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Sievers' Theory Of Anglo-Saxon Meter
Eduard Sievers developed a theory of the meter of Anglo-Saxon alliterative verse In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of .... This most likely would have been the theory of Anglo-Saxon prosody that Ezra Pound would have been familiar with. A line of Anglo-Saxon verse is made up of two half-lines. Each of these half-lines contains two main stresses (or 'lifts'). Sievers categorized three basic types of half-line that were used. Here a stressed syllable is represented by the symbol '/' and an unstressed syllable by the symbol 'x'. He also noted that three possible types of half-line were not used: */ x x / */ / x x *x x / / However the first two of these can be used if one of the 'dips' is changed into a half-stress (or 'half lift' ... notated here 'x́'): Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Sievers
Eduard Sievers (; 25 November 1850, Lippoldsberg – 30 March 1932, Leipzig) was a philologist of the classical and Germanic languages. Sievers was one of the ''Junggrammatiker'' of the so-called "Leipzig School". He was one of the most influential historical linguists of the late nineteenth century. He is known for his recovery of the poetic traditions of Germanic languages such as Anglo-Saxon and Old Saxon, as well as for his discovery of Sievers' law. Biography He was educated at Leipzig and Berlin, and became professor extraordinarius of Germanic and Romance philology at Jena in 1871, receiving a full professorship there five years later. In 1883 he went to Tübingen, and in 1887 to Halle, whence he was called in 1892 to Leipzig. Sievers' analysis Sievers' analysis was a system of five patterns which indicated how the poetic line (or, more specifically, the poetic half-line) was to be emphasized or not, e.g. stressed-unstressed-stressed-unstressed, unstressed-stressed-uns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglo-Saxon Language
Old English (, ), or Anglo-Saxon, is the earliest recorded form of the English language, spoken in England and southern and eastern Scotland in the early Middle Ages. It was brought to Great Britain by Anglo-Saxon settlers in the mid-5th century, and the first Old English literary works date from the mid-7th century. After the Norman conquest of 1066, English was replaced, for a time, by Anglo-Norman (a relative of French) as the language of the upper classes. This is regarded as marking the end of the Old English era, since during this period the English language was heavily influenced by Anglo-Norman, developing into a phase known now as Middle English in England and Early Scots in Scotland. Old English developed from a set of Anglo-Frisian or Ingvaeonic dialects originally spoken by Germanic tribes traditionally known as the Angles, Saxons and Jutes. As the Germanic settlers became dominant in England, their language replaced the languages of Roman Britain: Common Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliterative Verse
In prosody, alliterative verse is a form of verse that uses alliteration as the principal ornamental device to help indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic ''Beowulf'', as well as most other Old English poetry, the Old High German ''Muspilli'', the Old Saxon ''Heliand'', the Old Norse ''Poetic Edda'', and many Middle English poems such as ''Piers Plowman'', ''Sir Gawain and the Green Knight'', and the '' Alliterative Morte Arthur'' all use alliterative verse. While alliteration can be found in many poetic traditions, it is 'relatively infrequent' as a structured characteristic of poetic form.Frog, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezra Pound
Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a Fascism, fascist collaborator in Italy during World War II. His works include ''Ripostes'' (1912), ''Hugh Selwyn Mauberley'' (1920), and his 800-page Epic poetry, epic poem, ''The Cantos'' (c. 1917–1962). Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped discover and shape the work of contemporaries such as T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's ''A Portrait of the Artist as a Young Man'', the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's ''Ulysses (novel), Ulysses''. Hemingway wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine Brooke-Rose
Christine Frances Evelyn Brooke-Rose (16 January 1923 – 21 March 2012) was a British writer and literary critic, known principally for her experimental novels."Christine Brooke-Rose is dead" ''PN Review'', 22 March 2012 Life Christine Brooke-Rose was born in , Switzerland to an English father, Alfred Northbrook Rose, and American- mother, Evelyn (née Brooke). They separated in 1929. She was brought up mainly in with her maternal grandparents, but ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A ZBC Of Ezra Pound (book)
''A ZBC of Ezra Pound'' is a book by Christine Brooke-Rose published by Faber and Faber in 1971. It is a study of the work of Ezra Pound, focusing in particular on ''The Cantos''. In Chapter Six, Brooke-Rose gives an explanation of the prosody of Anglo-Saxon alliterative verse as Pound would have understood it, based on Sievers' Theory of Anglo-Saxon Meter. The book is out of print but can be read online. at the Open Library
Open Library is an online project intended to create "one web page for every book ever published". Created by Aaron Swartz, Brewster Kahle, Alexis Rossi, Anand Chitipothu, and Rebecca Malamud, Open Library is a project of the Internet Archive, ...
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Poetic Rhythm
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
