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Show Girls
''Showgirls'' is a 1995 erotic drama pulp noir film directed by Paul Verhoeven and written by Joe Eszterhas. The film stars Elizabeth Berkley, Kyle MacLachlan, Gina Gershon, Glenn Plummer, Robert Davi, Alan Rachins, and Gina Ravera. Produced on a then-sizable budget around $45 million, significant controversy and hype surrounding the film's amounts of sex and nudity preceded its theatrical release. In the United States, the film was rated NC-17 for "nudity and erotic sexuality throughout, some graphic language, and sexual violence." ''Showgirls'' was the first (and to date only) NC-17-rated film to be given a wide release in mainstream theaters. Distributor United Artists dispatched several hundred staffers to theaters across North America playing ''Showgirls'' to ensure that patrons would not sneak into the theater from other films, and to make sure film-goers were over the age of 17. Audience restriction due to the NC-17 rating, coupled with poor reviews, resulted i ...
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Paul Verhoeven
Paul Verhoeven (; born 18 July 1938) is a Dutch director, producer and screenwriter, active in the Netherlands, France and the United States. His blending of graphic violence and sexual content with social satire is a trademark of both his drama and science fiction films. After receiving attention for the TV series '' Floris'' in his native Netherlands, Verhoeven got his film breakthrough with romantic drama ''Turkish Delight'' (1973), starring frequent collaborator Rutger Hauer. The film was nominated for Academy Award for Best Foreign Film and later received the award for Best Dutch Film of the Century at the Netherlands Film Festival. Verhoeven later directed successful Dutch films including the period drama ''Keetje Tippel'' (1975), the war film ''Soldier of Orange'' (1977), the teen drama ''Spetters'' (1980) and the psychological thriller ''The Fourth Man (1983 film), The Fourth Man'' (1983). In 1985, Verhoeven made his first Hollywood film ''Flesh and Blood (1985 film), ...
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Chargeurs
Chargeurs Réunis (United Shippers) is a major French company formed in 1872. It is now known as Chargeurs (). Profile and management Chargeurs is a global, diversified group with leadership positions in niche markets, both in manufacturing and in services. It operates in three business segments: * Temporary surface protection, through Chargeurs Protective Films * Technical textiles, through Chargeurs Interlining * Topmaking and combed wool sales, through Chargeurs Wool. In 2012, consolidated revenue totaled €524.6 million, of which 94% was generated outside France. With operations in 33 countries on five continents, the Group has more than 1,800 employees. Eduardo Malone is Chairman and Chief Executive Officer. The executive committee also includes Martine Odillard, Chief Operating Officer, Laurent Derolez, Managing Director of Chargeurs Protective Films, Federico Paullier, Managing Director of Chargeurs Wool, and Stéphane Rigaut, Managing Director of Chargeurs Interlining. ...
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Box-office Bomb
A box-office bomb, or box-office disaster, is a film that is unprofitable or considered highly unsuccessful during its theatrical run. Although any film for which the production, marketing, and distribution costs combined exceed the revenue after release has technically "bombed", the term is more frequently used for major studio releases that were highly anticipated, extensively marketed and expensive to produce that ultimately failed commercially. Causes Negative word of mouth With the advent of social media platforms such as Facebook and Twitter in the 2000s, word of mouth regarding new films is easily spread and has had a marked effect on box office performance. A film's ability or failure to attract positive or negative commentary can strongly impact its performance at the box office, especially on the opening weekend. External circumstances Occasionally, films may underperform because of issues largely unrelated to the content of the film, such as the timing of the film's re ...
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Wide Release
In the American motion picture industry, a wide release (short for nationwide release) is a film playing at the same time at cinemas in most markets across the country. This is in contrast to the formerly common practice of a roadshow theatrical release in which a film opens at a few cinemas in key cities before circulating among cinemas around the country, or a limited release in which a film is booked at fewer cinemas (such as " art house" venues) in larger cities in anticipation of lesser commercial appeal. In some cases, a film that sells well in limited release will then "go wide". Since 1994, a wide release in the United States and Canada has been defined by Nielsen EDI as a film released in more than 600 theaters. The practice emerged as a successful marketing strategy in the 1970s, and became increasingly common in subsequent decades, in parallel with the expansion of the number of screens available at multiplex cinemas. With the switch to digital formats – lowering the ...
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Motion Picture Association Of America Film Rating System
The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating. Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively. Introduced in 1968, following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help parents d ...
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Pulp Noir
Pulp noir is a subgenre influenced by various " noir" genres, as well as (as implied by its name) pulp fiction genres; particularly the hard-boiled genres which help give rise to film noir. Pulp noir is marked by its use of classic noir techniques, but with urban influences. Various media include film, illustrations, photographs and videogames. In film Whereas film noir directly involves characters living bleak existences to accomplish a goal with odds against them, pulp noir often portrays a grittier, one-man army. Typically, the main character has no distinguishing abilities, but can hold ground against seemingly impossible odds. Pulp noir locations are often seedy, run-down and degradated urban landscapes, where the lack of law, morals and even the proliferation of crime and drugs are common themes. Another common trend in pulp noir is the glorification and/or demonization of its urban locations. Examples *'' Cat People'' (1942) *'' Double Indemnity'' (1944) *''Detour'' (1945) ...
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Drama (film And Television)
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, dra ...
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Erotic Film
Sex in film, the presentation of aspects of sexuality in film, specially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual. An erotic film is usually a film that has an erotic quality, meaning that it may arouse sexual feelings, even if the stated or suggested intention of the film maker is to induce philosophical contemplation concerning the aesthetics of sexual desire, sensuality and romantic love. Love scenes, erotic or not, have been p ...
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European Audiovisual Observatory
The European Audiovisual Observatory (french: italic=no, Observatoire européen de l’audiovisuel, german: italic=no, Europäische Audiovisuelle Informationsstelle) is a public service organisation, part of the Council of Europe set up in 1992. The observatory collects and analyses data about the audiovisual industry in Europe, such as cinema, television, radio, video, Video On Demand and Catch-up TV. The observatory's headquarters are located in the Villa Schutzenberger in Strasbourg. Lumiere (database) Lumiere (stylized as LUMIERE) is an online database of ticket sales for films released in 27 European territories, created in cooperation with national information sources and the MEDIA Programme of the European Union The European Union (EU) is a supranational political and economic union of member states that are located primarily in Europe. The union has a total area of and an estimated total population of about 447million. The EU has often been des .... Refe ...
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British Board Of Film Classification
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local gove ...
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Lumiere (website)
The European Audiovisual Observatory (french: italic=no, Observatoire européen de l’audiovisuel, german: italic=no, Europäische Audiovisuelle Informationsstelle) is a public service organisation, part of the Council of Europe set up in 1992. The observatory collects and analyses data about the audiovisual industry in Europe, such as cinema, television, radio, video, Video On Demand and Catch-up TV. The observatory's headquarters are located in the Villa Schutzenberger in Strasbourg. Lumiere (database) Lumiere (stylized as LUMIERE) is an online database of ticket sales for films released in 27 European territories, created in cooperation with national information sources and the MEDIA Programme of the European Union The European Union (EU) is a supranational political and economic union of member states that are located primarily in Europe. The union has a total area of and an estimated total population of about 447million. The EU has often been des .... Refe ...
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Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ...
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