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Shigajiku
Shigajiku ( ja, 詩画軸, "poem-and-painting scrolls"), are a form of Japanese ink wash painting. These hanging scrolls depict poetic inscriptions at the top of the scroll and a painted image, usually a landscape scene, below. Buddhist monks of the ''gozan'' 五山 or Five Mountain monasteries of the early Muromachi Period (1336-1573) first introduced the poem-and-painting scrolls. ''Shigajiku'' is a modern category given to the visual and literary culture of the Muromachi Period rooted in the Zen tradition. The most common visual aesthetic for ''shigajiku'' is a monochrome water and ink style of painting, '' suibokuga'' 水墨画, with only occasional traces of color throughout the scroll. History The first poem-and-painting scrolls came to Japan with the return of the first Zen monks who had been studying in China. The most important cultural precedent to ''shigajiku'' was the Chinese version of the poem/scroll, the ''shijiku'' 詩軸. This continental version served as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Art In Japan
Buddhism played an important role in the development of Japanese art between the 6th and the 16th centuries. Buddhist art and Buddhist religious thought came to Japan from China through Korea. Buddhist art was encouraged by Crown Prince Shōtoku in the Suiko period in the sixth century, and by Emperor Shōmu in the Nara period in the eighth century. In the early Heian period, Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among wealthy Japanese. The Kamakura period saw a flowering of Japanese Buddhist sculpture, whose origins are in the works of Heian period sculptor Jōchō. During this period, outstanding ''busshi'' (sculptors of Buddhist statues) appeared one after another in the Kei school, and Unkei, Kaikei, and Tankei were especially famous. The Amida sect of Buddhism provided the basis for many popular artworks. Buddhist art became popular among the masses via scroll paintings, paintings used in worshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Spring Landscape
{{disambiguation, geo ...
Early may refer to: History * The beginning or oldest part of a defined historical period, as opposed to middle or late periods, e.g.: ** Early Christianity ** Early modern Europe Places in the United States * Early, Iowa * Early, Texas * Early Branch, a stream in Missouri * Early County, Georgia Other uses * ''Early'' (Scritti Politti album), 2005 * ''Early'' (A Certain Ratio album), 2002 * Early (name) * Early effect, an effect in transistor physics * Early Records, a record label * the early part of the morning See also * Earley (other) Earley is a town in England. Earley may also refer to: * Earley (surname), a list of people with the surname Earley * Earley (given name), a variant of the given name Earlene * Earley Lake, a lake in Minnesota *Earley parser, an algorithm *Earley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting Techniques
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Poetry
Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or '' ryūka'' from the Okinawa Islands: it is possible to make a more accurate distinction between Japanese poetry written in Japan or by Japanese people in other languages versus that written in the Japanese language by speaking of Japanese-language poetry. Much of the literary record of Japanese poetry begins when Japanese poets encountered Chinese poetry during the Tang dynasty (although the Chinese classic anthology of poetry, ''Shijing'', was well known by the literati of Japan by the 6th century). Under the influence of the Chinese poets of this era Japanese began to compose poetry in Chinese '' kanshi''); and, as part of this tradition, poetry in Japan tended to be intimately associated with pictorial painting, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Treasure (Japan)
Some of the National Treasures of Japan A is the most precious of Japan's Tangible Cultural Properties, as determined and designated by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or artistic value, classified either as "buildings and structures" or as "fine arts and crafts." Each National Treasure must show outstanding workmanship, a high value for world cultural history, or exceptional value for scholarship. Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The other 80% are paintings; scrolls; sutras; works of calligraphy; sculptures of wood, bronze, lacquer or stone; crafts such as pottery and lacquerware carvings; metalworks; swords and textiles; and archaeological and historical artifacts. The items span the period of ancient to early modern Japan before the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Su Shi
Su Shi (; 8 January 1037 – 24 August 1101), courtesy name Zizhan (), art name Dongpo (), was a Chinese calligrapher, essayist, gastronomer, pharmacologist, poet, politician, and travel writer during the Song dynasty. A major personality of the Song era, at times holding high-level political positions, Su Shi was also an important figure in Song Dynasty politics, aligning himself with Sima Guang and others, against the New Policy party led by Wang Anshi, gaining some level of popular support through his actions, and also sometimes experiencing politically motivated reversals to his government career. Su Shi is widely regarded as one of the most accomplished figures in classical Chinese literature, having produced some of the most well-known poems, lyrics, prose, and essays. Su Shi was famed as an essayist, and his prose writings lucidly contribute to the understanding of topics such as 11th-century Chinese travel literature or detailed information on the contemporary Chine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hue Of The Water, Light On The Peaks
In color theory, hue is one of the main properties (called color appearance parameters) of a color, defined technically in the CIECAM02 model as "the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, orange, yellow, green, blue, violet," within certain theories of color vision. Hue can typically be represented quantitatively by a single number, often corresponding to an angular position around a central or neutral point or axis on a color space coordinate diagram (such as a chromaticity diagram) or color wheel, or by its dominant wavelength or by that of its complementary color. The other color appearance parameters are colorfulness, saturation (also known as intensity or chroma), lightness, and brightness. Usually, colors with the same hue are distinguished with adjectives referring to their lightness or colorfulness - for example: "light blue", "pastel blue", "vivid blue", "cobalt blue". Exceptions inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anonymous - Landscape - 1985
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * "Anonymous" (''Australian Playhouse''), an Australian television play * ''Anonymous'' (2011 film), a 2011 film * ''Anonymous'' (TV series), a 2006 Irish television show * "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), an Andorran band * ''Anonymous'' (Blackbear album) (2019) * ''Anonymous'' (Stray from the Path album) (2013) * ''Anon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sesshū Tōyō
(c. 1420 – 26 August 1506) has been regarded as one of the greatest painters in Japanese history. Sesshū was a Zen-Shu priest painter of the Muromachi period in Japan, prominently recognised for his art of sumi-e (black ink painting). Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. His prominent work captured images of landscapes, portraits, and birds and flowers paintings, infused with Zen Buddhist beliefs, flattened perspective, and emphatic lines. Sesshū was born into the samurai and trained at Shōkoku-ji temple in Kyoto, Japan, as a Zen monk. From his early childhood, Sesshū showed a talent for painting and eventually became widely revered throughout Japan as a wise, reputable Zen scholar, and the greatest painter priest of Zen-Shu. Sesshū worked in a painting atelier whilst training under Tenshō Shūbun (c. 1418–1463). But upon visiting China, his work betook a distinctive Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenshō Shūbun
was a Japanese Zen Buddhist monk and painter of the Muromachi period.Nussbaum, Louis-Frédéric. (2005). "''Shūbun''" in History Shūbun was born in the late 14th century in Ōmi Province and became a professional painter around 1403. He settled in Kyoto, then the capital city. He became director of the court painting bureau, established by Ashikaga shōguns, which consisted of influential art patrons. He was chosen by the members of the diplomatic mission to Joseon in 1423. Shūbun is considered to be the founder of the Chinese style of ''suiboku'' ink painting in Japan. He was influenced by Chinese landscape painters Xia Gui and Ma Yuan. Throughout his life, Shūbun was associated with the Zen Buddhist temple, Shōkoku-ji. Early in his career, he studied painting there under Josetsu, a Chinese immigrant who became the father of the new Japanese ink painting tradition. Under Josetsu's influence, Shūbun started studying Chinese Song Dynasty painting by masters such as Xi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
