Shéhérazade (Frederica Von Stade Recording)
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Shéhérazade (Frederica Von Stade Recording)
''Shéhérazade'' is a 40-minute studio album of art songs by Maurice Ravel performed by Frederica von Stade. In the ''Chansons madécasses'', she is accompanied by the flautist Doriot Anthony Dwyer, the cellist Jules Eskin and the pianist Martin Katz. In two of the ''Cinq mélodies populaires grecques'', the ''Deux mélodies hébraïques'' and '' Shéhérazade'' itself, she is accompanied by the Boston Symphony Orchestra under the direction of Seiji Ozawa. The album was released in 1981.''Frederica von Stade: The Complete Columbia Recital Albums'', Sony CD, 88875183412, 2016 Recording The album was recorded digitally in Symphony Hall, Boston on 8 October 1979 (tracks 1-3) and on 8 April 1980 (tracks 4-7), and in the CBS 30th Street Studio, New York City on 10 November 1979 (tracks 8-10). It was recorded and edited with a Sony system, and mastered with CBS's DisComputer system. The recording of ''Shéhérazade'' followed live performances of the cycle that von Stade, the Boston ...
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Frederica Von Stade
Frederica von Stade OAL (born June 1, 1945) is a semi-retired American opera singer. Since her Metropolitan Opera debut in 1970, she has performed in operas, musicals, concerts and recitals in venues throughout the world, including La Scala, the Paris Opera, the Vienna State Opera, the Salzburger Festspielhaus, Covent Garden, Glyndebourne and Carnegie Hall. Conductors with whom she has worked include Abbado, Bernstein, Boulez, Giulini, Karajan, Levine, Muti, Ozawa, Sinopoli, Solti and Tilson Thomas. She has also been a prolific and eclectic recording artist, attracting nine Grammy nominations for best classical vocalist, and she has made many appearances on television. A mezzo-soprano equally at home in lyric music and in coloratura, she has assumed fifty-seven operatic roles on stage and eight more in concert or on disc, progressing from minor parts to romantic leadsboth male and femaleand, latterly, character parts. She is especially associated with the Mozart, Rossini and ...
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Maurice Delage
Maurice Charles Delage (13 November 1879 – 19 or 21 September 1961) was a French composer and pianist. Biography Delage was born and died in Paris. He first worked as a clerk for a maritime agency in Paris, and later as a fishmonger in Boulogne. He also served for a time in the French army, before embarking on a music career in his twenties. A student of Maurice Ravel, Ravel, who proclaimed him one of the supreme French composers of his day, and member of Les Apaches, he was influenced by travels to India and Japan in 1912, when he accompanied his father on a business trip. Ravel's "La vallée des cloches" from ''Miroirs'' was dedicated to Delage. Delage's best known piece is ''Quatre poèmes hindous'' (1912–1913).Georges Jean-Aubry (1917''An Introduction to French Music'' p.67, Cecil Palmer & Hayward, London His ''Ragamalika'' (1912–1922), based on the classical music of India, is significant in that it calls for prepared piano; the score specifies that a piece of Cardb ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Colin Davis
Sir Colin Rex Davis (25 September 1927 – 14 April 2013) was an English conductor, known for his association with the London Symphony Orchestra, having first conducted it in 1959. His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett. Davis studied as a clarinetist, but was intent on becoming a conductor. After struggling as a freelance conductor from 1949 to 1957, he gained a series of appointments with orchestras including the BBC Scottish Orchestra, the BBC Symphony Orchestra and the Bavarian Radio Symphony Orchestra. He also held the musical directorships of Sadler's Wells Opera and the Royal Opera House, where he was principal conductor for over fifteen years. His guest conductorships included the Boston Symphony Orchestra, the New York Philharmonic and the Staatskapelle Dresden, among many others. As a teacher, Davis held posts at the Royal Academy of Music, London, ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Jessye Norman
Jessye Mae Norman (September 15, 1945 – September 30, 2019) was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but refused to be limited to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Cassandre and Didon by Berlioz and Bartók's Judith. ''The New York Times'' music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls." Norman trained at Howard University, the Peabody Institute, and the University of Michigan. Her career began in Europe, where she won the ARD International Music Competition in Munich in 1968, which led to a contract with the Deutsche Oper Berlin. Her operatic début came as Elisabeth in Wagner's ''Ta ...
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Ernest Ansermet
Ernest Alexandre Ansermet (; 11 November 1883 – 20 February 1969)"Ansermet, Ernest" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 435. was a Swiss conductor. Biography Ansermet was born in Vevey, Switzerland. Originally he was a mathematics professor, teaching at the University of Lausanne. He began conducting at the Casino in Montreux in 1912, and from 1915 to 1923 was the conductor for Diaghilev's Ballets Russes. Travelling in France for this, he met both Claude Debussy and Maurice Ravel, and consulted them on the performance of their works. During World War I, he met Igor Stravinsky, who was exiled in Switzerland, and from this meeting began the conductor's lifelong association with Russian music. In 1918 Ansermet founded his own orchestra, the Orchestre de la Suisse Romande (OSR). He toured widely in Europe and America and became famous for accurate performances of difficult modern music, making first reco ...
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Orchestre De La Suisse Romande
The Orchestre de la Suisse Romande (OSR) is a Swiss symphony orchestra, based in Geneva at the Victoria Hall. In addition to symphony concerts, the OSR performs as the opera orchestra in productions at the Grand Théâtre de Genève. History Ernest Ansermet founded the OSR in 1918, together with Paul Lachenal, with a contingent of 48 players and a season of six months' duration. Besides Swiss musicians, the OSR players initially came from other countries, including Austria, France, Germany and Italy. Ansermet gradually increased the percentage of Swiss musicians in the orchestra, attaining 80% Swiss personnel by 1946. He remained the music director of the OSR for 49 years, from 1918 to 1967. A Swiss radio orchestra based in Lausanne was merged into the OSR in 1938. Subsequently, the OSR began to broadcast radio concerts regularly on Swiss radio. The orchestra had a long-standing contract for recordings with Decca Records, dating from the tenure of Ansermet, and made over 300 rec ...
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Régine Crespin
Régine Crespin (23 February 1927 – 5 July 2007) was a French singer who had a major international career in opera and on the concert stage between 1950 and 1989. She started her career singing roles in the dramatic soprano and spinto soprano repertoire, drawing particular acclaim singing Wagner and Strauss heroines. She went on to sing a wider repertoire that embraced Italian, French, German, and Russian opera from a variety of musical periods. In the early 1970s Crespin began experiencing vocal difficulties for the first time and ultimately began performing roles from the mezzo-soprano repertoire. Throughout her career she was widely admired for the elegance, warmth and subtlety of her singing, especially in the French and German operatic repertories. Crespin began her career in France, earning her first critical successes in the French provinces during the early 1950s and then becoming a fixture at the Opéra National de Paris in the mid-1950s. Her international career was ...
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John Barbirolli
Sir John Barbirolli ( Giovanni Battista Barbirolli; 2 December 189929 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On ...
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Philharmonia Orchestra
The Philharmonia Orchestra is a British orchestra based in London. It was founded in 1945 by Walter Legge, a classical music record producer for EMI. Among the conductors who worked with the orchestra in its early years were Richard Strauss, Wilhelm Furtwängler and Arturo Toscanini; of the Philharmonia's younger conductors, the most important to its development was Herbert von Karajan who, though never formally chief conductor, was closely associated with the orchestra in the late 1940s and early 1950s. The Philharmonia became widely regarded as the finest of London's five symphony orchestras in its first two decades. From the late 1950s to the early 1970s the orchestra's chief conductor was Otto Klemperer, with whom the orchestra gave many concerts and made numerous recordings of the core orchestral repertoire. During Klemperer's tenure Legge, citing the difficulty of maintaining the orchestra's high standards, attempted to disband it in 1964, but the players, backed by Klemp ...
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