Skeuomorph
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Skeuomorph
A skeuomorph (also spelled skiamorph, ) is a derivative object that retains ornamental design cues (attributes) from structures that were necessary in the original. Skeuomorphs are typically used to make something new feel familiar in an effort to speed understanding and acclimation. They employ elements that, while essential to the original object, serve no pragmatic purpose in the new system. Examples include pottery embellished with imitation rivets reminiscent of similar pots made of metal and a software calendar that imitates the appearance of binding on a paper desk calendar. Definition and purpose The term ''skeuomorph'' is compounded from ''skeuos'' (σκεῦος), meaning "container or tool", and ''morphḗ'' (μορφή), meaning "shape". It has been applied to material objects since 1890. With the advent of computer systems in the 1980s, skeuomorph is used to characterize the many "old fashioned" icons utilized in graphic user interfaces. A similar alternative defin ...
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Classical Architecture
Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect Vitruvius. Different styles of classical architecture have arguably existed since the Carolingian Renaissance, and prominently since the Italian Renaissance. Although classical styles of architecture can vary greatly, they can in general all be said to draw on a common "vocabulary" of decorative and constructive elements. In much of the Western world, different classical architectural styles have dominated the history of architecture from the Renaissance until the second world war, though it continues to inform many architects to this day. The term ''classical architecture'' also applies to any mode of architecture that has evolved to a highly refined state, such as classical Chinese architecture, or classical Mayan architecture. It can ...
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Mary Jane (shoe)
Mary Jane (also known as bar shoes or doll shoes) is an American term ( formerly a registered trademark) for a closed, low-cut shoe with one or more straps across the instep. Classic Mary Janes for children are typically made of black leather or patent leather, have one thin strap fastened with a buckle or button, a broad and rounded toe box, low heels, and thin outsoles. Among girls, Mary Janes are commonly worn with tights, pantyhose, socks, or completely without them (on bare feet), and a dress or a skirt and blouse. Among boys (less common), Mary Janes are traditionally worn with socks (or without them as well), short trousers and a shirt. History Children's shoes secured by a strap over the instep and fastened with a buckle or button appeared in the early 20th century. Originally worn by both sexes, they began to be perceived as being mostly for girls during the 1930s in North America and the 1940s in Europe. They were also popular with women in the 1920s. Today, Mary Jan ...
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One-armed Bandit
A slot machine (American English), fruit machine (British English) or poker machine (Australian English and New Zealand English) is a gambling machine that creates a game of chance for its customers. Slot machines are also known pejoratively as one-armed bandits because of the large mechanical levers affixed to the sides of early mechanical machines and the games' ability to empty players' pockets and wallets as thieves would. A slot machine's standard layout features a screen displaying three or more reels that "spin" when the game is activated. Some modern slot machines still include a lever as a skeuomorphic design trait to trigger play. However, the mechanics of early machines have been superseded by random number generators, and most are now operated using buttons and touchscreens. Slot machines include one or more currency detectors that validate the form of payment, whether coin, cash, voucher, or token. The machine pays out according to the pattern of symbols displayed ...
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Adirondack Chair
The Adirondack chair is an outdoor lounge chair with wide armrests, a tall slatted back, and a seat that is higher in the front than the back. Its name references the Adirondack Mountains. The chair was invented by Thomas Lee between 1900 and 1903 in Westport, New York, but was patented by his friend Harry C. Bunnell, who added some minor adaptations to make it more suitable for convalescents. The chairs were popularized in nearby tuberculosis sanatoria, where they were favored for the way the armrests help open up the sitter's chest. The Lee-Bunnell chair, however, had a single plank for the chair back, and it was not until 1938 that the fan-shaped back with slats was patented by Irving Wolpin. Adirondack chairs are now often made by injection moulding and can take any form. Since the 1980s, they have sometimes been marketed in Canada as Muskoka chairs, despite the fact that the design did not originate in Muskoka. See also *List of chairs The following is a partial li ...
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Decorative Arts
] The decorative arts are arts or crafts whose object is the design and manufacture of objects that are both beautiful and functional. It includes most of the arts making objects for the interiors of buildings, and interior design, but not usually architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlaps with decorative arts, and the modern making of applied art is usually called design. The decorative arts are often categorized in distinction to the " fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-Renaissance art of the West, where the distinction is for the most part meaningful. This distinction is much less meani ...
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Thames And Hudson
Thames & Hudson (sometimes T&H for brevity) is a publisher of illustrated books in all visually creative categories: art, architecture, design, photography, fashion, film, and the performing arts. It also publishes books on archaeology, history, and popular culture. Headquartered in London, it has a sister company in New York City, and subsidiaries in Melbourne, Singapore, and Hong Kong. In Paris it has a sister company, Éditions Thames & Hudson, and a subsidiary called Interart which distributes English-language books. The Thames & Hudson group currently employs approximately 150 staff in London and approximately 65 more around the world. The publishing company was founded in 1949 by Walter and Eva Neurath, who aimed to make the world of art and the research of top scholars available to a wider public. The company's name reflects its international presence, particularly in London and New York. It remains an independent, family-owned company, and is one of the largest publish ...
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The Classical Language Of Architecture
''The Classical Language of Architecture'' is a 1965 compilation of six BBC radio lectures given in 1963 by Sir John Summerson. It is a 60-some page discussion of the origins of classical architecture and its movement through Antiquity, Renaissance, Mannerist, Baroque, Neoclassical, and Georgian periods. A discussion of the rules and elements in classical terms of the Orders, architectural harmony of design, are included. In 2017 it remains in print in several countries, in illustrated editions of about 144 pages, with 119 illustrations, plus small diagrams. For the original radio broadcasts the BBC published a booklet with 60 photographs of the buildings discussed (or plans etc), which were expanded in the book editions.Summerson, 6 *Summerson, John. ''The Classical Language of Architecture.'' in UK now Thames and Hudson ''World of Art'' series (1980), etc. In US Boston: MIT Press, 1965, and other editions. References * Summerson, John, ''The Classical Language of Architect ...
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John Summerson
Sir John Newenham Summerson (25 November 1904 – 10 November 1992) was one of the leading British architectural historians of the 20th century. Early life John Summerson was born at Barnstead, Coniscliffe Road, Darlington. His grandfather worked for the Stockton and Darlington Railway, Darlington and Stockton Railway and founded the family foundry of Thomas Summerson and Sons in Darlington in 1869. After the premature death of his father, Samuel James Summerson, in 1907, Summerson travelled extensively in England and Europe with his mother Dorothea and then attended a Preparatory school (United Kingdom), prep school at Riber Castle in Derbyshire before going to Harrow School, Harrow (1918-1922) and the Bartlett School of Architecture at University College London, where he gained a bachelor's degree. Career After graduation Summerson worked in several junior roles, most notably in the office of Sir Giles Gilbert Scott, but architectural practice was not for him and he became a ...
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Modillions
A modillion is an ornate bracket, more horizontal in shape and less imposing than a corbel. They are often seen underneath a Cornice (architecture), cornice which it helps to support. Modillions are more elaborate than dentils (literally translated as small teeth). All three are selectively used as adjectival historic past participles (''corbelled, modillioned, dentillated'') as to what co-supports or simply adorns any high structure of a building, such as a terrace of a roof (flat area of a roof), parapet, pediment/entablature, balcony, cornice band or roof cornice. Modillions occur classically under a Corinthian order, Corinthian or a Composite order, Composite cornice, but may support any type of eaves cornice. They may be carved or plain. See also * Glossary of architecture Gallery Abbaye Ste Foy à Conques (25) - Frises et corbeaux du chevet.jpg, Modillions carved with animal heads in the Abbaye Ste Foy in Conques (France). 20130809 dublin036.JPG, Trinity College, in Dubli ...
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Guttae
A gutta (Latin pl. guttae, "drops") is a small water-repelling, cone-shaped projection used near the top of the architrave of the Doric order in classical architecture. At the top of the architrave blocks, a row of six ''guttae'' below the narrow projection of the taenia (fillet) formed an element called a regula. A ''regula'' was aligned under each triglyph of the Doric frieze. In addition, the underside of the projecting geison above the frieze had rectangular protrusions termed ''mutules'' that each had three rows of six ''guttae''. These mutules were aligned above each triglyph and each metope. It is thought that the guttae were a skeuomorphic representation of the pegs used in the construction of the wooden structures that preceded the familiar Greek architecture in stone. However, they have some functionality, as water drips over the edges, away from the edge of the building. Outside the Doric In the strict tradition of classical architecture, a set of guttae always ...
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