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Silappadhikaram
''Cilappatikāram'' ( ta, சிலப்பதிகாரம் ml, ചിലപ്പതികാരം,IPA: ʧiləppət̪ikɑːrəm, ''lit.'' "the Tale of an Anklet"), also referred to as ''Silappathikaram'' or ''Silappatikaram'', is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely ''akaval'' (''aciriyam'') meter. The epic is a tragic love story of an ordinary couple, Kannaki and her husband Kovalan. The ''Silappathikaram'' has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the ''Naṟṟiṇai'' and later texts such as the ''Kovalam Katai''. It is attributed to a prince-turned-monk Iḷaṅkõ Aṭikaḷ, and was probably composed in the 5th or 6th century CE. The ''Silappatikaram'' is set in a flourishing seaport city of the early Chola kingdom. Kannaki and Kovalan are a newly married couple, in love, and living in bliss. Over time, Kova ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Phonetic Alphabet
The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form.International Phonetic Association (IPA), ''Handbook''. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators. The IPA is designed to represent those qualities of speech that are part of lexical (and, to a limited extent, prosodic) sounds in oral language: phones, phonemes, intonation, and the separation of words and syllables. To represent additional qualities of speech—such as tooth gnashing, lisping, and sounds made with a cleft lip and cleft palate—an extended set of symbols may be used. Segments are transcribed by one or more IPA symbols of two basic types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anklet
An anklet, also called ''ankle chain'', ''ankle bracelet'' or ''ankle string'', is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8,000 years by girls and women in Indus Valley, in South Asia where it is commonly known as ''pattilu'', ''payal, golusu'' and sometimes as ''nupur''. They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery. Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where the effect w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Tamilakam Ports
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iravatham Mahadevan
Iravatham Mahadevan (2 October 1930 – 26 November 2018) was an Indian epigraphist and civil servant, known for his decipherment of Tamil-Brahmi inscriptions and for his expertise on the epigraphy of the Indus Valley civilisation. Early life Iravatham Mahadevan was born on 2 October 1930 in a Tamil Brahmin family of Thanjavur district. Mahadevan had his schooling in the town of Tiruchirapalli and graduated in Chemistry from the Vivekananda College, Chennai and law from the Madras Law College. Mahadevan successfully passed the Indian Administrative Service examinations held in 1953 and was allotted to the Tamil Nadu cadre. Civil service Mahadevan worked as an Assistant Collector in Coimbatore district and Sub-Collector at Pollachi. In 1958, Mahadevan was transferred to Delhi as Assistant Financial Adviser in India's Ministry of Commerce and Industry serving from 1958 to 1961. In 1961, Mahadevan was posted to Madras as Deputy Secretary in Government of Tamil Nadu's In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamil Zvelebil
Kamil Václav Zvelebil (November 17, 1927 – January 17, 2009) was a Czech scholar in Indian literature and linguistics, notably Tamil, Sanskrit, Dravidian linguistics and literature and philology. Life and career Zvelebil studied at the Charles University in Prague from 1946 to 1952 where he majored in Indology, English, literature and philosophy. After obtaining his PhD in 1952 and until 1970 he was a senior research fellow in Tamil and Dravidian linguistics and literature at the Oriental Institute of the Czechoslovak Academy of Sciences. He held the role of associate professor of Tamil and Dravidian at Charles University in Prague until 1968, when he and his family (including his son, the later archaeologist, Marek Zvelebil) were forced to flee after the Warsaw Pact invasion of Czechoslovakia. They fled to the United States at first, but later settled in the Netherlands. During the late 1960s, he made many field trips including those to South India. From 1965 to 1966, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangam Period
The Sangam period or age (, ), particularly referring to the third Sangam period, is the period of the history of ancient Tamil Nadu, Kerala and parts of Sri Lanka (then known as Tamilakam) spanning from c. 6th century BCE to c. 3rd century CE. It was named after the famous Sangam academies of poets and scholars centered in the city of Madurai. The First Sangam to be located in ''Then Madurai'' under the patronage of 89 Pandya kings, during this period. It is said to have lasted for 4,440 years, and this would put the First Sangam between 9600 BCE to 5200 BCE. In Old Tamil language, the term Tamilakam (''Tamiḻakam'', '' Purananuru'' 168. 18) referred to the whole of the ancient Tamil-speaking area, corresponding roughly to the area known as southern India today, consisting of the territories of the present-day Indian states of Tamil Nadu, Kerala, parts of Andhra Pradesh, parts of Karnataka and northern Sri Lanka also known as Eelam. History According to Tamil legends, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pallava Dynasty
The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The dynasty rose to prominence after the downfall of the Satavahana dynasty, with whom they had formerly served as feudatories. The Pallavas became a major South Indian power during the reign of Mahendravarman I (600–630 CE) and Narasimhavarman I (630–668 CE), and dominated the southern Andhra Region and the northern parts of the Tamil region for about 600 years, until the end of the 9th century. Throughout their reign, they remained in constant conflict with both the Chalukyas of Badami in the north, and the Tamil kingdoms of Chola and Pandyas in the south. The Pallavas were finally defeated by the Chola ruler Aditya I in the 9th century CE. The Pallavas are most noted for their patronage of Hindu temple architecture, the finest example being the Shore Temple, a UNESCO World Heritage Site in Mamallapuram. Kancheepuram served as the capit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manimekalai
''Maṇimēkalai'' ( ta, மணிமேகலை, ), also spelled ''Manimekhalai'' or ''Manimekalai'', is a Tamil- Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably around the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic '' Silappadikaram'', with some characters from it and their next generation. The epic consists of 4,861 lines in ''akaval'' meter, arranged in 30 cantos. The title ''Manimekalai'' is also the name of the daughter of Kovalan and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the Chola prince Udayakumara. He pursues her. She, a nun of Mahayana Buddhism persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattanar
Satthanar or Chithalai Satthanar ( ta, சாத்தனார் or சீத்தலைச் சாத்தனார், ''cītalai cāttanār'') was the Tamil poet who composed the epic Manimekalai. A total of 11 verses of the Sangam literature have been attributed to Satthanar, including verse 10 of the Tiruvalluva Maalai. Etymology Pronounced ''Sa-tha-naar,'' the name is derived from ( ta, சாத்து, ''sāttu'') meaning Buddhist monk. Applying this principle to the name Maturai Kulavāṇikan Cāttan, the author of Manimekalai, we see that the two appellations Maturai and Kulavanikan were prefixed to his name in order to distinguish him from another poet of Maturai with the same name and from a third who lived elsewhere. Several examples could be cited of this system of nomenclature which prevailed during the early days. Biography Satthanar hailed from a place known as Seerthandalai, later came to be known as Seethalai. He was a grain merchant at Madurai and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patiṟṟuppattu
The ''Patiṟṟuppattu'' ( ta, பதிற்றுப்பத்து, mal, പതിറ്റുപ്പത്ത്, lit. ''Ten Tens'', sometimes spelled ''Pathitrupathu'',) is a classical Tamil poetic work and one of the Eight Anthologies (''Ettuthokai'') in Sangam literature. A panegyric collection, it contains ''puram'' (war and public life) poems. The Chera kings, known as the Cheramal, are the centre of the work. Its invocatory poem is about Maayon, or Mal (Vishnu). The ''Patiṟṟuppattu'' originally contained ten sections of ten poems, each section dedicated to a decade of rule in ancient Kerala (Cerals, Chera); the first and last sections have been lost. Of the surviving poems, the second-to-sixth-decade-related poems are about the three generations of rulers from the Imayavaramban dynasty. The remaining poems are about the three generations of rulers from the Irumporai dynasty. In the ''Patirruppattu'' palm-leaf manuscripts, each decade ends with a (a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
