Smoke In The Shadows
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Smoke In The Shadows
''Smoke in the Shadows'' is the fifth album by American singer-songwriter Lydia Lunch, released in November 2004 by record labels Atavistic and Breakin Beats. Reception '' Uncut'' wrote that it "may be the best thing she's done in years". Tiny Mix Tapes wrote that it "distills a myriad of diverse interests into a focused and effective album." ''PopMatters'' called it "Lunch's most listenable record since '' Queen of Siam'', but since she's no longer capable of (or interested in) surprising us or conveying convincing vulnerability, it lacks anything as truly chilling as 'Mechanical Flattery'." Track listing Personnel * Lydia Lunch – vocals, production, design *Joseph Berardi – vibraphone on "Hangover Hotel", "Johnny Behind the Deuce" and "I Love How You..." *Adele Bertei – backing vocals * Carla Bozulich – vocals on "I Love How You...", backing vocals on "Hot Tip" * Alex Cline – drums on "Hangover Hotel", "Johnny Behind the Deuce" and ...
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Lydia Lunch
Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks. Her work typically features provocative and confrontational noise music delivery, and has maintained an anti-commercial ethic, operating independently of major labels and distributors. The ''Boston Phoenix'' named Lunch one of the ten most influential performers of the 1990s. Her collaboration with Sonic Youth called " Death Valley '69" was named one of "The 50 Most Evil Songs Ever" by ''Kerrang!'' Biography Lunch was born on June 2, 1959, in Rochester, New York and is of German and Italian descent. She moved to New York City at the age of 16 and eventually moved into a communal household of artists and musicians. After befriending Alan Vega and Martin Rev at Max's K ...
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Alex Cline
Alex Cline (born January 4, 1956) is an American jazz drummer. Biography Born in Los Angeles, California, Cline began playing drums with his twin brother, guitarist Nels Cline, at the age of 11. Their first band was called Homogenized Goo and included David Hirschman on guitar. Alex Cline began a musical association with woodwind artist Jamil Shabaka in 1976 as "Duo Infinity". In 1977, he became a member of Vinny Golia's group as well as the Julius Hemphill Trio (along with Baikida Carroll), formed the electric improvisational trio Spiral (with brother Nels and synthesizer player and multi-instrumentalist Brian Horner) and began performing solo percussion concerts. In 1979, Alex and Nels Cline, along with bassist Eric von Essen and violinist Jeff Gauthier, formed "Quartet Music", a group that enjoyed continued success in its performances and four recordings over an eleven-year period and was awarded grants from the National Endowment for the Arts and the California Arts Counci ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Wayne Peet
Wayne Edward Peet (born December 6, 1954 in Dallas) is an American jazz pianist & organist active chiefly on the West Coast jazz scene. Peet began on piano at age six; he played in churches in Washington, Oregon, Idaho, and California while young. He also played trombone but quit the instrument in his early 20s. He attended Westmont College from 1973 to 1977, where he was a founding member with John Rapson of the Frobisher Hall Art Ensemble. Peet moved to Los Angeles in 1978 to play with John Rapson. He played with Alex Cline, Nels Cline, Vinny Golia, and Steuart Liebig in the 1980s, and recorded for Golia's Nine Winds label. Peet has composed extensively for film and television, and also does production and engineering for Nine Winds, pfMentum, Blue Note, Enja, Atavistic, Little Brother, SST and other labels. He wrote arrangements for Brian Setzer from 1992–94, played with Bobby Bradford in 2000 and engineered the first Leviathan Brothers EP in 2005. Discography As leader * '' ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register str ...
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Vinny Golia
Vinny Golia (born March 1, 1946) is an American composer and multi-instrumentalist specializing in woodwind instruments. He performs in the genres of contemporary music, jazz, free jazz, and free improvisation. Career As a composer, Golia fuses the rich heritage of jazz, contemporary classical music and world music. Also a bandleader, he has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Golia has won numerous awards as a composer, including grants from the National Endowment of the Arts, the Lila Wallace Commissioning Program, the California Arts Council, Meet the Composer, Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982, he created the ongoing 50-piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles. A multi-woodwind performer, Golia's recordings ...
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