Slow Dazzle (album)
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Slow Dazzle (album)
''Slow Dazzle'' is the fifth solo studio album by Welsh musician John Cale, released on 25 March 1975, his second album for record label Island. Content "Mr. Wilson" is about seminal American musician Brian Wilson; the Beach Boys founding member has been a strong influence on Cale's work over the years. The song reflects the strong, divisive personal struggles in Wilson's life. The music's tone fluctuates from paranoid and unhappy to warm and pleasant moment by moment. "Heartbreak Hotel" is a cover of the Elvis Presley song (written by Mae Boren Axton and Tommy Durden) with fundamental elements of the track changed such the singing taking in "chilling" screams and dark synthesizer elements added to the background. The track "Guts" opens with the line "The bugger in the short sleeves fucked my wife". This refers to rock musician Kevin Ayers sleeping with Cale's wife before the concert that's captured on the ''June 1, 1974'' album; John Cale related the details in his autobio ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Cover (music)
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a copy o ...
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Keith Morris (photographer)
Keith Morris (15 August 1938 – 17 June 2005) was an English rock photographer. Morris was responsible for several iconic images of Marc Bolan. He photographed musical figures including Led Zeppelin, Van der Graaf Generator, Janis Joplin, Fairport Convention, Richard Thompson, The Albion Band, B. B. King, Jimi Hendrix, John Cale, Fred Astaire and album covers such as ''Pictures at an Exhibition'' by ELP. With the new wave of the late 1970s, Morris also photographed The Damned, Elvis Costello and the Attractions, Nick Lowe, The Kursaal Flyers and Dr. Feelgood. Career Morris was born in Wandsworth, south west London in 1938 and he studied photography at the Guildford School of Art. He was inaccurately known in the music industry as the only professional to have photographed Nick Drake before his death in 1974. An exhibition of his Drake photographs was exhibited in 2004 at the Redfern's Music Picture Gallery in west London. Morris said: "Although I knew Nick on and off for ab ...
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Drone Music
Drone music, drone-based music, or simply drone, is a minimalist genre that emphasizes the use of sustained sounds, notes, or tone clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Overview Music which contains drones and is rhythmically still or very slow, called "drone music",For information on early and other uses of drones in music around the world, see for example (American Musicological Society, ''JAMS'' (''Journal of the American Musicological Society''), 1959, p255 "Remarks such as those on drone effects produced by double pipes with an unequal number of holes provoke thoughts about the mystery of drone music in antiquity and about primitive polyphony.") or (Barry S. Brook & al., ''Perspectives in Musicology'', W. W. Norton, 1972, , p85 "My third example of the f ...
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Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchant (a we ...
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White Light/White Heat
''White Light/White Heat'' is the second studio album by American rock band the Velvet Underground. Released on January 30, 1968, on Verve Records, it was the band's last studio recording with multi-instrumentalist and founding member John Cale. Recorded after Reed fired Andy Warhol, who had produced their debut album ''The Velvet Underground & Nico'', they hired Steve Sesnick as a manager and hired producer Tom Wilson who had worked on the band's debut. ''White Light/White Heat'' was engineered by Gary Kellgren. The album includes lyrically transgressive themes like their debut, exploring topics such as sex, amphetamines, and drag queens. Reed was inspired by a variety of authors, including William S. Burroughs and Alice Bailey, and the lyrics create a cast of characters, such as in " The Gift" and those named in "Sister Ray". Musically, he took influence from jazz music and players such as saxophonist Ornette Coleman. Warhol conceived the album's cover art, although he is off ...
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The Velvet Underground
The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Their integration of rock and the avant-garde achieved little commercial success during the group's existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The group's provocative subject matter, musical experiments, and often nihilistic attitudes also proved influential in the development of punk rock and new wave music. The group performed under several names before settling on the Velvet Underground in 1965, inspired by the book of the same name. In 1966, pop artist Andy Warhol became their manager, and they served as the house band at Warhol's studio, the Factory, and his tra ...
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The Gift (The Velvet Underground Song)
"The Gift" is the second track that appears on ''White Light/White Heat'', the 1968 second album by the Velvet Underground. The song is over eight minutes long and, in the stereo version, mixed in such a way that a short story can be heard in the left speaker, while a rock instrumental is heard on the right. Elements Short story The short story, recited by a deadpan John Cale, was written by Lou Reed as a writing project during his college days. The narrative concerns Waldo Jeffers, a lovesick youth, who has engaged in a distressing long-distance relationship with his college girlfriend Marsha Bronson. After their school terms end, Waldo returns to his hometown of Locust, Pennsylvania. He becomes increasingly paranoid over the course of two months, worried that Marsha might not stay faithful to him as promised. More than anything, he fears constantly that she will engage in sexual promiscuity. Lacking the requisite money to visit her in Wisconsin, he concocts a plan to mail hims ...
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Victor Bockris
Victor Bockris (born 1949) is an English-born, U.S.-based author, primarily biographies of artists, writers, and musicians. He has written about Lou Reed (and The Velvet Underground), Andy Warhol, Keith Richards, William S. Burroughs, Terry Southern, Blondie, Patti Smith, and Muhammad Ali. He also helped write the autobiographies of John Cale and Bebe Buell. Bockris was born in Sussex, England in 1949; his family moved to Pennsylvania when he was four years old. He attended the British boarding school Rugby and Philadelphia's Central High School. He graduated from the University of Pennsylvania with a BA in Literature in 1971. While still in Philadelphia, he founded Telegraph Books along with Andrew Wylie and Aram Saroyan. He also published two books of his own poetry, ''In America'' and ''Victor Bockris''. He moved to New York City in 1973 to work with Andrew Wiley as a writing team called Bockris-Wiley. They interviewed the 100 most intelligent people in the world accordi ...
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June 1, 1974
''June 1, 1974'' is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to Kevin Ayers, John Cale, Brian Eno and Nico, although other well-known musicians, including Mike Oldfield, Robert Wyatt and Ollie Halsall, also contributed to the concert. Content The cover photograph was taken by Mick Rock in the foyer of the Rainbow Theatre The Rainbow Theatre, originally known as the Finsbury Park Astoria, is a Grade II*-listed building in Finsbury Park, London. The theatre was built in 1930 as a cinema. It later became a music venue. Today, the building is used by the Universa ... shortly before the concert began. The bemused stare between John Cale (right) and Kevin Ayers is said to be explained by the fact that Cale had caught Ayers sleeping with his wife the night before the show. The couple would divorce the next year. Other songs that were performed but did not make the LP include Ayers' "I've Got a Ha ...
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Kevin Ayers
Kevin Ayers (16 August 1944 – 18 February 2013) was an English singer-songwriter who was active in the English psychedelic music movement. Ayers was a founding member of the psychedelic band Soft Machine in the mid-1960s, and was closely associated with the Canterbury scene. He recorded a series of albums as a solo artist and over the years worked with Brian Eno, Syd Barrett, Bridget St John, John Cale, Elton John, Robert Wyatt, Andy Summers, Mike Oldfield, Nico and Ollie Halsall, among others. After living for many years in Deià, Mallorca, he returned to the United Kingdom in the mid-1990s before moving to the south of France. His last album, '' The Unfairground'', was released in 2007. The British rock journalist Nick Kent wrote: "Kevin Ayers and Syd Barrett were the two most important people in British pop music. Everything that came after came from them." Biography Early life Ayers was born in Herne Bay, Kent, the son of BBC producer Rowan Ayers. Following his parents ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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