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Shippin' Out
''Shippin' Out'' is an album by jazz organist Groove Holmes recorded in 1977 and released on the Groove Merchant label the following year.Fitzgera;ld,M. & Zielgler, FMuse Records listingaccessed February 8, 2019 Reception Allmusic's Scott Yanow called it a "fine Muse LP, which would be followed by several other rewarding efforts" stating "Back in a comfortable setting, heading a soul-jazz quintet ... Holmes explores a wider range of songs than usual". Track listing # "Feelings" (Morris Albert) – 7:17 # "Windows" (Chick Corea) – 6:38 # " Stella by Starlight" (Victor Young, Ned Washington) – 5:28 # "Where or When" (Richard Rodgers, Lorenz Hart) – 9:05 # "Shippin' Out" (Grrove Holmes, David Schnitter) – 10:10 Personnel *Groove Holmes – organ *David Schnitter − tenor saxophone *Steve Giordano − guitar *Idris Muhammad − drums *Buddy Caldwell – congas The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Holmes (organist)
Richard Arnold "Groove" Holmes (May 2, 1931 – June 29, 1991) was an American jazz organist who performed in the hard bop and soul jazz genre. He is best known for his 1965 recording of "Misty". Career Holmes's first album, on Pacific Jazz with guest Ben Webster, was recorded in March 1961. He recorded many albums for Pacific Jazz, Prestige, Groove Merchant, and Muse, many of them with Houston Person. He died of a heart attack after battling prostate cancer, having performed his last concerts in a wheelchair. One of his last gigs was at the 1991 Chicago Blues Festival with his longtime friend, singer Jimmy Witherspoon. Discography As leader * '' "Groove" (Les McCann Presents the Dynamic Jazz Organ of Richard "Groove" Holmes)'' lso released as ''That Healin' Feelin' ''(Pacific Jazz, 1961) – with Ben Webster * ''Groovin' with Jug'' (Pacific Jazz, 1961) – with Gene Ammons * '' Somethin' Special'' (Pacific Jazz, 1962) – with Les McCann * '' After Hours'' (Pacific Jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ned Washington
Ned Washington (born Edward Michael Washington, August 15, 1901 – December 20, 1976) was an American lyricist born in Scranton, Pennsylvania. Life and career Washington was nominated for eleven Academy Awards from 1940 to 1962. He won the Best Original Song award twice: in 1940 for " When You Wish Upon a Star" in ''Pinocchio'' and in 1952 for " High Noon (Do Not Forsake Me, Oh My Darlin')" in '' High Noon''. Washington had his roots in vaudeville as a master of ceremonies. Having started his songwriting career with ''Earl Carroll's Vanities'' on Broadway in the late 1920s, he joined the ASCAP in 1930. In 1934, he was signed by MGM and relocated to Hollywood, eventually writing full scores for feature films. During the 1940s, he worked for a number of studios, including Paramount, Warner Brothers, Disney, and Republic. During these tenures, he collaborated with many of the great composers of the era, including Hoagy Carmichael, Victor Young, Max Steiner, and Dimitri Tiomkin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Holmes (organist) Albums
Richard Holmes may refer to: Entertainment * Richard Holmes (biographer) (born 1946), British biographer * Richard Holmes (organist) (1931–1991), American jazz organist known as Richard "Groove" Holmes * Richard Holmes (actor) (born 1963), American actor * Richard Holmes (producer) (born 1963), independent film producer * Rick Holmes (disc jockey) (1936-2015), American jazz disc jockey Sports * Richard Holmes (cricketer) (born 1952), English cricketer * Richard Holmes (Canadian football) (born 1952), former Canadian Football League running back * Richard Holmes (footballer) (born 1980), former footballer for Notts County * Richard G. Holmes (born 1947), former Paralympic athlete and psychologist. Other * Richard Holmes (Connecticut settler) (1633–1704), founding settler of Norwalk, Connecticut * Richard Rivington Holmes (1835–1911), British archivist and courtier * Richard Holmes (military historian) (1946–2011), British soldier and military historian * Richard E. Holm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muse Records Albums
In ancient Greek religion and mythology, the Muses ( grc, Μοῦσαι, Moûsai, el, Μούσες, Múses) are the inspirational goddesses of literature, science, and the arts. They were considered the source of the knowledge embodied in the poetry, lyric songs, and myths that were related orally for centuries in ancient Greek culture. Melete, Aoede, and Mneme are the original Boeotian Muses, and Calliope, Clio, Erato, Euterpe, Melpomene, Polyhymnia, Terpsichore, Thalia, and Urania are the nine Olympian Muses. In modern figurative usage, a Muse may be a source of artistic inspiration. Etymology The word ''Muses'' ( grc, Μοῦσαι, Moûsai) perhaps came from the o-grade of the Proto-Indo-European root (the basic meaning of which is 'put in mind' in verb formations with transitive function and 'have in mind' in those with intransitive function), or from root ('to tower, mountain') since all the most important cult-centres of the Muses were on mountains or hills. R. S. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idris Muhammad
Idris Muhammad ( ar, إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu. Biography Born Leo Morris in New Orleans, Idris Muhammad grew up in the city's 13th Ward in a home next door to a dry cleaner’s shop. He later would claim the sound of the shop’s steam presser influenced his hi-hat technique. Growing up, he spent time with fellow New Orleanians The Neville Brothers. Also interested in other instruments, he showed early talent as a percussionist, playing in a Mardi Gras parade at age 9. Muhammad asked Paul Barbarin to teach him to read music but Barbarin, who thought he was already so talented, declined. At the age of 14, Muhammad began his professional career by performing with The Hawketts on their iconic recording “M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Schnitter
David Schnitter (born March 19, 1948, in Newark, New Jersey) is an American jazz tenor saxophonist.Allmusic/ref> Schnitter played clarinet as a youth and switched to tenor sax at age 15. After moving to New York City he played with Ted Dunbar and then became a member of Art Blakey's Jazz Messengers from 1974 to 1979. He played with Freddie Hubbard from 1979 to 1981 and also worked with Frank Foster, Charles Earland, and Groove Holmes. He recorded for Muse Records from 1976 to 1981. Schnitter has been currently performing regularly at Smalls Jazz Club and Fat Cat in Manhattan, as well as touring in Europe. He has been on faculty at the New School for Jazz and Contemporary Music since 1994. Discography * ''Invitation'' (Muse, 1976) * ''Goliath'' (Muse, 1977) * ''Thundering'' (Muse, 1978) * ''Glowing'' (Muse, 1981) * ''Sketch'' (Omix, 2004) * ''The Spirit of Things'' (CIMP, 2008) * ''Nursery Rhymes for the 21st Century'' (Cimp, 2010) * ''Live at Smalls'' (Smalls Live, 2011) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Or When
"Where or When" is a show tune from the 1937 Rodgers and Hart musical ''Babes in Arms''. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. The song also appeared in the film version of ''Babes in Arms'' two years later. Babes in Arms "Where or When" is the first number to appear in the original Broadway production of ''Babes in Arms''. The musical opens in Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, 20-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet. MGM bought t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
