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Fender amplifiers are a series of electric instrument amplifiers produced by the Fender Musical Instruments Corporation. The first guitar amplifiers attributed to Leo Fender were manufactured by the K&F Manufacturing Corporation (K&F) between 1945 and 1946. Later, Fender began building its own line of electric guitars. Fender amplifiers would become favorite of many famous guitarists such as Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s. Fender frequently updated the internal circuitry of its amps, and changed their appearance throughout its history. Early amplifiers: K&F, Woodie and Tweed The first " Fender" amplifiers were manufactured by Leo Fender and Doc Kauffman, doing business as the K&F Manufacturing Corporation. The amplifier ...
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Fender Twin
The Fender Twin and Twin Reverb are guitar amplifiers made by Fender Musical Instruments Corporation. The Twin was introduced in 1952, two years before Fender began selling Stratocaster electric guitars. The amps are known for their characteristically clean tone. The Twin has seen a number of revisions since its introduction, both internal and external, with its designs sometimes varying greatly from one year to the next. Several variations on the amp's original design have been produced through the years, including the Twin Reverb, the Super Twin, the Twin Reverb II, the Twin Reverb '65 Reissue and the Twin Reverb 68’ Custom Reissues. The Cyber Twin, which combined a tube amp with a digital processor, was introduced in January 2001.YouTube page:The Fender Cyber-Twin: Full-Length DVD" Many notable musicians have used Fender Twin amplifiers, including Mark Knopfler, David Gilmour, Chuck Berry, Mike Oldfield, The BeatlesJohn Lennon and George Harrison of the Beatles both used Fen ...
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Fender Bandmaster
The Fender Bandmaster was a musical instrument amplifier made by Fender. It was introduced in 1953 and discontinued in 1974.Teagle, J. and Sprung, J.: Fender Amps: The First Fifty Years Some early models had both a microphone input and instrument inputs. Beginning in 1960, Bandmaster amps were equipped with a vibrato effect. In the 2000s, vintage Bandmaster amps remain in use by blues, Americana and rock and roll bands. File:1968_Fender_Bandmaster_front.jpg , Fender Bandmaster, silverface, 1968 "drip-edge" with AB763 circuit File:1968_Fender_Bandmaster_back.jpg , (back) Timeline ''Timeline gleaned from'' Cosmetics * Tweed * Blonde Blond (male) or blonde (female), also referred to as fair hair, is a hair color characterized by low levels of the dark pigment eumelanin. The resultant visible hue depends on various factors, but always has some yellowish color. The color can ... * Blackface * Silverface 1967–1974 ** Drip Edge 1967–1968 ** Black Line 1967– Circuit ...
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Fender Champ
The Fender Champ was a guitar amplifier made by Fender. It was introduced in 1948 and discontinued in 1982. An updated version was introduced in 2006 as part of the "Vintage Modified" line. The Champ had the lowest power output and the simplest circuit of all Fender tube amps. The Champ had only one power tube, and the power stage circuit is, typically, single-ended and class A. Five watts and the simple toneful circuit allowed the Champ to be used easily and often in recording studios. Champion 800/600 First introduced in 1948, it sported the name "Champion 800" (with 8" speaker), changing a year later to "Champion 600" (6" speaker) with circuit designation 5B1. It was rated at about 3 watts, featuring a "T.V. Front" style cabinet; the 800 was covered in greenish fabric while the 600 featured two-tone blonde and brown vinyl covering. This style lasted until 1953, when Fender's cabinet style changed to the "Wide Panel" design with a tweed cloth covering. Fender also renamed ...
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Fender Musical Instruments Corporation
The Fender Musical Instruments Corporation (FMIC, or simply Fender) is an American manufacturer of instruments and amplifiers. Fender produces acoustic guitars, bass amplifiers and public address equipment, however it is best known for its solid-body electric guitars and bass guitars, particularly the Stratocaster, Telecaster, Jaguar, Jazzmaster, Precision Bass, and the Jazz Bass. The company was founded in Fullerton, California by Clarence Leonidas "Leo" Fender in 1946. Its headquarters are in Los Angeles, California. The FMIC is a privately held corporation, with Andy Mooney serving as the Chief Executive Officer (CEO). The company filed for an initial public offering in March 2012, but this was withdrawn five months later. In addition to its Los Angeles headquarters, Fender has manufacturing facilities in Corona, California (US) and Ensenada, Baja California (Mexico). As of July 10, 2012, the majority shareholders of Fender were the private equity firm of Weston P ...
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Fender Tailed Logo
Fender may refer to: Transport * Fender (boating), a bumper used to keep boats from banging into docks or each other * Fender (vehicle) or wing, a part of a motor vehicle that frames a wheel well * Fender, a "cow catcher" on a tram, see Pilot (locomotive) * Fender, part of a Western saddle Other uses * Fender (company), a U.S. manufacturer of stringed musical instruments and amplifiers ** List of products manufactured by Fender Musical Instruments Corporation * Fender (surname), a surname * Fender, Arkansas, a community in the United States * Fender Pinwheeler, a fictional character in the 2005 film ''Robots'' * The Fenders, a Brazilian rock band * Fireplace fender, a fireplace accessory See also * The Fender IV The Fender IV were an American surf rock band of the 1960s. The Fender IV were started up in Baltimore, by guitarist Randy Holden. Although almost prevented by a bumble bee, he successfully moved the band to Southern California in 1963, in o ..., a U.S. garage r ...
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Twill
Twill is a type of textile weave with a pattern of diagonal parallel ribs. It is one of three fundamental types of textile weaves along with plain weave and satin. It is made by passing the weft thread over one or more warp threads then under two or more warp threads and so on, with a "step," or offset, between rows to create the characteristic diagonal pattern. Because of this structure, twill generally drapes well. Classification Twill weaves can be classified from four points of view: # According to the stepping: #* ''Warp-way'': 3/1 warp way twill, etc. #* ''Weft-way'': 2/3 weft way twill, etc. # According to the direction of twill lines on the face of the fabric: #* ''S-twill'', or ''left-hand twill weave'': 2/1 S, etc. #* ''Z-twill'', or ''right-hand twill weave'': 3/2 Z, etc. # According to the face yarn (warp or weft): #* ''Warp face twill weave'': 4/2 S, etc. #* ''Weft face twill weave'': 1/3 Z, etc. #* ''Double face'' twill weave'': 3/3 Z, etc. # According to the n ...
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Fender Vibrasonic
The Fender Vibrasonic was an amplifier made by Fender. It was debuted as the first of the new-model Fender amps of the 1960s, with new tolex-covered cabinets and front-mounted control panels that would replace the tweed-covered, top-panel cabinets that were prevalent during the 1950s, as well as new circuitry which would characterize most Fender amplifiers for two decades. The Vibrasonic was introduced in 1959 and was discontinued in 1964. During this period, the "brownface" era, its brown control panel was matched with light brown ("tan") or standard brown tolex cabinets with grill cloth schemes typically in tweed style ("gold stripe") or yellow ("wheat"). At the time of its introduction, the Vibrasonic-Amp displaced the Fender Twin as the company's new top-of-the-line or "flagship" model. This elevated status was short-lived however, as the new high-powered 6G8 blonde Twin-Amp appeared in mid 1960. The Vibrasonic was one of the seven models in the newly designated Professiona ...
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Fender Vibroverb
The Fender Vibroverb was a 40-watt combo guitar amplifier originally manufactured in 1963 and 1964. It was the first Fender amplifier to incorporate on-board reverb and tremolo/vibrato, which became a standard feature on many high-end Fender tube amps during the 1960s and 1970s. Brownface, brown Tolex-the 1963 Vibroverb The original (6G16 circuit) Vibroverb was introduced in February 1963. The speaker lineup and the output transformer were based on the Fender Super amp of the time and the circuit based on the Fender Vibrolux of the time, with no presence control and only one 12AX7 tube for the tremolo effect. It sported typical "brownface" cosmetics, with brown "Tolex" covering (introduced by Fender in 1959), and wheat-colored speaker cloth. The 40-watt amplifier boasted two channels (NORMAL and BRIGHT). Both channels had VOLUME, TREBLE and BASS controls; the single-control REVERB affected only the BRIGHT channel. The tremolo effect (labeled VIBRATO by Fender, see "VIBRATO or ...
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Tweed (Fender)
Fender tweed is a generic name used for the guitar amplifiers made by the American company Fender between 1948 and 1960. The amplifiers are named for the cloth covering, which consists of varnished cotton twill, incorrectly called tweed because of its feel and appearance. They are praised for their sound, their circuitry considered "hallowed ground". Fender generally stopped using the twill covering in 1960, though the Harvard was still covered in twill until 1963, and the Champ until 1964. In 1953, Fender introduced the "wide panel" construction, where the top and bottom panels are wider than the side panels. In the later "narrow panels", introduced in 1955, all panels have approximately the same size. Later amplifiers used tolex for the covering. Beginning in 1990, Fender began to utilize the tweed covering once again, starting with the '59 Bassman Reissue. Some later amplifier models came in the split option of tweed or black tolex covering, including the Blues Junior and ...
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Fender Super
The Fender Super was a guitar amplifier made by Fender between 1947 and 1963 and, as the Super Reverb, until 1981. Though it was designed for a clean sound, its overdriven sound is praised by players and critics. History The Super evolved from the so-called Dual Professional, "often cited as the world's first twin-speaker amplifier," which was introduced in 1947. The Dual Professional had two slightly angled 10" Jensen speakers, and had two 6L6 tubes producing 18 watts. It was renamed the Super in the fall of 1947. The amplifier's circuit was changed in 1955 (until then it was identical to the Fender Pro, except for the speaker configuration) when the 6L6 tubes were exchanged for 6V6 tubes; the 1958 5F4 model was again equipped with 6L6 tubes, so its circuitry was again almost identical to that of the Pro (5E5-A model) and the Bandmaster (5E7 model). The 5F4 model had Presence, Bass, and Treble controls, and separate Volume controls for the microphone and instrument inputs. It ...
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Fender Pro
The Fender Pro was an instrument amplifier manufactured by Fender Electric Instruments from 1946 to 1965. It was characterized by its dual 6L6-family power tubes and single 15" speaker, with output power increasing from 18 watts up to 40 watts over its production run. The Pro was replaced in the Fender lineup by its offspring the Pro Reverb. History Woody The Professional was the largest of the three amplifiers Leo Fender produced at the launch of his company in 1946. It was built in small numbers on a special-order basis, and used the same circuitry and even the same chassis as the Model 26 ( Deluxe), with "Model 26" on the control plate scratched out and 6L6 tubes and larger transformers driving a 15-inch field coil speaker. The distinctive rear-panel cabinet was uncovered hardwood (maple, mahogany or walnut), with red, gold or blue grill cloth and vertical chrome bars in the center. Tweed In 1948 the Pro-Amp was part of Fender's revamped lineup in top-panel cabinets covered in ...
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Fender Concert
The Fender Concert was a guitar amplifier made by Fender Musical Instruments. Its production can be split over 2 phases. The first of these running from 1960 and until approximately 1965, at which time a typical Fender Concert was priced at $315. During the 1960s, the Concert was for all practical purposes the same amplifier as the Vibrasonic but with four 10" speakers. In a later phase, the Concert was updated by Paul Rivera in the early 1980s ("concert" and "concert II") and a subsequent 1x12 variant of the Concert amp appeared briefly in the mid-1990s. Phase I: The 1960s The Fender Concert has gone through a number of changes over the years, both cosmetically and electronically. The Concert amp was introduced as a replacement for the 4-10 tweed Bassman amplifier. Due to the popularity of the Bassman, both amplifiers were produced concurrently during 1960. Unlike most of the other Professional Series amps however, the Concert (along with Fender Vibrasonic) were not previously of ...
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