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Small Faces (1967 Album)
''Small Faces'' is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, ''From the Beginning'' in early June 1967 in order to sabotage the chart success of the Immediate ''Small Faces'' release - something that it managed to do to some extent when ''From the Beginning'' reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed ''The First Immediate Album'' by several fans. The album is considered to be the artistic breakthrough f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Small Faces
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", " Lazy Sunday", " All or Nothing" and "Tin Soldier", as well as their concept album ''Ogdens' Nut Gone Flake''. They evolved into one of the UK's most successful psychedelic bands until 1969. When Marriott left to form Humble Pie, the remaining three members collaborated with Ronnie Wood, Ronnie's older brother Art Wood, Rod Stewart and Kim Gardner, briefly continuing under the name Quiet Melon, and then, with the departure of Art Wood and Gardner, as Faces. In North America, Faces' debut album was credited to Small Faces. Following the breakup of both Faces and Humble Pie in 1975, the classic line-up of Small Faces re-form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Winston
James Edward Winston Langwith (20 April 1945 – 26 September 2020), known professionally as Jimmy Winston, was an English musician and actor. He was the original keyboard player with Small Faces. Winston had apparently previously worked under the stage name James Moody. His acting credits include the 1968 stage musical ''Hair'' and the 1972 ''Doctor Who'' serial ''Day of the Daleks''. Small Faces In early 1965, Winston, along with his acquaintance Steve Marriott, formed Small Faces with Ronnie Lane and Kenney Jones. While originally a guitarist, his role was soon shifted to become a keyboardist. Winston was fundamental in the band's emergence, as his parents owned the Ruskin Arms pub located in Manor Park, a place where the group would rehearse and occasionally perform. After a performance at the Cavern Club on Leicester Square, an assistant of manager Don Arden stepped up to the band and managed to secure them a contract with Decca Records. The band released their debut sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ogdens' Nut Gone Flake
''Ogdens' Nut Gone Flake'' is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for a total of six weeks. It ultimately became the group's final studio album during their original incarnation (and the last album to contain solely new material until the release of reunion album ''Playmates'' in 1977). The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned loose tobacco that was produced in Liverpool from 1899 onwards by Thomas Ogden. Background Side one of the album showcases a variety of musical styles. The opening title track is an instrumental re-working of " I've Got Mine", a failed single from 1965. This recording uses a piano treated with wah-wah pedal and orchestral flourishes from a string section led by David McCallum Senior (the father of The Man from U.N.C.L.E. star Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Up The Wooden Hills To Bedfordshire
"Up the Wooden Hills to Bedfordshire" (alternatively known as "Up the Wooden Hills") is a song written by English keyboardist Ian McLagan, first recorded and released by his band Small Faces in 1967. The song was McLagan's first original composition written for the band. Background Ian McLagan joined the Small Faces in October 1965 as a keyboardist, and performed his first gig with them on 2 November that year at the Lyceum Theatre, in London. McLagan acted as a keyboardist, preferring to play the Hammond organ over other organs, but also occasionally played rhythm guitar, an instrument he played in a previous band. However, McLagan had not significantly contributed a song to the band, who either played covers or songs written by Steve Marriott and Ronnie Lane. He had however, received a shared songwriting credits for several instrumentals of the band, including "Own Up Time" from their debut album, "Grow Your Own", the B-Side of "Sha-La-La-La-Lee" and "Almost Grown", the B-sid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian McLagan
Ian Patrick McLagan (; 12 May 1945 – 3 December 2014) was an English keyboardist, best known as a member of the rock bands Small Faces and Faces. He also collaborated with the Rolling Stones and led his own band from the late 1970s. He was inducted into the Rock and Roll Hall of Fame in 2012. Early life McLagan was born at West Middlesex Hospital, Isleworth, to Alec William McLagan, of Scottish descent, and Susan (née Young), from Mountrath, County Laois. He had an elder brother, Mike. The McLagan family lived in Hounslow, West London. Alec McLagan was an enthusiastic amateur skater, having been British speed-skating champion in 1928; a photograph of him in this role features on the cover of his son's solo album, Best of British (2000). He first started playing keyboards at the age of seven after his mother purchased an upright piano; one of his first appearances was in a group entitled 'the Blue Men' in which he played rhythm guitar. McLagan was educated at Spring Grov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green Circles
"Green Circles" is a song by English rock band Small Faces first recorded in 1966. While not issued as a single in the United Kingdom, it was originally intended as the B-Side of "Here Come the Nice", their first single release on Immediate Records, this release was cancelled and the B-Side was replaced with " Talk to You." It remains one of the group's most well known and influential songs, and showcases the group's venture into psychedelic music, which would be prevalent in their later work, such as on "Itchycoo Park", " Lazy Sunday" and ''Ogdens' Nut Gone Flake.'' Song profile The song was written by Steve Marriott, Ronnie Lane and Michael O'Sullivan, it was recorded on 13 December 1966 at IBC Studios at a session attended by ''Melody Maker'' journalist Nick Jones. The group resumed further work added at Olympic Studios on 28 February 1967, Olympic Studios was the same studio the band recorded most of their tracks while signed to Immediate. It was the last track on side one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelia
Psychedelia refers to the psychedelic subculture of the 1960s and the psychedelic experience. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline (found in peyote) and psilocybin (found in magic mushrooms) and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another. A psychedelic experience is characterized b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power pop bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Pop
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. Harpsichords figure prominently, while oboes, French horns, and string quartets are also common. Although harpsichords had been deployed for a number of pop hits since the 1940s, starting in the 1960s, some record producers increasingly placed the instrument in the foreground of their arrangements. Inspired partly by the Beatles' song "In My Life" (1965), various groups were incorporating baroque and classical instrumentation by early 1966. The term "baroque rock" was coined in promotional material for the Left Banke, who used harpsichords and violins in their arrangements and whose 1966 song "Walk Away Renée ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Way Of Giving
"My Way of Giving" is a song written by Steve Marriott and Ronnie Lane. Initially demoed by their band Small Faces in 1966, it was given to British singer Chris Farlowe, who released his version as a single in early 1967. It was Farlowe's first single not written by Jagger–Richards since 1965's " The Fool". The Small Faces themselves decided to go on and record a version which was released on two different albums (albeit with minor differences) on two different record labels. The song has since been recorded by multiple other artists, including French rock singer Johnny Hallyday in French as "Je N'Ai Jamais Rien Demandé" for his 1967 studio album ''Johnny 67.'' The Only Ones recorded a demo in 1975 that was released on their 1984 album ''Remains''. Rock artist Rod Stewart would also go on to cover the track in 1970. Drummer Kenney Jones and keyboardist Ian McLagan appear on Small Faces and Stewart's rendition. Marriott plays on Farlowe's and Small Faces version while L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Samwell
Ian Ralph Samwell (19 January 1937 – 13 March 2003) was an English musician, singer-songwriter and record producer. He is best known as the writer of Cliff Richard's debut single "Move It", and his association with the rock band America, with whom he had his biggest commercial success with their hit single, "A Horse with No Name". He also worked with rock bands, such as the Small Faces, The Grateful Dead, Frank Zappa, Joni Mitchell, John Mayall and Hummingbird. Samwell wrote for many other British artists, including Joe Brown, Elkie Brooks, Kenny Lynch and Dusty Springfield. Several of his songs were recorded in Spanish by the Mexican group, Los Teen Tops and were released in Latin America and the Spanish-speaking territories of the world. He also worked as a record producer with Sounds Incorporated, Georgie Fame, John Mayall and the mod band The Small Faces, co-writing their 1965 hit single "Whatcha Gonna Do About It". Career In 1958, Samwell heard Harry Webb performing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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