|
Snakes And Ladders (Gerry Rafferty Album)
''Snakes and Ladders'' is the fourth album by Gerry Rafferty. It was released in 1980, following the success of his previous two albums, ''City to City'' and '' Night Owl''. The album charted at No. 15 in the UK but only reached No. 61 in the US, while singles "Bring It All Home" was #54 in UK and "The Royal Mile" #67 UK and #54 at US Billboard's Hot 100. The album was released on CD in 1998 MI 7 46609-2but deleted soon after that, and it got reissued on CD in August 2012 as a 2-CD set with "Sleepwalking." Some of the songs are available on compilation albums. Four of the songs, "The Garden of England", "I was a Boy Scout", "Welcome to Hollywood" and "Bring it all Home" were recorded at Beatles producer George Martin's AIR studio in Montserrat. All the songs were original Rafferty compositions, though one – "Johnny's Song" – was a remake of a song which had been previously released by his former band Stealers Wheel, and another – "Didn't I" – was a remake of a song from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerry Rafferty
Gerald Rafferty (16 April 1947– 4 January 2011) was a Scottish singer, songwriter, musician, and record producer. He was a founding member of Stealers Wheel, whose biggest hit was " Stuck in the Middle with You" in 1973. His solo hits in the late 1970s included "Baker Street", "Right Down the Line", and " Night Owl". Rafferty was born into a working-class family in Paisley, Renfrewshire, Scotland. His mother taught him both Irish and Scottish folk songs when he was a boy; later, he was influenced by the music of the Beatles and Bob Dylan. He joined the folk-pop group the Humblebums (of which Billy Connolly was a member) in 1969. After they disbanded in 1971, he recorded his first solo album, ''Can I Have My Money Back?''. Rafferty and Joe Egan formed the group Stealers Wheel in 1972 and produced several hits, most notably "Stuck in the Middle with You" and "Star". In 1978, he recorded his second solo album, ''City to City'', which included "Baker Street", his most popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodica
The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usually covers two or three octaves. Melodicas are small, lightweight, and portable, and many are designed for children to play. They are popular in music education programs, especially in Asia. The modern form of the instrument was invented by Hohner in the late 1950s, though similar instruments have been known in Italy since the 19th century. Description The mouthpiece can be a short rigid or semi-flexible plastic piece or a long flexible plastic tube (designed to allow the player to either hold the keyboard so the keys can be seen or lay the keyboard horizontally on a flat surface for two-handed playing). A foot pump can also be used as an alternative to breathing into the instrument. Melodica keyboards typically ascend from a low F note. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penny Whistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitched flu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Harvey
Richard Allen Harvey (born 25 September 1953) is an English composer and musician. Originally of the mediaevalist progressive rock group Gryphon, he is best known now for his film and television soundtracks. He is also known for his guitar concerto ''Concerto Antico'', which was composed for the guitarist John Williams and the London Symphony Orchestra. In April 2012, UK radio listeners voted Richard Harvey's Concerto Antico into the Classic FM Hall of Fame for the first time. Early life and career Born in Enfield, Middlesex, Harvey became involved in music, learning the recorder when he was four years old, switching first to percussion and later playing clarinet in the British Youth Symphony Orchestra. By the time he graduated from London's Royal College of Music in 1972, he was accomplished on the recorder, flute, krumhorn, and other mediaeval and Renaissance-era instruments, as well as the mandolin and various keyboards. He could have joined the London Philharmonic Orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock (instrument)
A woodblock (also spelled as two words, wood block) is a small slit drum made from a single piece of wood. The term generally signifies the Western orchestral instrument, though it is descended from the Chinese woodblock. Alternative names sometimes used in ragtime and jazz are clog box and tap box. In orchestral music scores, woodblocks may be indicated by the French ''bloc de bois'' or ''tambour de bois'', German ''Holzblock'' or ''Holzblocktrommel'', or Italian ''cassa di legno''. The orchestral woodblock of the West is generally made from teak or another hardwood. The dimensions of this instrument vary, although it is either a rectangular or cylindrical block of wood with one or sometimes two longitudinal cavities. It is played by striking it with a stick, which produces a sharp crack. Alternatively, a rounder mallet, soft or hard, may be used, which produces a deeper-pitched and fuller "knocking" sound. On a drum kit, a woodblock is traditionally mounted on a clamp fixed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Ricotti
Frank Ricotti (born 31 January 1949) is an English jazz vibraphonist and percussionist. Early life and education Ricotti was born in London, England. His father was a drummer. Bill Ashton, founder of the National Youth Jazz Orchestra (NYJO), was an early mentor. As a teenager, Ricotti played vibraphone and learned composition and arranging in the NYJO, and later attended Trinity College of Music between 1967 and 1970. Career Ricotti worked with Neil Ardley (1968–71), Dave Gelly, Graham Collier, Mike Gibbs (1969–72), Stan Tracey (1970), Harry Beckett (1970–72), Norma Winstone (1971), Gordon Beck (1973–74), Hans Zimmer. In the late 1960s and early 1970s, Ricotti led his own jazz quartet. A line-up of the band featuring the guitarist Chris Spedding, bassist Chris Laurence and drummer Bryan Spring recorded the album ''Our Point of View'', released in July 1969. In 1971, in partnership with bassist Mike de Albuquerque, he released the album ''First Wind'' (as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liam Genockey
Liam Genockey (born 12 August 1948) is an Irish musician, who is the drummer with British folk rock band Steeleye Span. Biography Genockey was born in Dublin, Ireland. During the 1960s he lived in Plymouth, Devon, U.K, playing in local semi-pro groups and then, in the early 1970s, playing with Torbay-based rock band Adolphus Rebirth. He was one of the founding members of the early-1970s jazz-fusion and afro-prog band Zzebra, later moving on with fellow band-member John McCoy to join Gillan. He then participated in Amalgam, formed in 1976 by Trevor Watts. Watts' work covers the spectrum of free jazz, electronic, jazz-rock, space jazz and folk-rock. Watts later founded 10-piece Moiré Music Ensemble which included Genockey again, along with Peter Knight, an early member of Steeleye Span. Genockey joined Steeleye Span in 1989 and recorded two studio albums ''Tempted and Tried'' and ''Time'', with them, as well as two live albums '' Tonight's the Night...Live'' and ''The Coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Zorn
Pete Zorn (29 May 1950 – 19 April 2016) was an American multi-instrumentalist who was a longstanding member of Richard Thompson's backing band. He was also a member of Steeleye Span, The Albion Band, and Driver 67. Career As a member of Thompson's backing group, Zorn played acoustic guitar, mandolin, saxophone, flute, and tin whistle and acted as a backing vocalist.Kielty, Martin''Pete Zorn dead at 65'' Team Rock News, 20 April 2016. Retrieved 20 April 2016. He was also a bass guitarist. Zorn performed on Thompson's albums ''Hand of Kindness'' (1983), '' Sweet Talker'' (1991), and '' Dream Attic'' (2010). He was also one of two credited bass guitarists on the 1982 Richard & Linda Thompson album ''Shoot Out the Lights''. Although he frequently toured with Thompson, Zorn had also played with many other singers and groups including Arizona Smoke Revue, formed by older brother Bill Zorn, Show of Hands, the Phil Beer Band, Elaine Paige, Thomas Anders, Gerry Rafferty, Barbara D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mo Foster
Mo Foster (born Michael Ralph Foster, 22 December 1944) is an English multi-instrumentalist, record producer, composer, solo artist, author, and public speaker. Through a career spanning over half a century, Foster has toured, recorded, and performed with dozens of artists, including Jeff Beck, Gil Evans, Phil Collins, Ringo Starr, Joan Armatrading, Gerry Rafferty, Brian May, Scott Walker, Frida of ABBA, Cliff Richard, George Martin, Van Morrison, Dr John, Hank Marvin, Heaven 17 and the London Symphony Orchestra. He has released several albums under his own name, authored a humorous book on the history of British rock guitar, written numerous articles for music publications, continued to compose production music, and established himself as a public speaker. Foster is an assessor for JAMES, an industry organisation that gives accreditation to music colleges throughout the UK. In 2014, Foster was a recipient of a BASCA Gold Badge Award to honour his lifelong contribution to the Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerry Donahue
Jerry Donahue (born September 24, 1946, Manhattan, New York City) is an American guitarist and producer primarily known for his work in the British folk rock scene as a member of Fotheringay and Fairport Convention as well as being a member of the rock guitar trio The Hellecasters. Biography Donahue was born in New York, the son of big band saxophonist Sam Donahue and actress Patricia Donahue and grew up in Los Angeles. Encouraged by his parents, Donahue took classical guitar lessons as a child, but it was Gerry McGee (who later joined The Ventures) who made the biggest impression on him, when the 14-year-old Donahue witnessed him playing a behind-the-nut bend at a performance at the ''Sea Witch'', emulating Earl Scruggs' banjo technique. Donahue then took lessons from McGee. Regarding regular bends on the fretboard, Donahue cites Amos Garrett as a major influence. Other influences in his formative years were Chet Atkins, Duane Eddy, The Shadows and The Ventures; later influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
