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Slow Cutting
Slow cutting is a film editing technique which uses shots of long duration. Though it depends on context, it is estimated that any shot longer than about fifteen seconds will seem rather slow to many modern-day viewers, especially those who are accustomed to mainstream Western movies, where slow cuts are uncommon. A famous example of slow cutting can be found in Stanley Kubrick's '' A Clockwork Orange'' (1971). In a segment that lasts three minutes and fifteen seconds and contains only three shots, the main character (Alex de Large) is followed as he walks the length of a futuristic record store, meets two young ladies, and brings them back to his (parents') house for sex. See also * Long take * Motion picture terminology * Fast cutting Fast cutting is a film editing technique which refers to several consecutive shots of a brief duration (e.g. 3 seconds or less). It can be used to quickly convey much information, or to imply either energy or chaos. Fast cutting is also fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shot (filming)
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: #In production, a shot is the moment that the camera starts rolling until the moment it stops. #In film editing, a shot is the continuous footage or sequence between two edits or cuts.Ascher, Steven, and Edward Pincus. ''The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age''. New York: Plume, 1999. p. 214. Etymology The term "shot" is derived from the early days of film production when cameras were hand-cranked, and operated similarly to the hand-cranked machine guns of the time. That is, a cameraman would "shoot" film the way someone would "shoot" bullets from a machine gun. Categories of shots Shots can be categorized in a number of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term " long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Kubrick
Stanley Kubrick (; July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. Widely considered one of the greatest filmmakers of all time, his films, almost all of which are adaptations of novels or short stories, cover a wide range of genres and are noted for their innovative cinematography, Black comedy, dark humor, realistic attention to detail and extensive set designs. Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School (New York City), William Howard Taft High School from 1941 to 1945. He received average grades but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for ''Look (American magazine), Look'' magazine in the late 1940s and early 1950s, he began making short films on shoestring budgets, and made his first major Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Clockwork Orange (film)
''A Clockwork Orange'' is a 1971 dystopian crime film adapted, produced, and directed by Stanley Kubrick, based on Anthony Burgess's 1962 novel of the same name. It employs disturbing, violent images to comment on psychiatry, juvenile delinquency, youth gangs, and other social, political, and economic subjects in a dystopian near-future Britain. Alex ( Malcolm McDowell), the central character, is a charismatic, antisocial delinquent whose interests include classical music (especially Beethoven), committing rape, theft, and ultra-violence. He leads a small gang of thugs, Pete ( Michael Tarn), Georgie ( James Marcus), and Dim ( Warren Clarke), whom he calls his ''droogs'' (from the Russian word друг, which is "friend", "buddy"). The film chronicles the horrific crime spree of his gang, his capture, and attempted rehabilitation via an experimental psychological conditioning technique (the "Ludovico Technique") promoted by the Minister of the Interior (Anthony Sharp). Alex n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Take
In filmmaking, a long take (also called a continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term " long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm film. As a result, each take used up to a whole roll of film and l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motion Picture Terminology
The film industry is built upon many technologies and techniques, drawing upon photography, stagecraft, music, and many other disciplines. Following is an index of specific terminology applicable thereto. 0-9 180 degree rule - 30 degree rule A A and B editing - A roll - Accelerated montage - Acousmatic - Action axis - Aerial shot - Ambient light - American night - American shot - Anamorphic - Angle of view - Angle plus angle - Angular resolution - Answer print - Aperture - Apple box - Artificial light - ASA speed rating - Aspect ratio - Autofocus - Automated dialogue replacement - Available light - Axial cut B B roll - Baby plates - Backlot - Background lighting - Balloon light - Barn doors (lighting) - Below the line (film production) - Best boy - Blocking - Bluescreen - Boom shot - Boomerang (lighting) - Bounce board - Brightness (lighting) - Broadside (lighting) - Butterfly (lighting) C C-Stand - Callier effect - Cameo lighting - Cameo (credits image) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fast Cutting
Fast cutting is a film editing technique which refers to several consecutive shots of a brief duration (e.g. 3 seconds or less). It can be used to quickly convey much information, or to imply either energy or chaos. Fast cutting is also frequently used when shooting dialogue between two or more characters, changing the viewer's perspective to either focus on the reaction of another character's dialog, or to bring to attention the non-verbal actions of the speaking character. One famous example of fast cutting is the shower scene in Alfred Hitchcock's film '' Psycho'' (1960). More recent examples include the can-can scene in Baz Luhrmann's ''Moulin Rouge!'' (2001). The film ''Mind Game'' makes extensive use of fast cutting to convey hundreds of short scenes in the space of fifteen minutes. In ''Run Lola Run'' fast cutting is used to quickly tell stories about minor characters to show how the casual actions of the protagonists have profound impact on what happens to them. In v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slow Cinema
Slow cinema is a genre of art cinema characterised by a style that is minimalist, observational, and with little or no narrative, and which typically emphasizes long takes.Steven RoseTwo Years At Sea: little happens, nothing is explained ''The Guardian'', 26 April 2012. It is sometimes called "contemplative cinema".Thomas Elsaesser, Stop/Motion in Eivind Rossaak (ed). Between Stillness and Motion: Film, Photography, Algorithms. p117. 2011 Examples include Ben Rivers' '' Two Years at Sea'', Michelangelo Frammartino's '' Le Quattro Volte'', and Shaun Wilson's ''51 Paintings''. History Founders of the genre include Andrei Tarkovsky, Ingmar Bergman, Michelangelo Antonioni, Robert Bresson, František Vláčil, Pier Paolo Pasolini, G. Aravindan, Aleksandr Sokurov, Béla Tarr, Chantal Akerman, Theo Angelopoulos, Abbas Kiarostami, Franco Piavoli.Nick JamesSyndromes of a new century ''Sight & Sound'', February 2010 and Andy Warhol. Tarkovsky said, "I think that what a person normally go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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