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Singet Dem Herrn Ein Neues Lied
"Sing[e]t dem Herrn ein neues Lied" ("Sing unto the Lord a new song") is a Lutheran hymn in four stanzas by Matthäus Apelles von Löwenstern.Singt dem Herrn ein neues Lied, die Gemeine at Johann Sebastian Bach, chorals: sources hymnologiques des mélodies, des textes et des théologies p.&nbs 118 by James Lyon (2005) The text is based on Psalm 149. The hymn was first published in 1644. Löwenstern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Hymn
Martin Luther was a great enthusiast for music, and this is why it forms a large part of Lutheran services; in particular, Luther admired the composers Josquin des Prez and Ludwig Senfl and wanted singing in the church to move away from the ''ars perfecta'' (Catholic Sacred Music of the late Renaissance) and towards singing as a ''Gemeinschaft'' (community). Lutheran hymns are sometimes known as chorales. Lutheran hymnody is well known for its doctrinal, didactic, and musical richness. Most Lutheran churches are active musically with choirs, handbell choirs, children's choirs, and occasionally change ringing groups that ring bells in a bell tower. Johann Sebastian Bach, a devout Lutheran, composed music for the Lutheran church: more than half of his over 1000 compositions are or contain Lutheran hymns. History Lutheran hymnals include: * ''Achtliederbuch'', a.k.a. the first Lutheran hymnal (1524). Contains, among others, "Nun freut euch, lieben Christen g'mein", "Es ist das ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthäus Apelles Von Löwenstern
Matthäus Apelles von Löwenstern (20 April 1594 – 11 April 1648) was a German psalmist, musician and statesman. Life He was born in Prudnik as Matthäus Apelt. His father was a saddler. He studied at the university of Frankfurt. He directed the music of the church at Prudnik. In 1625, he was named musical director and treasurer to Duke Heinrich Wenzel of Münsterberg. The following year, he became rector of a school, and in 1631, he was admitted to the Duke's government. He sat in the governments of Emperors Ferdinand II and Ferdinand III. He became part of the nobility of Ferdinand II, and this was confirmed by Ferdinand III. Löwenstern wrote thirty psalms, of which many were translated to other languages. He also published the psalm collection ''Früelings-Mayen'' in 1644. He has one psalm in the '' Norsk Salmebok'' and ''Norsk salmebok 2013 ''Norsk salmebok 2013: for kirke og hjem'' (Norwegian Hymnal 2013: For Church and Home; also known as ''N13'') is the hymnal of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 149
Psalm 149 is the 149th psalm of the Book of Psalms, a hymn as the book's penultimate piece. The first verse of the psalm calls to praise in singing, in English in the King James Version: "Sing a new song unto the Lord". Similar to Psalm 96 and Psalm 98 (Cantate Domino), Psalm 149 calls to praise God in music and dance, because he has chosen his people and helped them to victory. Psalm 149 is also marked by its martial tone:Rodd, C. S., ''18. Psalms'' in Barton, J. and Muddiman, J. (2001)The Oxford Bible Commentary p. 404 it calls on the people to be ready to fight. The psalm forms a regular part of Jewish, Catholic, Lutheran and Anglican liturgies. It has often been set to music, notably by Antonín Dvořák who set the complete psalm for chorus and orchestra, while Bach chose only the first three verses for his motet ''Singet dem Herrn ein neues Lied'', BWV 225. It was paraphrased in hymns. Background and themes Psalm 149 shares its first line with Psalm 98, known as Cant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn Tune
A hymn tune is the melody of a musical composition to which a hymn text is sung. Musically speaking, a hymn is generally understood to have four-part (or more) harmony, a fast harmonic rhythm (chords change frequently), with or without refrain or chorus. From the late sixteenth century in England and Scotland, when most people were not musically literate and learned melodies by rote, it was a common practice to sing a new text to a hymn tune the singers already knew which had a suitable meter and character. There are many hymn tunes which might fit a particular hymn: a hymn in Long Metre might be sung to any hymn tune in Long Metre, but the tunes might be as different as those tunes that have been used for centuries with hymns such as ''Te lucis ante terminum'', on one hand, and an arrangement of the calypso tune used with ''Jamaica Farewell'', on the other. Hymnal editors Editors bring extensive knowledge of theology, poetry, and music to the process of compiling a new hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zahn Number
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" ("A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello, double bass, bass viol, or bassoon. In modern performances of chamber works, the most common combination is harpsichord and cello for instrumental works and secular vocal works, such as operas, and organ and cello for sacred music. A double bass may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Chorale
A Lutheran chorale is a musical setting of a Lutheran hymn, intended to be sung by a congregation in a German Protestant Church service. The typical four-part setting of a chorale, in which the sopranos (and the congregation) sing the melody along with three lower voices, is known as a ''chorale harmonization''. Lutheran hymns Starting in 1523, Martin Luther began translating worship texts into German from the Latin. He composed melodies for some hymns himself, such as "Ein feste Burg ist unser Gott" (" A Mighty Fortress Is Our God"), and even a few harmonized settings. For other hymns he adapted Gregorian chant melodies used in Catholic worship to fit new German texts, sometimes using the same melody more than once. For example, he fitted the melody of the hymn "Veni redemptor gentium" to three different texts, " Verleih uns Frieden gnädiglich", "Erhalt uns, Herr, bei deinem Wort", and "Nun komm, der Heiden Heiland". The first Lutheran hymns were published in 1524. These incl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV 411
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Basso
Alberto Basso (born Turin, 21 August 1931) is an Italian musicologist and librarian. He started his activity in 1952 with a monograph on Stravinsky. In 1956 he graduated in law at the University of Turin but his activity was then fully devoted to music. From 1961 to 1974 he taught history of music at the Conservatory of Turin, where he was also librarian from 1974 to 1993. From 1973 to 1979 and from 1994 to 1997 he was president of the Italian Society of Musicology. In 1986 Basso founded the Istituto per i Beni Musicali in Piemonte (Institute for Musical Heritage of Piedmont). In 1982 he became a member of the Accademia Nazionale di Santa Cecilia. Basso is also a member of Accademia Filarmonica Romana (from 1986), Accademia Filarmonica di Bologna (from 1996) and honorary member of the Reial Acadèmia Catalana de Belles Arts de Sant Jordi (from 2000). In 2004 he received an honorary degree from the Autonomous University of Barcelona. In 1984 Basso was appointed knight of the Order of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlob Immanuel Breitkopf
Johann Gottlob Immanuel Breitkopf (Leipzig, 23 November 1719 – 28 January 1794, Leipzig) was a German music publisher and typographer. Biography Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, founder of the publishing house Breitkopf & Härtel. He was born in Leipzig and attended the University of Leipzig. His investigations in history and mathematics led him to a scientific study of printing, which resulted in a more artistic development of German text, and an improvement of musical notation (1754). He revolutionized the music score printing with movable type Movable type (US English; moveable type in British English) is the system and technology of printing and typography that uses movable components to reproduce the elements of a document (usually individual alphanumeric characters or punctuatio ...s, and fonts designed as Breitkopf Fraktur. References * * * External links * German typographers and type designers 1719 births 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
