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Sloughin' Blue
"Sloughin' Blue" is the sixth single by Japanese electronica/rock band Boom Boom Satellites. It was initially released on January 24, 2001, as the second single from their second album ''Umbra''. Track listing Personnel Credits adapted from liner notes. * Art Direction, Design – Shinichiro Hirata * Drums dditional– Naoki Hirai * Photography By – Yoshiyuki Hata * Programmed By, Bass – Masayuki Nakano * Vocals, Guitar – Michiyuki Kawashima * Written-By – Boom Boom Satellites References External links Boom Boom Satellites official websiteSloughin Blueon Discogs.com Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the l ... 2001 songs Boom Boom Satellites songs {{2000s-Japan-single-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Boom Satellites
were a Japanese electronic music duo consisting of guitarist and vocalist Michiyuki Kawashima and bassist and programmer Masayuki Nakano. They were signed to Sony Music Entertainment Japan, with whom they had released all of their albums in Japan. History Kawashima and Nakano formed the band in 1990, having met at university and debuted in Europe as a rock unit in 1997. According to an interview, the name originated from a song by Sigue Sigue Sputnik. In 1995, the group's music debuted in Japan on a compilation album released by Torema Records, also affiliated with Untitled Records. Belgian record company R&S Records released their first single in Europe later that year. Kawashima and Nakano also appeared in the European magazine ''Melody Maker'', where they were lauded as the combination of The Chemical Brothers and The Prodigy. R&S Records released their first album, ''7 Ignitions/Auto Re-Birth'', on April 1, 1998, and the group performed at a large music festival the followi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbra (album)
''Umbra'' is the second studio album from Japanese electronica/rock duo Boom Boom Satellites were a Japanese electronic music duo consisting of guitarist and vocalist Michiyuki Kawashima and bassist and programmer Masayuki Nakano. They were signed to Sony Music Entertainment Japan, with whom they had released all of their albums in Japa ..., released on February 7, 2001. Track listing Personnel Credits adapted from liner notes. * Art Direction, Design – Shin-Ichiro Hirata* * Artwork rtwork Co-ordinator– Yuki Sugawara * Directed By – Tatsunori Toyama * Drums dditional Drummer– Naoki Hirai * Engineer dditional– Kenji Furukawa, Kikou Uehara, Mike Nealsen* * Executive-Producer – Hirofumi Satoh, Lucy Tonegi * Lyrics By – Chuck D (tracks: 4) * Mastered By – Quincy Tanaka* * Photography By – Yoshiyuki Hata * Programmed By, Bass – Masayuki Nakano * Saxophone, Flute – Nao Takeuchi (tracks: 3 to 5) * Strings, Arranged By – Asuka Strings (tracks: 2) * Trumpet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Music Entertainment Japan
, often abbreviated as SMEJ or simply SME, and also known as Sony Music Japan for short (stylized as ''SonyMusic''), is a Japanese music arm for Sony. Founded in 1968 as CBS/Sony, SMEJ is directly owned by Sony Group Corporation and is operating independently from the United States-based Sony Music Entertainment due to its strength in the Japanese music industry. Its subsidiaries include the Japanese animation production enterprise, Aniplex, which was established in September 1995 as a joint-venture between Sony Music Entertainment Japan and Sony Pictures Entertainment Japan, but which in 2001 became a wholly owned subsidiary of Sony Music Entertainment Japan. It was prominent in the early to mid '90s producing and licensing music for animated series such as ''Roujin Z'' from acclaimed Japanese comic artist Katsuhiro Otomo and Capcom's ''Street Fighter'' animated series. Until March 2007, Sony Music Japan also had its own North American sublabel, Tofu Records. Releases of So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fogbound
"Fogbound" is the fifth single by Japanese electronica/rock band Boom Boom Satellites. It was initially released on Mars 8, 2000, as the first single from their second album ''Umbra''. The song Fogbound is also on the OST for the game ''Ridge Racer V is an arcade racing game developed and published by Namco for the PlayStation 2, and was a launch game for that platform. Focusing on high-speed drift racing in the fictional Ridge City, the game features 7 courses, 15 vehicles and 6 modes of ...''. Track listing References External links Boom Boom Satellites official website 2001 songs Boom Boom Satellites songs {{2000s-Japan-single-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soliloquy (Boom Boom Satellites Song)
A soliloquy (, from Latin ''solo'' "to oneself" + ''loquor'' "I talk", plural ''soliloquies'') is a monologue addressed to oneself, thoughts spoken out loud without addressing another. Soliloquies are used as a device in drama to let a character make their thoughts known to the audience, address it directly or take it into their confidence, wholly or in part. English Renaissance drama used soliloquies to great effect, such as in the soliloquy "To be, or not to be", the centerpiece of Shakespeare's ''Hamlet''. See also *Aside *Backstory *Exposition (narrative) *Internal monologue *List of narrative techniques *Narration Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the a ... References Literature Drama {{drama-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradox (musician)
Paradox is the pseudonym of Dev Pandya, a British producer. Career Pandya was born in 1970s in England. In recent years he has championed a new subgenre of drum and bass known as drumfunk,IMO Record"Paradox Biography", '' IMO Records'', London, 21 October 2011. Retrieved 23 November 2011. which focuses on either finding obscure breakbeats or re-sampling much used drum-and-bass breakbeats from their original source and transforming them into constantly shifting drum patterns, noticeably different from traditional drum and bass. He also records a duo with producer Nucleus. He also has regularly collaborated with artist Seba. He also records under the pseudonym Alaska. From 1994 to 2020(new release under the name Alaska to come out at the end of 2020), Pandya went by the alias Brown in collaboration with Rhymeside ( Scott Williams), DJ Trax ( David Davies) and Dangerman, which is another alias from Davies. Under the artist name of DMR Pandya released tracks as Paradox & DMR ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
