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Smokin' O.P.'s
''Smokin' O.P.'s'' is the fifth studio album by American rock singer-songwriter Bob Seger, released in 1972 (see 1972 in music). The album was reissued on CD by Capitol Records in 2005. It is currently the earliest Bob Seger album available on CD. The cover art is a parody of the Lucky Strike cigarette logo. ''Smokin' O.P.'s'' refers to Smokin' Other People's Songs, a derivation on the slang phrase "Smoking O.P.'s" meaning to smoke other people's cigarettes exclusively (never purchasing your own for consumption). Most of the tracks on this release are covers of songs written by other artists. The album cover was created by Thomas Leroy Weschler, who was Seger's road manager at the time. The cover was inspired by an advertisement for Lucky Strike cigarettes. Tom Weschler also went on to co-write ''Traveling Man: On the Road & Behind the Scenes with Bob Seger''. "If I Were a Carpenter" and "Hummin' Bird" were recorded and mixed at RCA Studios, Toronto, Canada. Track listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Seger
Robert Clark Seger ( ; born May 6, 1945) is an American singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded as Bob Seger and the Last Heard and The Bob Seger System throughout the 1960s, breaking through with his first album, ''Ramblin' Gamblin' Man'' (which contained his first national hit of the same name) in 1968. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album ''Live Bullet'' (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album '' Night Moves''. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley (Bo Diddley Song)
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including ''Bo Diddley (1958 album), Bo Diddley'' (1958) and ''His Best (Bo Diddley album), His Best'' (1997). Buddy Holly recorded a version that became his highest charting single in the UK. Composition and recording The song is rhythmically similar to Juba dance, hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. Diddley's electric guitar along with his backup musicians on maracas and drums contributed to the Juba dance, patted juba rhythm. This combination of rock and roll, African rhythms and guitar was an innovation and came to be known as the Bo Diddley Beat. Lyrically, it is similar to the traditional lullaby "Hush Little Baby". "Bo Diddley" was recorded in Chicago at his fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Ashford
Jack Ashford (born May 18, 1934), known to his friends as Jashford, is an American musician widely known as the percussionist for Motown Records' in-house Funk Brothers band during the 1960s and early 1970s. Ashford is most famous for playing the tambourine on hundreds of Motown recordings. With the death of Joe Messina in April 2022, Ashford is the last surviving member of the Funk Brothers. Instruments he is known to have played are the tambourine, vibraphone, marimba, maracas, cabasa, bells, chimes, bell tree, finger cymbals, kazoo, triangle, wood block, handclaps, foot stomps and hotel sheet. His definitive performance is on "War" by Edwin Starr. Other notable songs Ashford played tambourine on include " Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by The Supremes, "I Heard It Through the Grapevine" by Marvin Gaye, and "Don't Leave Me This Way" by Thelma Houston. He played vibes, shakers, and the marimba on Motown recordings such as The Miracles' "O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heavy Music
"Heavy Music" is a song first released as a single by Bob Seger & the Last Heard. Two different vocal takes of the song (using the same instrumental track) were released together on either side of the single, with the names "Heavy Music Part 1" and "Heavy Music Part 2". An eight-minute fourteen-second-long live version of the song is featured on the album ''Live Bullet'' with the Silver Bullet Band. Writing and production The song is about listening to music and the emotions it evokes, but misunderstandings arose. Seger denied those took a sexual reading of the lyric: "A lot of people really misconstrued it. That was a song about the music, but a lot of people thought it was a song about music and sex, the two together. There was nothing sexual in it, it was simply read in by a lot of program directors. The part about 'goin' deeper.'" Success The single proved to be Seger's most successful work to date, climbing to the number one position on the Detroit charts and gaining h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesse James (folk Song)
"Jesse James" is a 19th-century American folk song about the outlaw of the same name, first recorded by Bentley Ball in 1919 and subsequently by many others, including Bascom Lamar Lunsford, Vernon Dalhart, Woody Guthrie, Pete Seeger, The Kingston Trio, The Pogues, The Ramblin' Riversiders, The Country Gentlemen, Willy DeVille, Van Morrison, Harry McClintock, Grandpa Jones, Bob Seger, The Nitty Gritty Dirt Band, Carl Sandburg, Sons of the Pioneers, Johnny Cash, Liam Clancy, Mungo Jerry and Bruce Springsteen. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. Description The lyrics are largely biographical containing a number of details from Jesse James' life, portraying him as an American version of Robin Hood, though there is no evidence to indicate that he actually "stole from the rich and gave to the poor". The song is the starting point of the ''Jesse James'' panel of a mural on American folk songs by Thomas Hart Benton. But t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Wade Scott
Joseph Wade Scott (December 2, 1924 – March 6, 1979) was an American R&B trumpeter, bandleader, songwriter, arranger, record producer and A&R man, best known for his work at Duke and Peacock Records in the 1950s and 1960s, notably with Bobby "Blue" Bland. Biography Born in Texarkana, Texas, United States, he settled in Houston, Texas, by about 1950, becoming established as the principal bandleader, A&R man and arranger at Don Robey's Duke and Peacock Records. He wrote and arranged songs for Johnny Ace, Big Mama Thornton, Bobby Bland, and Junior Parker, as well as leading their touring bands. Among the songs that Scott wrote – although in most cases Robey claimed a co-writing credit with him, or in some cases sole credit – were Bobby Bland's "Lead Me On", "Turn On Your Love Light" and "Ain't Nothing You Can Do"; Larry Davis' " Texas Flood"; Johnny Ace's "Never Let Me Go"; and Junior Parker's "Annie Get Your Yo-Yo". Scott's arrangements featured extensive use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadric Malone
Don Deadric Robey (November 1, 1903 – June 16, 1975) was an American record label executive, songwriter, and record producer. As the founder of Peacock Records and the eventual owner of Duke Records, he was responsible for developing the careers of many rhythm and blues artists in the 1950s and 1960s. He was the first African American record mogul, 10 years prior to Berry Gordy's Motown label (though the first Black-owned label, Black Swan Records, belonged to Harry Pace in the 1920s). Robey was notorious for his controversial business practices; he reputedly used criminal means, including violence and intimidation, as part of his business model, though he was held in high regard by some of the musicians who worked for him. He was credited with writing or co-writing many of the songs recorded by Duke/Peacock artists, either under his real name, or under the pseudonym of Deadric Malone. However in many cases, he was merely a publisher and was not involved in the writing. Many o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn On Your Love Light
"Turn On Your Love Light" is a rhythm and blues song recorded by Bobby Bland in 1961. It was both an important R&B and pop chart hit for Bland and has become one of his most identifiable songs. A variety of artists have recorded it, including the Grateful Dead, who made it part of their concert repertoire. Composition and recording "Turn On Your Love Light" was written by band leader and arranger Joe Scott (with an additional credit given to Duke Records owner/producer Don Robey aka Deadric Malone). Scott's brass arrangement "upped the excitement ante" with "the groove picking up momentum as the horns and percussion talk to each other" and Bland's vocal "riding on top". Backing Bland are probably Joe Scott and Melvin Jackson on trumpets, Pluma Davis on trombone, Johnny Board and Jimmy Beck on saxophones, Rayfield Davers on baritone saxophone, Teddy Reynolds on piano, Wayne Bennett on guitar, Hamp Simmons on bass, and John "Jabo" Starks on drums. Charts and recognition "Turn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chuck Berry
Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as " Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957) and " Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.Campbell, M. (ed.) (2008). ''Popular Music in America: And the Beat Goes On''. 3rd ed. Cengage Learning. pp. 168–169. Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Rock (Chuck Berry Song) ''
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Let It Rock may refer to: * ''Let It Rock'' (magazine), a British monthly music magazine published between 1972 and 1975 * Sex (boutique), formerly Let It Rock, a London fashion boutique Albums * ''Let It Rock'' (1973 compilation), an album by Atlantic Records * ''Let It Rock'' (Great White album) * ''Let It Rock'' (Ronnie Hawkins album) * '' Let It Rock: The Jerry Garcia Collection, Vol. 2'', a 2009 album by the Jerry Garcia Band * ''Let It Rock!'', an album by The Connection Songs * "Let It Rock" (Chuck Berry song) covered by The Rolling Stones, Dave Edmunds, The Wildebeests, Skyhooks * "Let It Rock" (Kevin Rudolf song), featuring Lil Wayne * "Let It Rock", a song by Bon Jovi from ''Slippery When Wet ''Slippery When Wet'' is the third studio album by American rock band Bon Jovi. It was released on August 18, 1986, by Mercury Records in North America and Vertigo Records internationally. It was produced by Bruce Fairbairn, with recording sess ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Russell
Leon Russell (born Claude Russell Bridges; April 2, 1942 – November 13, 2016) was an American musician and songwriter who was involved with numerous bestselling records during his 60-year career that spanned multiple genres, including rock and roll, country, gospel, bluegrass, rhythm and blues, southern rock, blues rock, folk, surf and the Tulsa Sound. He collaborated with many notable artists and recorded at least 31 albums and 430 songs. He wrote "Delta Lady", recorded by Joe Cocker, and organized and performed with Cocker's '' Mad Dogs & Englishmen'' tour in 1970. His " A Song for You", which was named to the Grammy Hall of Fame in 2018, has been recorded by more than 200 artists, and his song "This Masquerade" by more than 75. As a pianist, he played in his early years on albums by the Beach Boys, Dick Dale, and Jan and Dean. On his first album, '' Leon Russell'', in 1970, the musicians included Eric Clapton, Ringo Starr, and George Harrison. One of his early fans, Elton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hardin
James Timothy Hardin (December 23, 1941 – December 29, 1980) was an American folk and blues musician and composer. As well as releasing his own material, several of his songs, including " If I Were a Carpenter" and "Reason to Believe", became hits for other artists. Hardin grew up in Oregon and joined the Marine Corps. He started his music career in Greenwich Village which led to recording several albums in the mid- to late 1960s, and a performance at the Woodstock Festival. Hardin struggled with drug abuse throughout most of his adult life, and live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from a heroin overdose. Early life and career Hardin was born in Eugene, Oregon to parents who both had musical training. His mother, Molly Small Hardin, was an accomplished violinist who performed with the Portland Symphony Orchestra and his father played in jazz bands. He attended South Eugene High School but dropped out at age 18 to jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
