Shylock (Fauré)
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Shylock (Fauré)
The ''Shylock Suite'', Op. 57 is a six-movement work by Gabriel Fauré, first performed in 1890. In addition to four purely orchestral movements it includes two serenades for solo tenor with orchestral accompaniment. The composer constructed the suite from incidental music he had written the previous year for Edmond Haraucourt's play ''Shylock'', an adaptation of William Shakespeare, Shakespeare's ''The Merchant of Venice'', presented at the Odéon-Théâtre de l'Europe, Théâtre de l'Odéon in Paris. The theatre music had been written for a small orchestra, and Fauré greatly expanded the orchestration for the concert suite. Background In 1889 Fauré composed incidental music for a new play, ''Shylock'', an adaptation by Edmond Haraucourt of William Shakespeare, Shakespeare's ''The Merchant of Venice''. The piece was premiered at the Odéon-Théâtre de l'Europe, Théâtre de l'Odéon in Paris on 17 December 1889 in a lavish production starring Gabrielle Réjane as Portia (Th ...
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B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: : Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, including trumpet and timpani parts. However, his brother Michael Haydn wrote one such symphony earlier, No. 36. Nonetheless, Joseph Haydn still gets credit for writing the timpani part at actual pitch with an F major key signature (instead of transposing with a C major key signature), a procedure that made sense since he limited that instrument to the tonic and dominant pitches.H. C. Robbins Landon, ''Haydn Symphonies'', London: British Broa ...
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Epithalamium
An epithalamium (; Latin form of Greek ἐπιθαλάμιον ''epithalamion'' from ἐπί ''epi'' "upon," and θάλαμος ''thalamos'' nuptial chamber) is a poem written specifically for the bride on the way to her marital chamber. This form continued in popularity through the history of the classical world; the Roman poet Catullus wrote a famous epithalamium, which was translated from or at least inspired by a now-lost work of Sappho. According to Origen, the Song of Songs might be an epithalamium on the marriage of Solomon with Pharaoh's daughter. History It was originally among the Greeks a song in praise of bride and bridegroom, sung by a number of boys and girls at the door of the nuptial chamber. According to the scholiast on Theocritus, one form was employed at night, and another, to rouse the bride and bridegroom on the following morning. In either case, as was natural, the main burden of the song consisted of invocations of blessing and predictions of happiness, in ...
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Mary, Mother Of Jesus
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jews, Jewish woman of Nazareth, the wife of Saint Joseph, Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under titles of Mary, various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern Orthodox Church, Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Theotokos, Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Holy Bible, Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God in Christianity, God to annunciation, conceive Jesus through the Holy Spirit ...
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Astarte
Astarte (; , ) is the Hellenized form of the Ancient Near Eastern goddess Ashtart or Athtart (Northwest Semitic), a deity closely related to Ishtar (East Semitic), who was worshipped from the Bronze Age through classical antiquity. The name is particularly associated with her worship in the ancient Levant among the Canaanites and Phoenicians, though she was originally associated with Amorite cities like Ugarit and Emar, as well as Mari and Ebla. She was also celebrated in Egypt, especially during the reign of the Ramessides, following the importation of foreign cults there. Phoenicians introduced her cult in their colonies on the Iberian Peninsula. Name Astarte was a goddess of both the Canaanite and the Phoenician pantheon, derived from an earlier Syrian deity. She is recorded in Akkadian as (), the feminine form of Ishtar.K. van der Toorn, Bob Becking, Pieter Willem van der Horst, Dictionary of Deities and Demons in the Bible', p. 109-10. The name appears in Ugaritic as ...
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Pomona (mythology)
Pomona (, ) was a goddess of fruitful abundance in ancient Roman religion and myth. Her name comes from the Latin word ''pomum'', "fruit", specifically orchard fruit. Pomona was said to be a wood nymph. Etymology The name ''Pōmōna'' is a derivation from Latin ''pōmus'' ('fruit-tree, fruit'), possibly stemming from Proto-Italic ''*po-e/omo'' ('taken off, picked?'), cognate with Umbrian Puemune, ultimately from Proto-Indo-European ''*h₁e/omo'' ('what is (to be) taken'). Mythology In the myth narrated by Ovid, she scorned the love of the woodland gods Silvanus and Picus, but married Vertumnus after he tricked her, disguised as an old woman. She and Vertumnus shared a festival held on August 13. Her priest was called the ''flamen Pomonalis''. The pruning knife was her attribute. There is a grove that is sacred to her called the ''Pomonal'', located not far from Ostia, the ancient port of Rome. Pomona was the goddess of fruit trees, gardens, and orchards. Unlike many other ...
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Flora (mythology)
Flora ( la, Flōra) is a Roman mythology, Roman goddess of flowers and of the season of Spring (season), spring – a symbol for nature and flowers (especially the may-flower). While she was otherwise a relatively minor figure in Roman mythology, being one among several Fertility goddess, fertility goddesses, her association with the spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She was one of the fifteen deities who had their own flamen, the ''Floralis'', one of the ''flamines minores''. Her Ancient Greece, Greek counterpart is Chloris (nymph), Chloris. Etymology The name ''Flōra'' descends from Proto-Italic language, Proto-Italic ''*flōsā'' ('goddess of flowers'), itself a derivation from Proto-Italic ''*flōs'' ('flower'; cf. Latin ''flōs'', ''flōris'' 'blossom, flower'). It is cognate with the Osci, Oscan goddess of flowers ''Fluusa'', demonstrating that the cult was known more widely among Italic peoples. Th ...
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E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ...
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F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ...
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Galant Style
The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in opposition to the strictures of the Baroque style, emphasizing light elegance in place of the Baroque's dignified seriousness and high grandeur. Music In music, the galant emphasis was on simplicity, immediacy of appeal, and elegance. Fashion In fashion, galant featured perfumed handkerchiefs and powdered wigs for both sexes. The fantastic exotic asymmetry of bizarre silk Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical shapes and stylized leaves and flowers, infl ... patterns were symptomatic of galant tastes. References External links {{wiktionary-inline 18th century in art 1 ...
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Fortissimo
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are m ...
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