther-Universität Halle-Wittenberg in Germany. He studied music and musicology in Lahti, Vienna, Berlin (West) and Helsinki. As a pianist he studied with Rauno Jussila and Noel Flores. He got his doctoral degree 1988 in Berlin under the guidance of Carl Dahlhaus. He has published widely on the music of the nineteenth and twentieth century. His German book on Sibelius ''Poesie in der Luft'' (Breitkopf & Härtel 2007) got the award Geisteswissenschaft international 2008 and was published in English translation by Steven Lindberg as ''Jean Sibelius'' (2011). Works * with Christoph Kammertöns & Lena Esther Ptasczynski (eds.): ''Friedrich Wieck – Gesammelte Schriften über Musik und Musiker ..mit einer Einführung y Tomi Mäkelä' (Interdisziplinäre Studien zur Musik 10), Peter Lang, Frankfurt am Main etc. 2019; ; 390 pages * ''Saariaho, Sibelius und andere. Neue H ...
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Luonnotar
In the ''Kalevala'', the Finnish national epic, Ilmatar () was a virgin spirit and goddess of the air. Origins The name Ilmatar is derived from the Finnish word ''ilma'', meaning "air," and the female suffix ''-tar'', corresponding to English "-ress". Thus, her name means ''Airress''. In the Kalevala she was also occasionally called Luonnotar (), which means "female spirit of nature" (Finnish ''luonto'', "nature").Lönnrot, Elias, compiler. ''The Kalevala, or Poems of the Kaleva District: A Prose Translation with Foreword and Appendices''. Translated with foreword and appendices by Francis Peabody Magoun, Jr. Cambridge, MA: Harvard University Press, 1963. She was impregnated by the sea and wind and thus became the mother of Väinämöinen. Sibelius’s ''Luonnotar'' Jean Sibelius composed the tone poem '' Luonnotar'', for soprano and orchestra in 1913. In this work, the mythical origin of the land and sky, recounted in craggy verses from the ''Kalevala'', becomes an intense ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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Stina Ekblad
Stina Åsa Maria Ekblad (born 26 February 1954 in Solf, Ostrobothnia, Finland) is a Swedish-speaking Finnish actress. Living in Stockholm, she has appeared mostly in Swedish productions. She received a Guldbagge Award for Best Actress in 1987 for her performances in '' Amorosa'' and Ormens väg på hälleberget (''The Serpent's Way'') and was nominated again in 1996 for her performance in ''Pensionat Oskar''. Ekblad was born in the Ostrobothnian village of Solf in 1954. The village is nowadays part of the municipality of Korsholm. Selected filmography *''Fanny and Alexander'' (1982) *''The Serpent's Way'' (1986) *'' Amorosa'' (1986) *''Lethal Film'' (1988) *'' Friends, Comrades'' (1990) *''Agnes Cecilia – en sällsam historia'' (1991) *''Carl, My Childhood Symphony'' (1993) *''Pensionat Oskar'' (1995) *''Faithless'' (2000) *'' As White as in Snow'' (2001) *''At Point Blank'' (2003) *''Krøniken'' (2004–2006) – TV series *''Wallander'' (2005–2013) – TV series *''Crim ...
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Lahti Symphony Orchestra
The Lahti Symphony Orchestra (''Sinfonia Lahti'') is a Finnish orchestra, based in the city of Lahti. The orchestra is resident at the Sibelius Hall. The orchestra was founded in 1910, and placed under the control of the Lahti municipality in 1949. History Past chief conductors of the orchestra have included Ulf Söderblom (1985-1988). Osmo Vänskä became principal guest conductor of the orchestra in 1985, and chief conductor in 1988. During his tenure, he and the orchestra have achieved wide acclaim, particularly with performances and recordings of Sibelius. Other recordings by Vänskä and the orchestra include music of Robert Kajanus and Einojuhani Rautavaara. Vänskä concluded his tenure as Chief Conductor in 2008 and became Conductor Laureate of the orchestra. Jukka-Pekka Saraste served as artistic advisor to the orchestra from August 2008 to July 2011. In April 2009, the orchestra announced the appointment of Okko Kamu as its next chief conductor, as of the autumn o ...
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Osmo Vänskä
Osmo Antero Vänskä (born 28 February 1953) is a Finnish conductor, clarinetist, and composer. Biography Vänskä started his musical career as an orchestral clarinetist with the Turku Philharmonic (1971–76). He then became the principal clarinet of the Helsinki Philharmonic from 1977 to 1982. During this time, he started to study conducting with Jorma Panula at the Sibelius Academy, where his classmates included Esa-Pekka Salonen and Jukka-Pekka Saraste. In 1982, he won the International Besançon Competition for Young Conductors. Vänskä became principal guest conductor of the Lahti Symphony Orchestra in 1985, and chief conductor in 1988. He concluded his tenure with the Lahti Symphony Orchestra in 2008 and is now the orchestra's Conductor Laureate. His complete set of Sibelius symphonies with the Lahti Symphony Orchestra, also on the BIS label, has garnered widespread acclaim. He has recorded extensively with the Lahti orchestra for the BIS label, including music by Kalevi ...
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