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Show Time (Arnett Cobb Album)
''Show Time'' is a live album by saxophonist Arnett Cobb with guests appearances by Dizzy Gillespie and Jewel Brown which was recorded in Houston in 1987 and released on the Fantasy label the following year. accessed November 28, 2017 Reception The review by Scott Yanow stated "Tenor saxophonist Arnett Cobb's next-to-last recording was cut at a concert in Houston that was held to celebrate his 69th birthday. Cobb is in typically fine form. ... This CD is a mixed bag, not essential but generally quite interesting".Track listing # "Sweet Mama" (Dizzy Gillespie) – 7:19 # " |
Arnett Cobb
Arnett Cleophus Cobb (August 10, 1918 – March 24, 1989) accessed July 2010. was an American tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style. Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which recorded for on her album ''''. Biography |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnett Cobb Live Albums , an unincorporated community
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Arnett may refer to the following places in the United States: *Arnett, Arkansas, an unincorporated community *Arnett, Kentucky, an unincorporated community *Arnett, Missouri, an unincorporated community * Arnett, Oklahoma, a town *Arnett, Harmon County, Oklahoma, an unincorporated community *Arnett, Braxton County, West Virginia, an unincorporated community *Arnett, Raleigh County, West Virginia Arnett is an unincorporated community in Raleigh County, West Virginia, United States. Arnett is located on West Virginia Route 3, west-northwest of Beckley. Arnett has a post office A post office is a public facility and a retailer tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Price
Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings. Life and career Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington's daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label. During his early career, he was a singer and dancer in local venues in the Dallas area. Price lived and played jazz in Kansas City, Chicago and Detroit. In 1938 he was hired by Decca Records as a session sideman on piano, assisting singers such as Trixie Smith and Sister Rosetta Tharpe. Price's trio accompanied Rosetta Tharpe and Marie Knight on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Cahn
Samuel Cohen (June 18, 1913 – January 15, 1993), known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit " Three Coins in the Fountain". Among his most enduring songs is "Let It Snow! Let It Snow! Let It Snow!", cowritten with Jule Styne in 1945. Life and career Cahn was born Samuel Cohen in the Lower East Side of New York City, the only son (he had four sisters) of Abraham and Elka Reiss Cohen, who were Jewish immigrants from Galicia, then ruled by Austria-Hungary. His sisters, Sadye, Pearl, Flor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time After Time (1947 Song)
"Time After Time" is a romantic jazz standard with lyrics written by Sammy Cahn and music by Jule Styne in 1946. First recordings The first recording was on November 19, 1946 for Musicraft by Sarah Vaughan with the Teddy Wilson Quartet: Wilson on piano, Charlie Ventura on tenor saxophone, Remo Palmieri on guitar, and Billy Taylor on double bass. The song was written for Frank Sinatra to introduce in the 1947 MGM film ''It Happened in Brooklyn''. The pianist providing the offscreen accompaniment was André Previn to an arrangement of Axel Stordahl. Later in the film, the song was reprised in full by Kathryn Grayson. The only contemporary recording by a British artist was the one by Steve Conway. Sinatra recorded it again in 1957 with the Nelson Riddle Orchestra. After it emerged as a jazz standard thanks to saxophonists like Getz and Coltrane, 1959 was a banner year for its popularity, being covered by many pop and jazz vocalists. Other versions * Chet Baker, ''Chet Baker Sings ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clyde Otis
Clyde Lovern Otis (September 11, 1924 – January 8, 2008), was an American songwriter and record producer, best known for his collaboration with singer Brook Benton, and for being one of the first African-American A&R executives at a major label. According to the music licensing organization Broadcast Music Inc., Otis is credited as the writer or co-writer of almost 800 songs. Early career After serving in the Marines during World War II, Otis moved to New York City and inspired by fellow Marine Bobby Troup, best known for " Route 66", began writing songs. Otis' first success was Nat King Cole’s recording of his song "That's All There Is to That", which reached the '' Billboard'' Top 20 in 1956. A&R executive On joining Mercury Records as director of A&R in 1958, Otis began writing and producing material for Brook Benton. This collaboration led to " It's Just a Matter of Time", " Endlessly", "So Many Ways", "Kiddio" and the novelty song, "The Boll Weevil Song". Otis als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Bitter Earth
"This Bitter Earth" is a 1960 song made famous by rhythm and blues singer Dinah Washington. Written and produced by Clyde Otis, it peaked to #1 on the U.S. R&B charts for the week of July 25, 1960, and also reached #24 on the U.S. pop charts. Charts Other recordings * In 1964, Aretha Franklin released a version on her album '' Unforgettable: A Tribute to Dinah Washington'' for Columbia Records. * In May 1970, The Satisfactions released a version, reaching #36 on the U.S. R&B charts. * Miki Howard recorded a version that appears on her 1992 album, '' Femme Fatale.'' * In 2004, break-core musician Venetian Snares used vocals from this song in his own composition with the same title on his mini-album ''Moonglow/This Bitter Earth''. * Gladys Knight recorded the song for her 2006 album ''Before Me.'' * Deborah Cox recorded the song for her 2007 album '' Destination Moon.'' * On June 10, 2010, the song featured in ''So You Think You Can Dance'', in a routine choreographed b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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