Sleepwalking (Gerry Rafferty Album)
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Sleepwalking (Gerry Rafferty Album)
''Sleepwalking'' is the fifth studio album by Scottish rock singer Gerry Rafferty, released in September 1982. It is the follow-up to the 1980 album '' Snakes and Ladders''. It would be Rafferty's last studio album for Liberty/United Artists, and his last for six years. ''Sleepwalking'' was co-produced by Rafferty and Christopher Neil who went on to become the producer for Mike and the Mechanics. Unlike the previous Rafferty albums such as ''City to City'' and ''Night Owl'' there is considerable use of synthesisers and drum machine programming, some of the latter done by Christopher Neil, along with contributions from British session musicians including Hugh Burns, Mo Foster, Liam Genockey, Kenny Craddock, Morris Pert and Mel Collins. Some tracks also feature members of Dire Straits, keyboardist Alan Clark and drummer Pick Withers; the following year, Rafferty would provide vocals for Dire Straits leader Mark Knopfler's soundtrack to the film '' Local Hero''. The album was ...
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Gerry Rafferty
Gerald Rafferty (16 April 1947– 4 January 2011) was a Scottish singer, songwriter, musician, and record producer. He was a founding member of Stealers Wheel, whose biggest hit was " Stuck in the Middle with You" in 1973. His solo hits in the late 1970s included "Baker Street", "Right Down the Line", and " Night Owl". Rafferty was born into a working-class family in Paisley, Renfrewshire, Scotland. His mother taught him both Irish and Scottish folk songs when he was a boy; later, he was influenced by the music of the Beatles and Bob Dylan. He joined the folk-pop group the Humblebums (of which Billy Connolly was a member) in 1969. After they disbanded in 1971, he recorded his first solo album, ''Can I Have My Money Back?''. Rafferty and Joe Egan formed the group Stealers Wheel in 1972 and produced several hits, most notably "Stuck in the Middle with You" and "Star". In 1978, he recorded his second solo album, ''City to City'', which included "Baker Street", his most popular ...
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Pick Withers
David "Pick" Withers (born 4 April 1948) is an English rock and jazz drummer. He was the original drummer of rock band Dire Straits and played on their first four albums, which included hit singles such as "Sultans of Swing", "Romeo and Juliet" and "Private Investigations". Withers was inducted into the Rock and Roll Hall of Fame as a member of Dire Straits in 2018. Biography Taught by childhood friend Richard Storer, Withers first played a drum in the Boys' Brigade in his home city of Leicester. He became a professional musician at the age of 17, in an Italian band called The Primitives. This was followed by a band called Spring who had a record contract but little success; they released one album on the RCA label. In the mid-1970s Withers was a house drummer at Rockfield Studios near Monmouth, Wales. He played on records by Dave Edmunds, Hobo, the John Dummer Band and the Gary Fletcher Band, amongst others. His nickname has been subject to some variations in spelling. Duri ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Gered Mankowitz
Gered Mankowitz (born 3 August 1946) is an English photographer who focused his career in the music industry. He has worked with a range of artists from The Rolling Stones to Jimi Hendrix, and in other divisions of the photography industry, including fashion, music, advertising, news, and private photography. He works from his own gallery in North London. Life and career Mankowitz was born as the first of four sons on 3 August 1946 in London, England, to the English writer Wolf Mankowitz and Ann Margaret Seligman. After attending multiple schools throughout his education, Mankowitz dropped out of school at 15 years of age, without any proper qualifications. However, his natural photography gifts were discovered on a school trip to the Netherlands by the photographer Tom Blau. Blau offered Mankowitz an apprenticeship, and after a few months on the job, he had worked in all the departments, and began taking assignments. In 1962, Mankowitz began taking photos professionally in B ...
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Frank Ricotti
Frank Ricotti (born 31 January 1949) is an English jazz vibraphonist and percussionist. Early life and education Ricotti was born in London, England. His father was a drummer. Bill Ashton, founder of the National Youth Jazz Orchestra (NYJO), was an early mentor. As a teenager, Ricotti played vibraphone and learned composition and arranging in the NYJO, and later attended Trinity College of Music between 1967 and 1970. Career Ricotti worked with Neil Ardley (1968–71), Dave Gelly, Graham Collier, Mike Gibbs (1969–72), Stan Tracey (1970), Harry Beckett (1970–72), Norma Winstone (1971), Gordon Beck (1973–74), Hans Zimmer. In the late 1960s and early 1970s, Ricotti led his own jazz quartet. A line-up of the band featuring the guitarist Chris Spedding, bassist Chris Laurence and drummer Bryan Spring recorded the album ''Our Point of View'', released in July 1969. In 1971, in partnership with bassist Mike de Albuquerque, he released the album ''First Wind'' (as ...
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Hugh Burns (musician)
Hugh Burns is a London-based Scottish guitarist and prolific recording artist. His guitar playing can be heard on many famous recordings, including Gerry Rafferty's "Baker Street" (1978) and "Careless Whisper" (1984) by George Michael/Wham!. Burns has played on albums by: * Joan Armatrading * Jack Bruce * Mutya Buena * Tony Coe * Randy Crawford * Doris Day * Anne Dudley * Albert Hammond * Roy Harper * Mick Karn * Ute Lemper * Paul McCartney * Alison Moyet * Oliver Nelson * Mike Oldfield * Elaine Paige * Pet Shop Boys * Gerry Rafferty * Scott Walker * Stealers Wheel * Wham! History Burns made his recording debut in 1970, playing electric guitar and classical guitar on the Oliver Nelson album ''Black, Brown and Beautiful''. Since his debut, his guitar playing has featured on more than 130 albums. References External links Hugh Burns creditsat AllMusic Hugh Burns album releases & creditsat Discogs.com Discogs (short for discographies) is a database of information abo ...
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String Synthesizer
A string synthesizer or string machine is a specialized synthesizer designed specifically to make sounds similar to that of a string orchestra. Dedicated string synthesizers occupied a specific musical instrument niche between electronic organs and general-purpose synthesizers in the 1970s and early 1980s, until advances in digital signal processing technology allowed the production of inexpensive general-purpose polyphonic synthesizers and samplers, which made the existence of a separate type of instrument unnecessary. The development of the string synthesizer was originally motivated by the need for a cheaper and more portable alternative to the Mellotron, which was itself a cheaper alternative to human string ensembles. The availability of string synthesizers was influential in adding string orchestration to popular music that would not otherwise be able to afford the use of a human string ensemble, and their characteristic sound, which was almost, but not quite, like that of ...
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Music Sequencer
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for DAWs and plug-ins. On WhatIs.com of TechTarget (whatis.techtarget.com), an author seems to define a term "Sequencer" as an abbreviation of "MIDI sequencer". * Note: an example of section title containing "''Audio Sequencer''" Overview Modern sequencers The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Sof ...
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Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ...
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Hammond Organ
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker. Around two million Hammond organs have been manufactured. The organ was originally marketed by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, or instead of a piano. It quickly became popular with professional jazz musicians in organ trios—small groups centered on the Hammond organ. Jazz club owners found that organ trios were cheaper than hiring a big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a g ...
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Soul Kiss
''Soul Kiss'' is the twelfth studio album by English-Australian singer Olivia Newton-John, released on 25 October 1985 by Mercury Records in Europe, by Festival Records in Australia, and by MCA Records in the United States. It reached  11 on the Australian Kent Music Report Albums Chart and No. 29 on the United States ''Billboard'' 200. The album was produced by long-time associate John Farrar, who also co-wrote four tracks; the cover art features photography of Newton-John by Helmut Newton and Herb Ritts. Singles The album's title track was released as a single and reached No. 20 on the US ''Billboard'' Hot 100 and Adult Contemporary charts, as well as No. 20 on the Australian Kent Music Report Singles Chart, and Number One in Norway. It is Newton-John's most recent US top 40 pop single and her second-to-last in Canada. The single reached No. 100 in the UK Singles Chart. It was also remixed into a 12-inch single mix, which featured a new Carib-i ...
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