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Show (Cure Live Album)
''Show'' is a live album released in 1993 by the British alternative rock band The Cure. It was recorded live over two nights at The Palace of Auburn Hills, Auburn Hills, Michigan (a suburb of Detroit) in 1992, during the successful ''Wish'' tour. ''Show'' was also released as a concert video. This live album was released along with ''Paris'', which was recorded in Paris. ''Show'' leaned somewhat more towards the band's poppier and more recent material such as "Just Like Heaven", "Pictures of You" and "Friday I'm in Love" while ''Paris'' skewed towards their older cult-classics. Track listing ''Show'' is a double-CD release in most cases. There are various versions with differing track listings. The US version is the only one-disc edition. The songs which did not fit onto the US disc ("Tape", "Fascination Street", "The Walk" and "Let's Go to Bed") were released as the EP ''Sideshow''. The CD-i version contains extra tracks. Disc one # "Tape" – 2:25 # "Open" (''Wish'') – 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cure
The Cure are an English Rock music, rock band formed in 1978 in Crawley, Crawley, West Sussex. Throughout numerous lineup changes since the band's formation, guitarist, lead vocalist, and songwriter Robert Smith (musician), Robert Smith has remained the only constant member. The band's debut album, ''Three Imaginary Boys'' (1979), along with several early singles, placed the band in the post-punk and New wave music, new wave movements that had sprung up in the United Kingdom. Beginning with their second album, ''Seventeen Seconds'' (1980), the band adopted a new, increasingly dark and tormented style, which, together with Smith's stage look, had a strong influence on the emerging genre of gothic rock as well as gothic subculture, the subculture that eventually formed around the genre. After the release of the band's fourth album, ''Pornography (album), Pornography'' (1982), Smith introduced a greater Pop music, pop sensibility into the band's music, and they subsequently garner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lullaby (The Cure Song)
"Lullaby" is a song by English rock band the Cure from their eighth studio album, '' Disintegration'' (1989). Released as a single on 10 April 1989, the song is the band's highest-charting single in their home country, reaching number five on the UK Singles Chart. It additionally reached number three in West Germany and Ireland while becoming a top-10 hit in several other European countries and New Zealand. The music video, directed by Tim Pope, won the British Video of the Year at the 1990 Brit Awards. Background The meaning of "Lullaby" has been speculated by fans, including as a metonymy for addiction, depression, or sexual assault, and Smith has offered multiple explanations as to its theme or content, such as childhood nightmares or abuse. One explanation by Smith follows that the song is about the disturbing songs his father sung to him as a kid, and the horrible ending they would always have. Tim Pope, a long-time collaborator of the Cure on many of its music videos, inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faith (Cure Album)
''Faith'' is the third studio album by English rock music, rock band The Cure, released on 17 April 1981 by Fiction Records. The album saw the band continuing in the gloomy vein of their previous album ''Seventeen Seconds'' (1980), which would conclude with their next album ''Pornography (album), Pornography'' (1982). Preceded by the single "Primary (song), Primary", the album was well-received by critics and was a commercial success in the UK, peaking at number fourteen on the UK Albums Chart and staying on the chart for eight weeks. Background Following the tour for ''Seventeen Seconds'', The Cure returned to Morgan Studios on 27 September 1980 to record a new album, minus Matthieu Hartley, who had departed due to disagreement with the musical direction of the band. During this session, recordings of songs "All Cats Are Grey" and "Primary" were attempted, but neither ended up on the album. Robert Smith (musician), Robert Smith was hoping the tracks would sound "funereal", but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primary (The Cure Song)
Primary or primaries may refer to: Arts, entertainment, and media Music Groups and labels * Primary (band), from Australia * Primary (musician), hip hop musician and record producer from South Korea * Primary Music, Israeli record label Works * Primary (album), ''Primary'' (album) by Rubicon (2002) * Primary (song), "Primary" (song) by The Cure * "Primary", song by Spoon from the album ''Telephono'' Other uses in arts, entertainment, and media * Primaries or primary beams, in E. E. Smith's science-fiction series ''Lensman'' * Primary (film), ''Primary'' (film), American political documentary (1960) Computing * PRIMARY, an X Window selection * Primary data storage, computer technology used to retain digital data * Primary server, main server on the server farm Education * Primary education, the first stage of compulsory education * Primary FRCA, academic examination for anaesthetists in the U.K. * Primary school, school providing primary education Mathematics * p-group, ''p' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixed Up (The Cure Album)
''Mixed Up'' is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled ''Torn Down''. Most of the songs are extended mixes. Several had been previously released on 12" singles, but some are completely remade, with Smith recutting vocals due to the original tapes not being available. The record closes with the extended version of a new single, " Never Enough". The remix of "Pictures of You" was originally released under the title "(Strange Mix)". In an interview featured on the ''Trilogy'' DVD, singer Robert Smith described the remix album as something "fun after the doom and gloom of '' Disintegration''". The Cure also released some other new mixes as the b-sides of the singles from Mixed Up: the first single, "Never Enough", featured a remix of "L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Never Enough (The Cure Song)
"Never Enough" is a song by English rock band the Cure, released as a single in September 1990 from their 1990 remix album, '' Mixed Up''. The song topped the US ''Billboard'' Modern Rock Tracks chart, reached number three in Finland, and peaked within the top 20 in Germany, Ireland, New Zealand, Spain, and the United Kingdom. Content Unlike most other Cure songs of this era, the song was unexpectedly guitar-oriented, featuring no synthesizers. On the album, it is subtitled "Big Mix". While containing no synthesisers, the song was nonetheless influenced by baggy music. The song's largely electronic B-side "Harold and Joe" was described by Chris Ott of ''Pitchfork'' as a "phenomenally adorable ecstasy tribute." Although Perry Bamonte is on the single cover and appears in the music video, he does not have a songwriting credit (as do the other four members). Release Upon release as a single, "Never Enough" topped the ''Billboard'' Modern Rock Tracks chart for three weeks, and reac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Between Days
"In Between Days" (sometimes listed as "Inbetween Days" or "In-Between Days") is a song by the English rock band The Cure, released in July 1985 as the first single from the band's sixth album ''The Head on the Door''. The song was an international success. In the UK, it was the band's ninth chart single and their fourth consecutive Top 20 hit; while in the US it was their first single to reach the ''Billboard'' Hot 100, where it peaked at number 99. It was a Top 20 hit in Australia and New Zealand and also charted in several European countries, increasing the popularity of the band. Music video The video was filmed on 18 June 1985 at Fulham Studios, London and created by Tim Pope. The video depicts the band playing, enhanced by 360-degree shots and drawn-in, colourful socks. Robert Smith had a camera, held by cables, which he could push away and hold at will; as did Porl Thompson, fixed on his guitar. Robert Smith talked about this video being the most dangerous The Cure ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friday I'm In Love
"Friday I'm in Love" is a song by British rock band the Cure. Released as the second single from their ninth studio album, ''Wish'' (1992), in May 1992, the song was a worldwide hit, reaching number six in the UK and number 18 in the United States, where it also topped the Modern Rock Tracks chart. It also won the award for European Viewer's Choice for Best Music Video at the 1992 MTV Video Music Awards. Robert Smith, the song's primary writer, described it in 1992 as both "a throw your hands in the air, let's get happy kind of record" and "a very naïve, happy type of pop song." Production During the writing process, Robert Smith became convinced that he had inadvertently stolen the chord progression from somewhere, and this led him to a state of paranoia where he called everyone he could think of and played the song for them, asking if they had heard it before. None of them had, and Smith realised that the melody was indeed his. "It's always been paradoxical that it's pushe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Go To Bed (The Cure Song)
"Let's Go to Bed" is a song by English rock band the Cure, released as a stand-alone single by Fiction Records in November 1982. In the aftermath of the dark ''Pornography'', Robert Smith returned from a month-long detox in the Lake District to write the song, the antithesis to what the Cure currently represented. It was later included on the album ''Japanese Whispers'', which compiles the band's three singles from 1982-83 and their five B-sides. The single was only a minor success in the UK, peaking at No. 44, but became a Top 20 hit in Australasia in 1983, reaching No. 15 in Australia (for two weeks) and No. 17 in New Zealand. History The origins of "Let's Go to Bed" lie in "Temptation", one of the demos for ''Pornography''. The song is a relatively upbeat, guitar-driven instrumental. In August 1982, soon after Simon Gallup's departure from the band, Smith demoed a vocal version of the track, entitled "Temptation Two", a psychedelic piece not far removed from the ''Pornography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Whispers
''Japanese Whispers'' is the second compilation album by British group The Cure. It was released in late 1983 by Fiction Records. It includes the singles "Let's Go to Bed", "The Walk" and "The Lovecats". The other tracks are the B-sides of these singles, although "Mr. Pink Eyes" (the second B-side for "The Lovecats") was not included. The songs were recorded when the band was in a transitional phase after bassist Simon Gallup left following a tour to promote the previous album, ''Pornography''. Beginning with these singles, Lol Tolhurst switched from drums to keyboards, a role he kept until his departure in 1989. For the tracks from the "Let's Go to Bed" and "The Walk" singles, the Cure was a duo consisting of Tolhurst and Robert Smith, with the addition of session drummer Steve Goulding (a member of Graham Parker and the Rumour) for the tracks from "Let's Go to Bed". For "The Lovecats" single, a full band was assembled with the addition of bassist/producer Phil Thornalley, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Walk (The Cure Song)
"The Walk" is a song by English rock band The Cure, released as a stand-alone single in July 1983. It later appeared on the compilation album ''Japanese Whispers''. It was recorded when the band was briefly reduced to the two founding members Robert Smith and Lol Tolhurst following the departure of bassist Simon Gallup following the end of the band's previous tour in support of the album Pornography. in May 1982. According to Lol Tolhurst, they chose producer Steve Nye at the time due to his work on the album ''Tin Drum'' by Japan. Tolhurst later commented: "It was the first time we had worked with a 'proper' producer, as opposed to doing production with an engineer that we really liked. €¦He was able to make electronic instruments sound more natural, and that's what we wanted." Content One of the three B-sides to the single is "Lament", which is a re-recording of a promo single released in late 1982 for the ''Flexipop'' magazine. Unlike the earlier version, which was garbled ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Head On The Door
''The Head on the Door'' is the sixth studio album by English rock band the Cure. It was released on 30 August 1985 by Fiction Records. Preceded by the single "In Between Days" which had reached No. 15 on the UK Singles Chart, ''The Head on the Door'' was described by ''Melody Maker'' as "a collection of pop songs". With its variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom it became their most successful album to date, entering the albums chart at No. 7 on 7 September. The album is the first to feature drummer Boris Williams. Bassist Simon Gallup, who had previously worked on three major Cure albums of the early 1980s, was called back before the recording. In 1985, the band became a quintet with instrumentalist Porl Thompson as their fifth official member. ''The Head on the Door'' is the first Cure album where all the songs were composed solely by singer and guitarist Robert Smith. History and music This al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
