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Silili
Silili is a divine figure mentioned in Tablet VI of the Epic of Gilgamesh. Gilgamesh objects to the unwanted attractions of the goddess Ishtar, enumerating the previous lovers of Ishtar, and the misfortunes which befell them. He claims that Ishtar once loved the horse, but ultimately decreed a number of misfortunes for him, including the continuous wailing of "his mother, Silili". Because Silili is only mentioned in passing, there is little to say of her character, other than she is a female divine figure closely associated with the horse. Salili is named in Tablet VI, line 57 as "his mother, goddess Silili ("AMA-šú dSi-li-li). See also * List of fictional horses This is a list of horses and ponies in fictional subjects, excluding hybrid fantasy creatures such as centaurs and unicorns but including pegasi; their cousins, donkeys and zebras; and cross-breed mules and zebroids. Horses in literature *Abe ... References * Glossary, Appendices, Appendix (Chapter XII=Tablet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Goddesses
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Fictional Horses
This is a list of horses and ponies in fictional subjects, excluding hybrid fantasy creatures such as centaurs and unicorns but including pegasi; their cousins, donkeys and zebras; and cross-breed mules and zebroids. Horses in literature *Abelard, Halt's trained small horse/pony in the ''Ranger's Apprentice'' series by John Flanagan *Acorn, Davy's horse in the ''Chaos Walking'' series by Patrick Ness *Albino, from '' Thunderhead'' by Mary O'Hara *Alfonso (or, in Swedish, Lilla Gubben), in the ''Pippi Longstocking'' series by Astrid Lindgren *Angharrad, Todd's horse in the ''Chaos Walking'' trilogy by Patrick Ness *Appalachian, from '' Thunderhead'' by Mary O'Hara *Arondel, Bevis's horse in the Middle English romance ''Bevis of Hampton'' *Artax, Atreyu's horse in Michael Ende's ''The Neverending Story'' *Arod, Legolas's horse in ''The Lord of the Rings'' *Athansor, ridden by Peter Lake in Mark Helprin's ''A Winter's Tale'' *Azarax, from ''The Byerley Turk'' by Jeremy James *Azu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishtar
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadians, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main cult center. She was associated with the planet Venus and her most prominent symbols included the lion and the eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat and Papsukkal). Inanna was worshiped in Sumer at least as early as the Uruk period ( 4000 BCE – 3100 BCE), but she had little cult activity before the conques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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