Slim Charles
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Slim Charles
Slim Charles is a fictional character in the HBO drama ''The Wire'', played by Anwan Glover. An enforcer for the Barksdale Organization and later the top lieutenant of kingpin Proposition Joe, he is portrayed as principled, loyal, and competent throughout his career. The saga of the Barksdale Organization and the Stanfield Organization makes up the backbone of ''The Wire''. Of the 30 or so characters connected with these gangs and those of Proposition Joe and Omar Little, Slim Charles is effectively the "last man standing," as by the end of the series most of the others are dead, and all the rest are incarcerated, neutralized, or have quit. As such, he can be viewed as the only winner in the drug trade plotline, particularly as in the series finale he progresses, along with Fat Face Rick, to the leadership of the New Day Co-Op and the pinnacle of the Baltimore drug trade. Character storyline Season three Slim Charles is hired as "muscle" by Stringer Bell, who is acting boss ...
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The Wire
''The Wire'' is an American Crime film, crime drama Television show, television series created and primarily written by author and former police reporter David Simon. The series was broadcast by the cable network HBO in the United States. ''The Wire'' premiered on June 2, 2002, and ended on March 9, 2008, comprising 60 episodes over five seasons. The idea for the show started out as a police drama loosely based on the experiences of his writing partner Ed Burns, a former homicide detective and public school teacher. Set and produced in Baltimore, Maryland, ''The Wire'' introduces a different institution of the city and its relationship to law enforcement in each season, while retaining characters and advancing storylines from previous seasons. The five subjects are, in chronological order: the illegal drug trade, the port system, the city government and bureaucracy, education and schools, and the print news medium. Simon chose to set the show in Baltimore because of his familiar ...
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Marlo Stanfield
Marlo Stanfield is a fictional character on the HBO television drama ''The Wire'', played by actor Jamie Hector. Stanfield is a young, ambitious, intelligent and ruthless gangster and head of the eponymous Stanfield Organization in the Baltimore drug trade. Marlo's organization starts out small-time, competing with the larger Barksdale Organization, but rises to the top of the Baltimore drug trade fairly quickly. A repeated theme in Marlo's characterization is his demand for unconditional respect, which supersedes all other concerns. Marlo is murderously narcissistic; he frequently orders the deaths of those who disrespect him or undermine his name on the streets, and is arguably the most ruthless and violent of the drug kingpins portrayed in ''The Wire''. In 2016, ''Rolling Stone'' ranked him #2 of their "40 Greatest TV Villains of All Time". Character background and plot relations Marlo's background prior to his drug empire is largely unexplored. He was a previous suspect in ...
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Fictional Gangsters
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional Gang Members
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to literature, written narratives in prose often referring specifically to novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or character (arts), characters who ar ...
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Television Characters Introduced In 2004
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival storag ...
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Fictional Murderers
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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Fictional Career Criminals
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context o ...
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Fictional African-American People
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ...
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The Wire Characters
The following is a listing of fictional characters from the HBO series, ''The Wire''. Note that some characters' allegiances or positions may have changed over time; and, although the series has ended, the placement below is generally meant to reflect their most recent situation. Also, some specific plot lines may be revealed in a character's description. Appearances The Law Law enforcement is an integral part of ''The Wire'' and characters in this field range from those enforcing the law at street level to those setting laws citywide. The Street Those involved in drug dealing and drug addicts alike are featured. Thieves and sex workers are also featured. The Docks Stevedores, their families, and the criminal organization that is involved in the smuggling through the Baltimore docks are featured. The Politicians Both honest and corrupt state and city officials depicted in the series are included in this section. The Schools Pupils, staff and employees in the school syste ...
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Poot Carr
Malik "Poot" Carr is a fictional character on the HBO drama ''The Wire'', played by actor Tray Chaney. Poot starts out as a drug dealer in the Barksdale Organization who slowly rises through the ranks. He eventually ends up leaving the drug trade after its violent nature causes the death of his best friend Bodie Broadus and many other of his friends. He has the distinction, along with Wee-Bey Brice, Omar Little, Bubbles, and Proposition Joe, of being one of the only characters in the drug trade to appear in every season. Of the 17 front-line Barksdale Organization gang members featured in the series, 12 die and three more are imprisoned with long sentences. Poot in many ways is the "sole survivor", and the foil to the heavy casualties suffered particularly by Barksdale's organization. This is despite the fact that he survives being shot at three times, more times than any other character except Omar Little. Poot distinguishes himself from the other two remaining survivors, Slim ...
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Bodie Broadus
Preston "Bodie" Broadus is a fictional character on the HBO drama series ''The Wire'', played by actor J. D. Williams. Bodie is initially a rough, low-level drug dealer, but matures throughout the series and slowly rises through the ranks. Bodie is an intelligent and disciplined lieutenant, showing strong loyalty to the Barksdale Organization even after most of its members are imprisoned or killed. Bodie is a relatively goodhearted character who sticks to his principles, but at times he can be violent, such as when he takes part in the murder of friend and fellow dealer Wallace on orders from Stringer Bell. His relationship with the police is also dynamic. He is initially hostile towards all police, but eventually earns the respect of Officer Jimmy McNulty. Bodie, Savino, and Poot are the only characters to move from the Barksdale Organization to the Marlo Stanfield crew. Biography Preston "Bodie" Broadus was raised by his grandmother after his mother fell into addiction and home ...
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Howard "Bunny" Colvin
Howard "Bunny" Colvin is a fictional character on the HBO drama ''The Wire'', played by actor Robert Wisdom. Colvin is a wise and able police major in the Baltimore's Western District, alienated by the careerism and bureaucracy rampant in the Baltimore Police Department and the detrimental social effects of the War on Drugs. Close to retirement, he secretly breaks chain of command and puts his resources into "Hamsterdam," three zones within his district where drug dealers are pressured to non-violently congregate in exchange for informal legal sanction. Colvin also concentrates policing in these areas and attracts important ground-level social services, such as needle and condom distribution. Despite unprecedented statistical gains, Colvin is forced to retire from the force. He later becomes a field researcher alongside academic Dr. David Parenti in Baltimore city schools. In this role, Colvin falls into the guardianship of Namond Brice. Character storyline Colvin joined t ...
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