Smash Cut
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Smash Cut
A smash cut is a technique in film and other moving picture media where one scene abruptly cuts to another for aesthetic, narrative, or emotional purpose. To this end, the smash cut usually occurs at a crucial moment in a scene where a cut would not be expected. To heighten the impact of the cut, a disparity in the type of scene on either side of the cut is often present, going from a fast-paced frenzied scene to a tranquil one, or going from a pleasant scene to a tense one, for example. For example, a smash cut could be used in a murder scene: the killer brings a knife plunging down into his victim, and just before the blade pierces the skin, the scene is suddenly replaced with a non-violent use of a cutting edge, such as the chopping of vegetables. Smash cuts are often used when a character wakes up from a nightmare to simulate the jarring nature of that experience. Smash cutting can also be used to comedic effect: for example, directly after a prediction is made, cutting to t ...
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Nightmare
A nightmare, also known as a bad dream, Retrieved 11 July 2016. is an unpleasant dream that can cause a strong emotional response from the mind, typically fear but also despair, anxiety or great sadness. The dream may contain situations of discomfort, psychological or physical terror, or panic. After a nightmare, a person will often awaken in a state of distress and may be unable to return to sleep for a short period of time. Recurrent nightmares may require medical help, as they can interfere with sleeping patterns and cause insomnia. Nightmares can have physical causes such as sleeping in an uncomfortable position or having a fever, or psychological causes such as stress or anxiety. Eating before going to sleep, which triggers an increase in the body's metabolism and brain activity, can be a potential stimulus for nightmares. The prevalence of nightmares in children (5–12 years old) is between 20 and 30%, and for adults is between 8 and 30%. In common language, the meani ...
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Gilligan's Island
''Gilligan's Island'' is an American sitcom created and produced by Sherwood Schwartz. The show's ensemble cast features Bob Denver, Alan Hale Jr., Jim Backus, Natalie Schafer, Tina Louise, Russell Johnson and Dawn Wells. It aired for three seasons on the CBS network from September 26, 1964, to April 17, 1967. The series follows the comic adventures of seven castaways as they try to survive on an island where they are shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts to escape their plight, with Gilligan usually being responsible for the failures. ''Gilligan's Island'' ran for 98 episodes. All 36 episodes of the first season were filmed in black and white and were later colorized for syndication. The show's second and third seasons (62 episodes) and the three television film sequels (aired between 1978 and 1982) were filmed in color. The show received solid ratings during its original run, then grew in popularit ...
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Last Of The Summer Wine
''Last of the Summer Wine'' is a British sitcom created and written by Roy Clarke and originally broadcast by the BBC from 1973 to 2010. It premiered as an episode of ''Comedy Playhouse'' on 4 January 1973, and the first series of episodes followed on 12 November 1973. From 1983 to 2010, Alan J. W. Bell produced and directed all episodes of the show. The BBC confirmed on 2 June 2010 that ''Last of the Summer Wine'' would no longer be produced and the 31st series would be its last. Subsequently, the final episode was broadcast on 29 August 2010. Since its original release, all 295 episodes, comprising thirty-one series—including the pilot and all films and specials—have been released on DVD. Repeats of the show are broadcast in the UK on BBC One (until 18 July 2010 when the 31st and final series started on 25 July of that year), Gold (UK TV channel), Gold, Yesterday (TV channel), Yesterday, and Drama (British TV channel), Drama. It is also seen in more than 25 countries, inclu ...
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Jump Cut
A jump cut is a cut (transition), cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's ''Breathless (1960 film), Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes ...
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Match Cut
In film, a match cut is a cut from one shot to another where the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the logic of the action. This is a standard practice in film-making, to produce a seamless reality-effect. Wider context Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations. A graphic match (as opposed to a gr ...
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Film And Video Terminology
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ...
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