Sing No Sad Songs For Me
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Sing No Sad Songs For Me
''Sing No Sad Songs for Me'' is an album by American jazz vocalist Lorez Alexandria released by the Argo Records, Argo label in 1961.Jazzlists: Argo/Cadet discography (LP 601 to LP 699) discography
accessed June 25, 2019

accessed June 25, 2019


Critical reception

AllMusic reviewer Scott Yanow stated "The emphasis is on ballads and standards, with Alexandria putting plenty of feeling into such numbers as "Gloomy Sunday," "Motherless Child," and "A Loser's Lullaby." Some of the material is a little more upbeat, although each selection is taken at a thoughtful pace, with the singer sounding relaxed ... Riley Hampton's arrangements for the uni ...
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Lorez Alexandria
Lorez Alexandria (born Dolorez Alexandria Turner; August 14, 1929 – May 22, 2001). was an American jazz singer, described as "one of the most gifted and underrated jazz singers of the twentieth century". She became established in the midwest before moving to Los Angeles in the mid-1960s. Jazz critics have compared her to Dinah Washington, Sarah Vaughan, Carmen McRae, and Ella Fitzgerald. Early life Dolorez Alexandria Turner was born on August 14, 1929, in Chicago, Illinois. Growing up she began singing gospel music in church choirs and traveled throughout the Midwest with a traveling Baptist '' a cappella'' group. Later, when she entered the Chicago club circuit, she became a regular performer at venues like the Brass Rail and the Cloister Inn.Carr, Ian, Digby Fairweather, Brian Priestly, and Charles Alexander. ''The Rough Guide to Jazz''. Penguin Books, 2004, p. 10. In Chicago, Alexandria became a local favorite and recorded for the first time for several independent loca ...
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Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional Spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''Allmusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from their parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals"
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Argo Records Albums
In Greek mythology the ''Argo'' (; in Ancient Greek, Greek: ) was a ship built with the help of the gods that Jason and the Argonauts sailed from Iolcos to Colchis to retrieve the Golden Fleece. The ship has gone on to be used as a motif in a variety of sources beyond the original legend from books, films and more. Name Most accounts name the ship after her builder, Argus (Argonaut), Argus. Cicero suggested that it was named after the "Argives", a term commonly used by Homer for the Greek people of Argos, Peloponnese, Argos. Diodorus Siculus reported that some thought the name was derived from an ancient Greek word for 'swift', which could have indicated that the ship was designed to move quickly. The adjective, occasionally found, is ''Argoan'' , from Greek ''Ἀργῶος'' through Latin ''Argōus''. Legend Construction of the ''Argo'' The ''Argo'' was constructed by the shipbuilding, shipwright Argus (son of Arestor), Argus, and its crew were specially protected by th ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 – July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ...
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Gene Austin
Lemeul Eugene Lucas (June 24, 1900 – January 24, 1972), better known by his stage name Gene Austin, was an American singer and songwriter, one of the early "crooners". His recording of " My Blue Heaven" sold over 5 million copies and was for a while the largest selling record of all time. His 1920s compositions "When My Sugar Walks Down the Street" and "The Lonesome Road" became pop and jazz standards. Early life Austin was born as Lemeul Eugene Lucas in Gainesville, Texas (north of Dallas), to Nova Lucas (died 1943) and the former Serena Belle Harrell (died 1956). He took the name Gene Austin from his stepfather Jim Austin, a blacksmith. Austin grew up in Minden, Louisiana. In Minden, he learned to play piano and guitar. He ran away from home at 15. He attended a vaudeville act in Houston, Texas, where the audience was allowed to come to the stage and sing. On a dare from his friends, Austin took the stage and sang for the first time since singing as a Southern Baptist choir ...
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Nathaniel Shilkret
Nathaniel Shilkret (December 25, 1889 – February 18, 1982) was an American musician, composer, conductor and musical director. Early career Shilkret (originally named Natan Schüldkraut) was born in New York City, United States, to parents who emigrated from Lemberg (now Lviv in Ukraine).Shilkret, Nathaniel, ed. Shell, Niel and Barbara Shilkret, ''Nathaniel Shilkret: Sixty Years in the Music Business'', Scarecrow Press, Lanham, Maryland, 2005. Shilkret, Nathaniel, Barbara Shilkret, and Niel Shell, ''Feast or Famine: Sixty Years in the Music Business'', archival edition of Shilkret autobiography, 2001 (copies deposited in the New York Public Library for the Performing Arts, The City College of New York Archival Library, The New York Philharmonic Archives, The Victor Archives (SONY)). His father played a number of instruments, and made certain that Nat and his three brothers were all accomplished musicians at an early age. Older brother Lew Shilkret was a fine pianist who also ...
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The Lonesome Road
"The Lonesome Road" is a 1927 song with music by Nathaniel Shilkret and lyrics by Gene Austin, alternately titled "Lonesome Road", "Look Down that Lonesome Road" and "Lonesome Road Blues." It was written in the style of an African-American folk song. The lyricist and composer were both extremely popular recording artists. Gene Austin estimated he sold 80 million records, and Nathaniel Shilkret's son estimated his father sold 50 million records. Joel Whitburn lists recordings by Austin, Bing Crosby, Ted Lewis, and Shilkret (see list of recordings below) as being "charted" at Numbers 10, 12, 3 and 10, respectively. There are no reliable sales figures that can be used to verify or dispute any of the estimates above. Use in film and live performances The composition was notably used as a substitute for ''Ol' Man River'' in the finale of the part-talkie 1929 film version of Edna Ferber's novel ''Show Boat''. It was performed onscreen by Stepin Fetchit as the deckhand Joe. Fetchit's ...
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Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ...
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Patricia Johnston
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy '' Ride 'Em Cowboy'', being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring (the month of April) to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia. Since then, a number of artists have covered the song as listed below. One of the most notable live renditions of the song is a radio performance by Judy Garland, on a broadcast of ...
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