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Sinfonia Concertante For Violin, Viola And Orchestra
The Sinfonia Concertante for Violin, Viola and Orchestra in E major, K. 364 (320d), was written by Wolfgang Amadeus Mozart. At the time of its composition in 1779, Mozart was on a tour of Europe that included Mannheim and Paris. He had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the last including a divided viola section, which accounts for the work's rich harmony. The solo viola part is written in D major instead of E major, and the instrument tuned a semitone sharper (scordatura technique), to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments. Movements Recordings Richard Wigmore in ''Gramophone'' (October 2015) writes that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nobuko Imai
, is a Japanese classical violist with an extensive career as soloist and chamber musician. Since 1988 she has played a 1690 Andrea Guarneri instrument. Biography Imai began her musical training at the age of six. She began studying at Tokyo's Toho Gakuen School of Music and switched to viola there. Then she went to the United States where she studied at the Juilliard School and Yale University. She won the Young Concert Artists International Auditions in 1967 and won highest prize at both the Geneva International Music Competition and ARD International Music Competition at Munich. She has worked in chamber music projects with artists such as Martha Argerich, Kyung-Wha Chung, Heinz Holliger, Mischa Maisky, Midori, Murray Perahia, Gidon Kremer, Yo Yo Ma, Itzhak Perlman, András Schiff, Isaac Stern and Pinchas Zukerman, and appeared with the Berlin Philharmonic Orchestra, Royal Concertgebouw Orchestra, Vienna Symphony Orchestra, Royal Stockholm Philharmonic Orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandos Records
Chandos Records is a British independent classical music recording company based in Colchester. It was founded in 1979 by Brian Couzens. Background Chandos Records arose from a band music publisher Chandos Music, founded in 1963, and Chandos Productions, a record production company which produced LPs for Classics for Pleasure, and, especially, RCA Records, RCA's work in the UK. Its first record was Bloch's Sacred Service (ABR1001). Important early recordings were made with Mariss Jansons, Nigel Kennedy and the King's Singers – before they moved to bigger contracts with EMI.Anderson C. "Thirty years of Chandos. Ralph and Brian Couzens talk about t ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Chamber Orchestra
Det Norske Kammerorkester or The Norwegian Chamber Orchestra (established in 1977) is a chamber orchestra based in Oslo. Biography The orchestra was founded by the violinist Bjarne Fiskum who got the idea for a summer course for young string talents summer 1975. Since its foundation the orchestra has recorded some 20 albums and been on numerous tours in Norway, Europe, Asia and United States. The orchestra has since 1995 held Oslo Vinternattsfestival each year. With a total of six times Spellemannprisen, including This years Spellemann in 1988, the orchestra is one of the most successful artists regardless of genre. Terje Tønnesen has been artistic director of the orchestra since its inception. Iona Brown was artistic director of the orchestra from 1981 to 2001, ea position she shared with Tønnesen. Since 2002, in addition Leif Ove Andsnes been the orchestra's principal guest conductor. Since 2009, violinist Isabelle van Keulen has been associated with the orchestra as artisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars Anders Tomter
Lars Anders Tomter (born 30 November 1959) is a Norwegian viola player. He plays on a 1590 Gasparo da Salò Gasparo da Salò (20 May 154214 April 1609) is the name given to Gasparo Bertolotti, one of the earliest violin makers and an expert double bass player. Around 80 of his instruments are known to have survived to the present day: violins (smal ... viola. References 1959 births Living people Norwegian classical violists Place of birth missing (living people) Norwegian male musicians {{Norway-music-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iona Brown
Iona Brown, OBE, (7 January 19415 June 2004) was a British violinist and conductor. Early life and education Elizabeth Iona Brown was born in Salisbury and was educated at Cranborne Chase School, Dorset. Her parents, Antony and Fiona, were both musicians. Her brother Timothy has been principal horn of the BBC Symphony Orchestra, her other brother Ian is a pianist and her sister Sally plays viola in the Bournemouth Symphony Orchestra. Career From 1963 to 1966, Brown played violin in the Philharmonia Orchestra. In 1964, she joined the Academy of St Martin in the Fields, working her way up through the ranks to become leader, solo violinist and director in 1974. She formally left the Academy in 1980, but continued to work with them for the rest of her life. In 1981, she was appointed artistic director of the Norwegian Chamber Orchestra. King Olav V of Norway later awarded her the accolade Knight of First Class Order of Merit for her success with the NCO. She directed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: : : Notable compositions *Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" (Rondo-Toccata) for the hands reunited * Johannes Sebastian Bach ** Passacaglia and Fugue in C minor, BWV 582 ** Lute Suite in C minor, BWV 997 ** Cello Suite No. 5, BWV 1011 **The Musical Offering, BWV 1079 ** Partita No. 2, BWV 826 *Ludwig van Beethoven (See Beethoven and C minor) ** Piano Sonata No. 5 ** Piano Sonata No. 8 (''Pathétique'') ** Piano Conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maestoso
''Maestoso'' () is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such. ''Maestoso'' also is associated with the advent of Classicism, Romanticism, and the newer forms of Neo-Classicism and Neo-Romanticism. The interpretation of ''maestoso'' is varied by the conductor depending upon the overall style in which the piece is written. Used as more of an interpretive choice, this term is not always associated with a specific tempo or tempo range. Examples The term is commonly used in relatively not fast pieces, but there are many examples, such as the first movement of Mozart's Flute Concerto No. 1, in which a faster tempo can be played in such ''maestoso''. Common examples of ''maestoso'' tempo include Elgar's ''Land of Hope and Glory'', the first movement of Mozart's Piano Concerto No. 21, the first movement of both Anton Bruckne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is ofte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Instruments
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no sound recordings exist of music before the late 19th century, historically informed performance is largely derived from musicological analysis of texts. Historical treatises, pedagogic tutor books, and concert critiques, as well as addi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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