Simon Rollo Gillespie
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Simon Rollo Gillespie
Simon Rollo Gillespie (born 26 May 1955) is a British conservator-restorer of fine art, and an art historian. He is known particularly for his work with Early British and Tudor portraits, although his practice extends across all periods from early paintings to contemporary artworks. Gillespie has been restoring art since 1978, and he appears frequently on the BBC Four series ''Britain's Lost Masterpieces'', having previously appeared on the BBC1 art programme ''Fake or Fortune''. Life and career Gillespie was educated at Milton Abbey School. After an apprenticeship for cabinet maker Martin Dodgsen and a spell as a viticulturalist in Germany, in 1975 he began his business of restoring and exporting vintage cars, moving onto restoring antiques and early English furniture. After a three-year break travelling to Mexico and founding an English language school, Gillespie returned to the UK and began an apprenticeship in restoration and conservation of fine art paintings. During this ...
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Lost Portrait Of George Villiers, 1st Duke Of Buckingham
The "lost portrait" of George Villiers, 1st Duke of Buckingham is a portrait of English courtier George Villiers, 1st Duke of Buckingham. It was painted around 1625 by Flemish artist Peter Paul Rubens. In 2017, the oil painting was examined by art historian Bendor Grosvenor at Pollok House, the former ancestral home of the Stirling-Maxwell family at Pollok Country Park in Glasgow, Scotland. Prior to this examination, the portrait was thought to be a mere copy of a Rubens painting that had been lost. Once layers of old varnish and overpainting were removed over a period of two months by art conservator Simon Rollo Gillespie, the portrait was revealed to be the original work by Rubens himself. Ben van Beneden, the director of Antwerp's Rubenshuis, confirmed the authenticity of the attribution. The portrait's examination, background research and restoration process were documented by the BBC Four television series ''Britain's Lost Masterpieces ''Britain's Lost Masterpi ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ...
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Fiona Bruce
Fiona Elizabeth Bruce (born 25 April 1964) is a British journalist, newsreader, and television presenter. She joined the BBC as a researcher for ''Panorama'' in 1989, and has since become the first female newsreader on the ''BBC News at Ten'', as well as presenting many flagship programmes for the corporation, including ''BBC News at Six'', ''Crimewatch'', ''Real Story'', ''Antiques Roadshow'', and ''Fake or Fortune?'' Since 10 January 2019, she has been the presenter of the BBC One television programme ''Question Time''. Early life and education Bruce was born on 25 April 1964 in what was then the State of Singapore, Malaysia to an English mother and a Scottish father, who had a long career at Unilever, becoming a regional managing director. Before that, the Bruce family had lived for several generations in the fishing village of Hopeman in Scotland. Bruce has two elder brothers. She was educated at Gayton Primary School in Wirral, the International School of Milan, and t ...
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Philip Mould
Philip Jonathan Clifford Mould (born March 1960) is an English art dealer, London gallery owner, art historian, writer and broadcaster. He has made a number of major art discoveries, including works of Thomas Gainsborough, Anthony Van Dyck and Thomas Lawrence. Mould is the author of two books on art discovery and is widely consulted by the media on the subject. He co-presents the BBC television programme ''Fake or Fortune?'', an arts programme, with journalist and broadcaster Fiona Bruce. Early life and education Mould was born in Wirral, Cheshire and educated at Kingsmead School, Hoylake, Worth School and the University of East Anglia, from which he graduated with a BA in History of Art in 1981. Mould's father owned a factory in Liverpool and his family was based in the Wirral Peninsula. Mould made friends with the owner of a local antiques shop, who taught him to read hallmarks on silver when he was just 11 or 12 years old, and by the age of 14 he was dealing in antique s ...
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Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian Renaissance painting, Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelite Brotherhood, Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo (art), tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and ''Primavera (painting), Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s w ...
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Yale University Art Gallery
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art. History The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901. Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery. A Tusc ...
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National Museum Cardiff
National Museum Cardiff ( cy, Amgueddfa Genedlaethol Caerdydd) is a museum and art gallery in Cardiff, Wales. The museum is part of the wider network of Amgueddfa Cymru – National Museum Wales. Entry is kept free by a grant from the Welsh Government; however, they do ask for donations throughout the museum. History The National Museum of Wales was founded in 1905, with its royal charter granted in 1907. Part of the bid for Cardiff to obtain the National Museum for Wales included the gift of the Cardiff Museum Collection, then known as "Welsh Museum of Natural History, Archaeology and Art," which was formally handed over in 1912. The Cardiff Museum was sharing the building of Cardiff Library, and was a sub-department of the library until 1893. Construction of a new building in the civic complex of Cathays Park began in 1912, but owing to the First World War it did not open to the public until 1922, with the official opening taking place in 1927. The architects were Arnold Dun ...
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Pompeo Batoni
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" led the artist to specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs. In addition to art-loving nobility, Batoni's subjects included the kings and qu ...
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George Oakley Aldrich
The Aldrichian Chairs were professorial positions at the University of Oxford during the nineteenth century, endowed by George Oakley Aldrich. His will left the residue of his estate to Oxford, to found in equal parts three chairs. By the 1850s the funds amounted to over £12,000. The handling of the chairs, however, was not of free-standing professorships, and by the end of that decade the funds had been repurposed. Chair of Chemistry The initial holder of the Aldrichian Chair of Chemistry was John Kidd, from 1803. He resigned when the Regius Chair of Physic became vacant on the death of Christopher Pegge in 1822. Kidd made sure he was succeeded as Aldrichian Professor by Charles Giles Bridle Daubeny. For financial reasons Daubeny held onto the chair until 1854, when a college stipend he held was increased. The third and final holder of the Chair was Benjamin Collins Brodie, elected in 1855. It was renamed the Waynflete Chair of Chemistry in 1865. The funding was transferred i ...
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Birmingham Museum And Art Gallery
Birmingham Museum and Art Gallery (BM&AG) is a museum and art gallery in Birmingham, England. It has a collection of international importance covering fine art, ceramics, metalwork, jewellery, natural history, archaeology, ethnography, local history and industrial history. The museum/gallery is run by Birmingham Museums Trust, the largest independent museums trust in the United Kingdom, which also runs eight other museums around the city. Entrance to the Museum and Art Gallery is free, but some major exhibitions in the Gas Hall incur an entrance fee. History In 1829, the Birmingham Society of Artists created a ''private'' exhibition building in New Street, Birmingham while the historical precedent for public education around that time produced the Factory Act 1833, the first instance of Government funding for education. The Museums Act 1845 " mpoweredboroughs with a population of 10,000 or more to raise a 1/2d for the establishment of museums." In 1864, the first ''pub ...
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Joos De Momper
Joos de Momper the Younger or Joost de Momper the Younger (1564February5, 1635) was a Flemish landscape painter active in Antwerp between the late 16th century and the early 17th century. Brueghel's influence is clearly evident in many of de Momper's paintings. His work is situated at the transition from late 16th-century Mannerism to the greater realism in landscape painting that developed in the early 17th century. He achieved considerable success during his lifetime.de Momper
at Oxford Artist Index


Life

Joos de Momper was born in an artistic family of Antwerp and was named after his grand ...
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