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Skandalkonzert
The ' ("scandal concert") was a concert conducted by Arnold Schoenberg, held on 31 March 1913. The concert was held by the Vienna Concert Society in the Great Hall of the Musikverein in Vienna. The concert consisted of music by composers of the Second Viennese School. During the concert, the audience, shocked by the expressionism and experimentalism of the music, began rioting, and the concert ended prematurely. Amid the unrest, concert organizer Erhard Buschbeck was said to have slapped a concertgoer in the face; this would eventually lead to a lawsuit against Buschbeck. The event also led to an alternate name for the ''Skandalkonzert'': ''Watschenkonzert'', from the Austrian German for "slap concert". Operetta composer Oscar Straus, a witness to the alleged assault, testified that the slap had been "the most harmonious sound of the evening." Programme The programme listed: * Anton Webern: ''Six Pieces for Orchestra'', Op. 6. * Alexander von Zemlinsky: ''Four Orchestral Songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watschenkonzert Karikatur In Die Zeit Vom 6
The ' ("scandal concert") was a concert conducted by Arnold Schoenberg, held on 31 March 1913. The concert was held by the Vienna Concert Society in the Great Hall of the Musikverein in Vienna. The concert consisted of music by composers of the Second Viennese School. During the concert, the audience, shocked by the expressionism and experimentalism of the music, began rioting, and the concert ended prematurely. Amid the unrest, concert organizer Erhard Buschbeck was said to have slapped a concertgoer in the face; this would eventually lead to a lawsuit against Buschbeck. The event also led to an alternate name for the ''Skandalkonzert'': ''Watschenkonzert'', from the Austrian German for "slap concert". Operetta composer Oscar Straus, a witness to the alleged assault, testified that the slap had been "the most harmonious sound of the evening." Programme The programme listed: * Anton Webern: ''Six Pieces for Orchestra'', Op. 6. * Alexander von Zemlinsky: ''Four Orchestral Songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musikverein
The ( or ; ), commonly shortened to , is a concert hall in Vienna, Austria, which is located in the Innere Stadt district. The building opened in 1870 and is the home of the Vienna Philharmonic orchestra. The acoustics of the building's 'Great Hall' () have earned it recognition alongside other prominent concert halls, such as the Konzerthaus Berlin, Konzerthaus in Berlin, the Concertgebouw in Amsterdam and Symphony Hall, Boston, Symphony Hall in Boston. With the exception of Boston's Symphony Hall, none of these halls was built in the modern era with the application of architectural acoustics, and all share a long, tall and narrow Shoebox style, shoebox shape. Building The 's main entrance is situated on Musikvereinsplatz, between Karlsplatz and . The building is located behind the Hotel Imperial that fronts on Kärntner Ring, which is part of the Vienna Ring Road (Ringstraße). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, Society of Frien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Viennese School
The Second Viennese School (german: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna. Their music was initially characterized by late- Romantic expanded tonality and later, a totally chromatic expressionism without firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Adorno said that the twelve-tone method, when it had evolved into maturity, was a "veritable message in a bottle", addressed to an unknown and uncertain future. Though this common development took place, it neither followed a common time-line nor a cooperative path. Likewise, it was not a direct result of Schoenberg's teaching—which, as his various published textbooks demonstrate, was highly traditional and conservative. Schoenberg's textbooks also reveal that the Second Viennese School spawned not f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altenberg Lieder
Alban Berg's ''Five Orchestral Songs after Postcards by Peter Altenberg'' (German: ''Fünf Orchesterlieder nach Ansichtskarten von Peter Altenberg''), Op. 4, were composed in 1911 and 1912 for medium voice, or mezzo-soprano. They are considered a true song cycle, unlike his previous two groups of songs, the ''Sieben frühe Lieder'' of 1908 and the ''Vier Gesänge'', Op. 2, of 1910, and they are his first work for orchestra. The postcard texts by contemporary Viennese poet Peter Altenberg recount the stormy but beautiful condition of the soul and the palpable sensations of love and longing. The highly imaginative music responds with many displaced ostinati and a conflicted, lyrical passion. When two of the songs (Numbers 2 and 3) were performed for the first time – on 31 March 1913 under the baton of Berg's teacher Schönberg in Vienna's Musikverein – members of the audience were sufficiently taken aback as to erupt in a famous riot, wounding the composer's feelings so deepl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igor Stravinsky
Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music. Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and first performed in Paris by Diaghilev's Ballets Russes: ''The Firebird'' (1910), ''Petrushka'' (1911), and ''The Rite of Spring'' (1913). The last transformed the way in which subsequent composers thought about rhythmic structure and was largely responsible for Stravinsky's enduring reputation as a revolutionary who pushed the boundaries of musical design. His "Russian phase", which continued with works such as '' Renard'', ''L'Histoire du soldat,'' and ''Les noces'', was followed in the 1920s by a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schreker
Franz Schreker (originally ''Schrecker''; 23 March 1878 – 21 March 1934) was an Austrian composer, conductor, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic plurality (a mixture of Romanticism, Naturalism, Symbolism, Impressionism, Expressionism and Neue Sachlichkeit), timbral experimentation, strategies of extended tonality and conception of total music theatre into the narrative of 20th-century music. Formative years He was born as Franz Schrecker in Monaco, the eldest son of the Bohemian Jewish court photographer Ignaz Schrecker, and his wife, Eleonore von Clossmann, who was a member of the Catholic aristocracy of Styria. He grew up during travels across half of Europe and, after the early death of his father, the family moved from Linz to Vienna (1888) where in 1892, with the help of a scholarship, Schreker entered the Vienna Conservatory. Starting with violin studies, with Sigismund Bachrich and Arnold R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism (music)
In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories of music, innovations that led to new ways of organizing and approaching harmonic, melodic, sonic, and rhythmic aspects of music, and changes in aesthetic worldviews in close relation to the larger identifiable period of modernism in the arts of the time. The operative word most associated with it is "innovation". Its leading feature is a "linguistic plurality", which is to say that no one music genre ever assumed a dominant position. Examples include the celebration of Arnold Schoenberg's rejection of tonality in chromatic post-tonal and twelve-tone works and Igor Stravinsky's move away from symmetrical rhythm. Authorities typically regard musical modernism as an historical period or era extending from about 1890 to 1930, and apply the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rite Of Spring
''The Rite of Spring''. Full name: ''The Rite of Spring: Pictures from Pagan Russia in Two Parts'' (french: Le Sacre du printemps: tableaux de la Russie païenne en deux parties) (french: Le Sacre du printemps, link=no) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography List of classical music concerts with an unruly audience response, caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerts
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or musical band, band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest music venue, venues are sometimes called ''arena concerts'' or ''amphitheatre concerts''. Informal names for a concert include ''show'' and ''gig''. Regardless of the venue, musicians usually perform on a stage (theatre), stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arrang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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