Silverton Park
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Silverton Park
Silverton Park, also known locally as Egremont House, was a large neoclassical mansion in the parish of Silverton, Devon, England. History It was built between 1838 and 1845 by George Wyndham, 4th Earl of Egremont, and demolished in 1901. It was, according to the architectural historians Nikolaus Pevsner and Bridget Cherry "an extraordinary design, entirely clothed in colonnades",Pevsner, 1991 edition, p.744 but in the opinion of Bernard Coleridge, 2nd Baron Coleridge was "a monstrous Italian house". The stable block, also designed in a neoclassical style, survives and is managed as a holiday let by the Landmark Trust. In October 2021, the stables was one of 142 sites across England to receive part of a £35-million injection into the government's Culture Recovery Fund. Construction Silverton Park was built by George Wyndham, a British naval officer who retired from the service in 1825. In 1836, his uncle, George Wyndham, the 3rd Earl of Egremont died, leaving only illegitima ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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The Exodus
The Exodus (Hebrew language, Hebrew: יציאת מצרים, ''Yeẓi’at Miẓrayim'': ) is the founding myth of the Israelites whose narrative is spread over four books of the Torah (or Pentateuch, corresponding to the first five books of the Bible), namely Book of Exodus, Exodus, Book of Leviticus, Leviticus, Book of Numbers, Numbers, and Book of Deuteronomy, Deuteronomy. The majority of modern scholars date the composition of the Torah to the Yehud (Persian province), Middle Persian Period (5th century BCE). Some of the traditions contributing to this narrative are older, since allusions to the story are made by 8th-century BCE prophets such as Amos (prophet), Amos and Hosea. The consensus of modern scholars is that the Bible does not give an accurate account of the origins of the Israelites, who appear instead to have formed as an entity in the central highlands of Canaan in the late second millennium BCE from the indigenous Canaanites, Canaanite culture. Most modern scholar ...
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Country Houses In Devon
A country is a distinct part of the world, such as a state, nation, or other political entity. It may be a sovereign state or make up one part of a larger state. For example, the country of Japan is an independent, sovereign state, while the country of Wales is a component of a multi-part sovereign state, the United Kingdom. A country may be a historically sovereign area (such as Korea), a currently sovereign territory with a unified government (such as Senegal), or a non-sovereign geographic region associated with certain distinct political, ethnic, or cultural characteristics (such as the Basque Country). The definition and usage of the word "country" is flexible and has changed over time. ''The Economist'' wrote in 2010 that "any attempt to find a clear definition of a country soon runs into a thicket of exceptions and anomalies." Most sovereign states, but not all countries, are members of the United Nations. The largest country by area is Russia, while the smallest i ...
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Demolished Buildings And Structures In England
Demolition (also known as razing, cartage, and wrecking) is the science and engineering in safely and efficiently tearing down of buildings and other artificial structures. Demolition contrasts with deconstruction, which involves taking a building apart while carefully preserving valuable elements for reuse purposes. For small buildings, such as houses, that are only two or three stories high, demolition is a rather simple process. The building is pulled down either manually or mechanically using large hydraulic equipment: elevated work platforms, cranes, excavators or bulldozers. Larger buildings may require the use of a wrecking ball, a heavy weight on a cable that is swung by a crane into the side of the buildings. Wrecking balls are especially effective against masonry, but are less easily controlled and often less efficient than other methods. Newer methods may use rotational hydraulic shears and silenced rock-breakers attached to excavators to cut or break through wo ...
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Buildings And Structures Demolished In 1902
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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Bolton Museum
Bolton Museum is a public museum and art gallery in the town of Bolton, England, owned by Bolton Metropolitan Borough Council. The museum is housed within the grade II listed Le Mans Crescent near Bolton Town Hall and shares its main entrance with the central library in a purpose-built civic centre. The building has good accessibility. Museum history The origins of the current museum date to 1852 when the town adopted the Libraries and Museums Act, leading to the opening of the town's first Library in Victoria Square, now site of the Nationwide Building Society. At that time, the town did not have a public collection to create a museum. The first collection donated was of fossils in the Library's opening year of 1853. The collections of the Museum grew slowly, and by 1876, hosted a good collection of scientific specimens and ethnographic objects. With the collections growing, there was public support for a separate museum, however, the local authority was not willing to use it ...
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Amarna Art
Amarna art, or the Amarna style, is a style adopted in the Amarna Period during and just after the reign of Akhenaten (r. 1351–1334 BC) in the late Eighteenth Dynasty, during the New Kingdom. Whereas Ancient Egyptian art was famously slow to change, the Amarna style was a significant and sudden break from its predecessors both in the style of depictions, especially of people, and the subject matter. The artistic shift appears to be related to the king's religious reforms centering on the monotheistic or monolatric worship of the Aten, the disc of the Sun, as giver of life. Like Akhenaten's religious reforms, his preferred art style was abandoned after the end of his reign. By the reign of Tutankhamun, both the pre-Amarna religion and art style had been restored. Background and history Shortly after taking the throne, Amenhotep IV adopted a policy of religious reform centering on the Aten. While it is not clear if he held that the Aten was the only god (monotheism), he clea ...
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Amarna Princess
The ''Amarna Princess'', sometimes referred to as the "Bolton Amarna Princess," is a statue forged by British art forger Shaun Greenhalgh and sold by his father George Sr. to Bolton Museum for £440,000 in 2003. Based on the Amarna art-style of ancient Egypt, the purchase of the ''Amarna Princess'' was feted as a "coup" by the museum and it remained on display for three years. However, in November 2005, Greenhalgh was brought under suspicion by Scotland Yard's Arts and Antiquities Unit, and the statue was impounded for further examination in March 2006.Malvern, Jack"The ancient Egypt statue from Bolton (circa 2003)" ''Times Online'', March 27, 2006. Accessed December 4, 2007. It is now displayed as a part of an exhibition of fakes and forgeries. Background and preparation In 1999, following some early successes, the Greenhalghs began their most ambitious forgery project yet. They bought the 1892 sale catalogue of the contents of Silverton Park, Devon, the home of the 4th Earl of ...
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Provenance
Provenance (from the French ''provenir'', 'to come from/forth') is the chronology of the ownership, custody or location of a historical object. The term was originally mostly used in relation to works of art but is now used in similar senses in a wide range of fields, including archaeology, paleontology, archives, manuscripts, printed books, the circular economy, and science and computing. The primary purpose of tracing the provenance of an object or entity is normally to provide contextual and circumstantial evidence for its original production or discovery, by establishing, as far as practicable, its later history, especially the sequences of its formal ownership, custody and places of storage. The practice has a particular value in helping Authentication, authenticate objects. Comparative techniques, expert opinions and the results of scientific tests may also be used to these ends, but establishing provenance is essentially a matter of documentation. The term dates to the 1 ...
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Shaun Greenhalgh
Shaun Greenhalgh (born 1961) is a British artist and former art forger. Over a seventeen-year period, between 1989 and 2006, he produced a large number of forgeries. With the assistance of his brother and elderly parents, who fronted the sales side of the operation, he successfully sold his fakes internationally to museums, auction houses, and private buyers, accruing nearly £1 million. ''The Guardian'"How garden shed fakers fooled the art world" 16 November 2007. The family have been described by Scotland Yard as "possibly the most diverse forgery team in the world, ever". However, when they attempted to sell three Assyrian reliefs using the same provenance as they had previously, suspicions were finally raised. The Victoria and Albert Museum in London held an exhibition of Greenhalgh's works from 23 January to 7 February 2010. The Metropolitan Police's Art and Antiques Unit built a replica model of the shed where the works were created. Many of Greenhalgh's fakes, inclu ...
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Art Forgery
Art forgery is the creating and selling of works of art which are falsely credited to other, usually more famous artists. Art forgery can be extremely lucrative, but modern dating and analysis techniques have made the identification of forged artwork much simpler. This type of fraud is meant to mislead by creating a false provenance, or origin, of the object in order to enhance its value or prestige at the expense of the buyer. As a legal offense, it is not just the act of imitating a famous artists key characteristics in a piece of art, but the deliberate financial intent by the forger.Lenain, Theirry (2003) "Forgery". Grove Art Online. When caught, some of these forgers attempt to pass off the fakes as jokes or hoaxes on the art experts and dealers they were selling to, or on the art world as a whole. To excel in this type of forgery, the forger must pass themselves off as incredibly trustworthy and charismatic in order to recruit the necessary middlemen such as art dealers, s ...
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