Shooting Rubberbands At The Stars
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Shooting Rubberbands At The Stars
''Shooting Rubberbands at the Stars'' is the debut studio album by American alternative rock band Edie Brickell & New Bohemians, released on August 9, 1988 by Geffen Records. The album went 2× platinum in the United States. "What I Am" was the lead single and big hit from the album, reaching #7 on the ''Billboard'' Hot 100. The follow-up single, "Circle," was about strained relationships. Although described by author Brent Mann as "the perfect follow up single to 'What I Am'" and which "had 'smash' written all over it," it stalled at #48 on the ''Billboard'' Hot 100 and fared slightly better on the ''Billboard'' Mainstream Rock chart, reaching #32. ''Cash Box'' said of "Circle" that "The key to this gentle song is Brickell’s breathy intensity. Supported by an acoustic-slanted track, she manages to sell the unusually dark lyric shadings." Another song from the album, "Little Miss S." was inspired by Edie Sedgwick and reached #38 on the Mainstream Rock chart and #14 on the Mode ...
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Edie Brickell & New Bohemians
Edie Brickell & New Bohemians is an alternative rock jam band that originated in Dallas, Texas, in the mid-1980s. The band is widely known for their 1988 hit "What I Am" from the album ''Shooting Rubberbands at the Stars''. Their music contains elements of rock, folk, blues, and jazz. Following the 1990 release of their second album ''Ghost of a Dog'', lead singer Edie Brickell left the band and married singer-songwriter Paul Simon. In 2006, she and the band launched a new web site and released a new album, ''Stranger Things''. Early history New Bohemians started as a three-piece band in the early 1980s, gaining experience in the Deep Ellum neighborhood of downtown Dallas, Texas. The original line-up featured Brad Houser on vibraslap, Eric Presswood on guitar, and Brandon Aly on drums. Drummer Aly, guitarist Kenny Withrow, and percussionist John Bush went to the same arts magnet high school in Dallas, Booker T. Washington High School for the Performing and Visual Arts. Singe ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Chris Whitten
Chris Whitten (born 26 March 1959) is a British session drummer who provided drums for the hit singles "What I Am" by Edie Brickell & New Bohemians, "World Shut Your Mouth" by Julian Cope and "The Whole of the Moon" by the Waterboys. Two notable projects that Whitten was the drummer for were Paul McCartney's ''Flowers in the Dirt'' album in 1989, and Dire Straits’ final world tour from 1991–1992 to accompany their last studio album, ''On Every Street''. In Italy he is well known for playing drums with Francesco De Gregori on some tracks of the album ''Titanic'' (1982), on eponymous album of Riccardo Cocciante, on album '' Yaya'' of Nino Buonocore and on single 45 rpm ''Uno su mille'' of Gianni Morandi. Whitten was also a member of the Catch, with Don Snow. Whitten unusually has used a Noble & Cooley drum kit which are radically designed drums. The toms and snare are single-ply, steam-bent shells which give them (especially the snare) a distinctive sound. He has also recorde ...
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Robbie Blunt
Robert William Blunt (born 4 March 1951) is a rock guitarist who has worked with a variety of bands, most notably with Robert Plant's solo band in the 1980s. Since leaving Plant's band in the mid 1980s, Blunt has provided session work for a number of artists such as Julian Lennon, Tom Petty and the Heartbreakers, and Clannad. He was member of the band Bronco in the early 1970s. Select discography Albums *Bronco **1970: ''Country Home'' **1971: ''Ace of Sunlight'' *Silverhead **1973: ''16 and Savaged'' * Broken Glass **1975: ''Broken Glass'' * Stan Webb's Chicken Shack **1977: ''The Creeper'' **1978: ''That's the Way We Are'' *Robert Plant **1982: ''Pictures at Eleven'' **1983: ''The Principle of Moments'' **1985: ''Shaken 'n' Stirred'' *Edie Brickell & New Bohemians **1988: ''Shooting Rubberbands at the Stars'' *Jeff Healey Norman Jeffrey Healey (March 25, 1966 – March 2, 2008) was a Canadian blues, rock and jazz singer, guitarist, and songwriter who attained popularity i ...
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Paul Wickens
Paul Wickens (born 27 March 1956) is an English musician, composer, and record producer, professionally known as Wix. In a career spanning more than 40 years, Wickens has worked with artists including Nik Kershaw, Bob Dylan, Joni Mitchell, Bon Jovi, Edie Brickell, Kevin Coyne and many others. Wickens has been a member of the Paul McCartney Band since 1989. Career In the early 1980s Wickens was a member of Woodhead Monroe, a band that issued two singles distributed by Stiff, "Mumbo Jumbo" and "Identify." Wickens began touring with Paul McCartney in 1989. Since then, Wickens has served as the musical director for many of McCartney's tours. He continues to tour with McCartney (as his keyboardist, occasional guitarist and backing vocalist), and of the four musicians in McCartney's touring band, he has worked with McCartney the longest by a considerable margin. Wickens played on albums by Tommy Shaw of the American rock band Styx, the Damned, Tim Finn, Paul Carrack, Nik Kershaw ...
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Self
The self is an individual as the object of that individual’s own reflective consciousness. Since the ''self'' is a reference by a subject to the same subject, this reference is necessarily subjective. The sense of having a self—or ''selfhood''—should, however, not be confused with subjectivity itself. Ostensibly, this sense is directed outward from the subject to refer inward, back to its "self" (or itself). Examples of psychiatric conditions where such "sameness" may become broken include depersonalization, which sometimes occurs in schizophrenia: the self appears different from the subject. The first-person perspective distinguishes selfhood from personal identity. Whereas "identity" is (literally) sameness and may involve categorization and labeling, selfhood implies a first-person perspective and suggests potential uniqueness. Conversely, we use "person" as a third-person reference. Personal identity can be impaired in late-stage Alzheimer's disease and in other neurode ...
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Smart Aleck
A smart aleck, also spelled smart alek or smart alec, is someone whose sarcastic, wisecracking, or humorous manner is delivered in an offensive, obnoxious, or cocky way. Smart aleck may refer to: *''Smart Alecks'', a 1942 film starring the East Side Kids * ''Smart Alec'' (1951 US film), a 1951 US pornographic film starring Candy Barr * ''Smart Alec'' (1951 UK film), a 1951 UK B-movie * ''Smart Alec'' (1986 film), a 1986 film directed by Jim Wilson *'' Smart Alek'', a 1993 film directed by Andrew Kötting *''Smart Alex'', a 1985 album by The Adicts * Smart Alec (comics) Sabra Sabreclaw Sabreclaw is a character in the MC2 universe who first appeared in '' J2'' #8 (May 1999). He is the half-brother of Wild Thing and the son of Wolverine. The character has claws (similar to Sabretooth), a healing factor, enh ...
, a Marvel Comics super villain {{disambiguation ...
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Hidden Track
In the field of recorded music, a hidden track (sometimes called a ghost track, secret track or unlisted track) is a song or a piece of audio that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases, more elaborate methods are used. In rare cases, a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media. However, since the rise of digital and streaming services such as iTunes and Spotify in the late 2000s and early 2010s, the inclusion of hidden tracks has declined on studio albums. It is occasionally unclear whether a piece of music is 'hidden.' For example, " Her Majesty," which is preceded by fourteen seconds of silence, was originally unlisted on The Beatles' ''Abbey Road'' but is listed on current versions of the alb ...
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Brad Houser
John Bradley Houser (born September 7, 1960) is an American bass guitar, baritone saxophone and bass clarinet player, originally from Dallas, Texas. He was a co-founding member of the New Bohemians, later to become known as Edie Brickell & New Bohemians. He also co-founded Critters Buggin (of Seattle, Washington) with fellow New Bohemian Matt Chamberlain and Skerik. In 2006 he stated, "In Austin I play with the Patrice Pike Band, Steve Wedemeyer, Colin Brooks, Oliver Rajamani, Zydeco Blanco, and The Summer Wardrobe..." In 2008 he could be seen playing with Mingtones (Laura Scarborough) and BoomboxATX in Austin, Texas. BoomboxATX debut ''Feel the Boombox'' was released 2007. Houser is credited on recordings by other Austin-based artists such as Aimee Bobruk (2006), OHN (2005) and Mastica (2002). He rejoined members of Critters Buggin for Black Frames ''Solarallergy'' (2003) and for ''Stampede'' (2005). In 2006 he reunited with Edie Brickell & New Bohemians to release ''Strange ...
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Kenny Withrow
Edie Brickell & New Bohemians is an alternative rock jam band that originated in Dallas, Texas, in the mid-1980s. The band is widely known for their 1988 hit "What I Am" from the album ''Shooting Rubberbands at the Stars''. Their music contains elements of rock, folk, blues, and jazz. Following the 1990 release of their second album ''Ghost of a Dog'', lead singer Edie Brickell left the band and married singer-songwriter Paul Simon. In 2006, she and the band launched a new web site and released a new album, '' Stranger Things''. Early history New Bohemians started as a three-piece band in the early 1980s, gaining experience in the Deep Ellum neighborhood of downtown Dallas, Texas. The original line-up featured Brad Houser on vibraslap, Eric Presswood on guitar, and Brandon Aly on drums. Drummer Aly, guitarist Kenny Withrow, and percussionist John Bush went to the same arts magnet high school in Dallas, Booker T. Washington High School for the Performing and Visual Arts. Si ...
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Edie Brickell
Edie Arlisa Brickell (born March 10, 1966) is an American singer-songwriter widely known for 1988's ''Shooting Rubberbands at the Stars'', the debut album by Edie Brickell & New Bohemians, which went to No. 4 on the ''Billboard'' albums chart. She is married to singer-songwriter Paul Simon. Early life Brickell was born in the Oak Cliff neighborhood of Dallas, Texas to Larry Jean (Sellers) Linden and Paul Edward Brickell. She was raised with her older sister, Laura Strain. She attended Booker T. Washington High School for the Performing and Visual Arts in Dallas, and later studied at Southern Methodist University until she joined a band and decided to focus on songwriting. Music career Edie Brickell & New Bohemians In 1985, Brickell was invited to sing one night with friends from her high school in a local folk rock group, New Bohemians. She joined the band as lead singer. After the band was signed to a recording contract, the label changed the group's name to Edie Brickel ...
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Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks (1988–2009) and Alternative Songs (2009–2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genr ...
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