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She'r-e Nimaa'i
She'r-e Nimaa'i () is a school of Modernist poetry in Iran that is derived from the literary theory of Nima Yooshij, a contemporary Iranian poet. Nima Yoshij revolutionized the stagnant atmosphere of Iranian poetry with the influential poem Afsaneh, which was the manifesto of She'r-e Nimaa'i. He consciously challenged all the foundations and structures of ancient Persian poetry. The nature of Mazandaran, social criticism, and humor are just a few examples of the themes that Nima Yoshij used in his poems. She'r-e Nimaa'i was the source of inspiration and growth of many great modern Iranian poets, including Sohrab Sepehri, Forough Farrokhzad, Mehdi Akhavan-Sales and Fereydoun Moshiri. She'r-e Nimaa'i has a special place in modern Iranian poetry. It was used for the first colloquial language in Iranian poetry. The shutters became shorter and longer, and a new look was taken at the poem. Although many criticisms were leveled at Nima Yoshij at the beginning, the She'r-e Nimaa'i school of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Poetry
Modernist poetry refers to poetry written between 1890 and 1950 in the tradition of modernist literature, but the dates of the term depend upon a number of factors, including the nation of origin, the particular school in question, and the biases of the critic setting the dates. The critic/poet C. H. Sisson observed in his essay ''Poetry and Sincerity ''that "Modernity has been going on for a long time. Not within living memory has there ever been a day when young writers were not coming up, in a threat of iconoclasm." Background It is usually said to have begun with the Symbolism (arts), French Symbolist movement and it artificially ends with the World War II, Second World War, the beginning and ending of the modernist period are of course arbitrary. Poets like W. B. Yeats (1865–1939) and Rainer Maria Rilke (1875–1926) started in a post-Romantic, Symbolist vein and modernised their poetic idiom after being affected by political and literary developments. Imagism proved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Daudet
Alphonse Daudet (; 13 May 184016 December 1897) was a French novelist. He was the husband of Julia Daudet and father of Edmée, Léon and Lucien Daudet. Early life Daudet was born in Nîmes, France. His family, on both sides, belonged to the ''bourgeoisie''. His father, Vincent Daudet, was a silk manufacturer — a man dogged through life by misfortune and failure. Alphonse, amid much truancy, had a depressing boyhood. In 1856 he left Lyon, where his schooldays had been mainly spent, and began his career as a schoolteacher at Alès, Gard, in the south of France. The position proved to be intolerable and Daudet said later that for months after leaving Alès he would wake with horror, thinking he was still among his unruly pupils. These experiences and others were reflected in his novel ''Le Petit Chose''. On 1 November 1857, he abandoned teaching and took refuge with his brother Ernest Daudet, only some three years his senior, who was trying, "and thereto soberly," to make a living ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quqnūs
Quqnūs () is a 1941 poem by Nima Yooshij. Quqnūs is often referred to as an evolved Afsaneh poem that depicts She'r-e Nimaa'i both in form (rhyme and paragraph) and in meaning (social symbolism). The poem describes a myth of Quqnūs: "It is said that Quqnūs lives a thousand years, and when a thousand years pass and his life comes to an end, he gathers a lot of firewood and sits on top of it and begins to compose and flutter his wings like fire from his wings, He falls into the wood and burns himself with the wood, but from the ashes of his corpse, his chickens come out." In fact, the poet uses an old myth and introduces himself as a Quqnūs that must burn in order for his thoughts and poems to be spread among the people and for other birds to spread it in the world. Context The writing of "Quqnūs" first began in February 1938, and three years later was first published in the "Journal of Music" in 1941, in the midst of World War II and the occupation of Iran. The publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hushang Irani
Hushang Irani ( fa, هوشنگ ایرانی; 1925 in Hamedan – 4 September 1973 in Paris) was an Iranian poet, translator, critics, journalist and painter. He is one of the pioneers of "The New Poetry" and surrealism in Iran. The Fighting Cock days Founded in 1950, ''Khorus Jangi'' ( fa, خروس جنگی, The Fighting Cock) was a small artistic group that published a journal by same title. In the beginning, ''Khorus Jangi'' was not significantly different from other literary journals of the time. A year later, however, ''Hushang Irani'', the ''enfant terrible'' of modernist Persian poetry, joined the group. Under his influence, the journal was transformed into a radical modernist literary journal. It published ''Iranis poems, which no other literary journal of the day, and even almost no literary critics on those days, would dare to acknowledge as poetry. ''Irani'' has shrewdly observed and anxiously realized how the potentials that Nima had introduced into Persian poetry w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parviz Natel-Khanlari
Parviz Natel Khanlari ( fa, پرویز ناتل خانلری; March 20, 1914 – August 23, 1990) was an Iranian literary scholar, linguist, author, researcher, politician, and professor at Tehran University. Biography Parviz Natel Khanlari graduated from Tehran University in 1943 with a doctorate degree in Persian literature, and began his academic career in the faculty of arts and letters. He also studied linguistics at Paris University for two years. From then on, Khanlari founded a new course named history of Persian language in Tehran University. Apart from his academic career which continued until the 1979 revolution, Khanlari held numerous administrative positions in the Iran in the 1960s through the late 1970s. Parviz Natel Khanlari was founder and editor of ''Sokhan magazine'', a leading literary journal with wide circulation among Iraninan intellectuals and literary scholars from the early 1940s to 1978. See also * Persian literature * Iranian Studies Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tudeh Party Of Iran
The Tudeh Party of Iran ( fa-at, حزب تودۀ ایران, Ḥezb-e Tūde-ye Īrān, lit=Party of the Masses of Iran) is an Iranian communist party. Formed in 1941, with Soleiman Mirza Eskandari as its head, it had considerable influence in its early years and played an important role during Mohammad Mosaddegh's campaign to nationalize the Anglo-Persian Oil Company and his term as prime minister. The crackdown that followed the 1953 coup against Mosaddegh is said to have "destroyed" the party,Abrahamian, Ervand, ''A History of Modern Iran'', p.122 although a remnant persisted. The party still exists but has remained much weaker as a result of its banning in Iran and mass arrests by the Islamic Republic in 1982, as well as the executions of political prisoners in 1988. Tudeh identified itself as the historical offshoot of the Communist Party of Persia. Ideological profile The party has generally been described as "communist" by historians (for example: "The Tudeh Party was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siavash Kasrai
Siavash Kasrai ( fa, سیاوش کسرائی; February 25, 1927 – February 8, 1996) was an Iranian poet, literary critic and novelist. He is well-known for his epic poem of Arash the Archer written in the late 1950s. An active supporter of the Communist Tudeh Party of Iran from the late 1940s to the mid 1980s, he distanced himself from its leadership in 1988–1990, and turned into an outspoken critic in the mid 1990s. Life Siavash Kasrai was born on February 25, 1927, in Isfahan, Iran, into a family of officials, some (his uncle Abdol-Karim Kasrai in particular) with a serious interest in literature. In Tehran from an early age, he received his primary education at Adab School and secondary education at the Military College and Dar ul-Funun. He graduated from the University of Tehran, Faculty of Law, in 1950, and did his military service at the Military Academy. In the early 1950s, Kasrai worked at the Iranian Health Co-operation Agency, created under Truman’s Poi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parviz Natel Khanlari
Parviz Natel Khanlari ( fa, پرویز ناتل خانلری; March 20, 1914 – August 23, 1990) was an Iranian literary scholar, linguist, author, researcher, politician, and professor at Tehran University. Biography Parviz Natel Khanlari graduated from Tehran University in 1943 with a doctorate degree in Persian literature, and began his academic career in the faculty of arts and letters. He also studied linguistics at Paris University for two years. From then on, Khanlari founded a new course named history of Persian language in Tehran University. Apart from his academic career which continued until the 1979 revolution, Khanlari held numerous administrative positions in the Iran in the 1960s through the late 1970s. Parviz Natel Khanlari was founder and editor of ''Sokhan magazine'', a leading literary journal with wide circulation among Iraninan intellectuals and literary scholars from the early 1940s to 1978. See also * Persian literature * Iranian Studies Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hushang Ebtehaj
Amir Hushang Ebtehaj ( fa, امیر هوشنگ ابتهاج; 25 February 1928 – 10 August 2022), also known by his pen name H. E. Sayeh ( fa, ه.ا.سایه, lit. ''Shadow''), was an Iranian poet of the 20th century, whose life and work spans many of Iran's political, cultural and literary upheavals. Life Ebtehaj was born 25 February 1928 in Rasht in a prominent Baha'i family in Iran and had his primary schooling there before moving to Tehran. His first book of poetry, with an introduction by eminent poet Mehdi Hamidi Shirazi, was published when he was 19 years old. During Iran's open period following World War II, Sayeh got involved in various literary circles and contributed to various literary magazines such as Sokhan, Kavian, Sadaf, Maslehat, and others. Unlike many other literary figures of the time who got deeply involved in politics and left-leaning activities, Sayeh stayed true to his social and political consciousness but refrained from deeper involvement. He was emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Shamlou
Ahmad Shamlou ( fa, احمد شاملو, ''Ahmad Šāmlū'' , also known under his pen name A. Bamdad ( fa, ا. بامداد)) (December 12, 1925 – July 23, 2000) was an Iranian poet, writer, and journalist. Shamlou was arguably the most influential poet of modern Iran. His initial poetry was influenced by and in the tradition of Nima Youshij. In fact, Abdolali Dastgheib, Iranian literary critic, argues that Shamlou is one of the pioneers of modern Persian poetry and has had the greatest influence, after Nima, on Iranian poets of his era. Shamlou's poetry is complex, yet his imagery, which contributes significantly to the intensity of his poems, is accessible. As the base, he uses the traditional imagery familiar to his Iranian audience through the works of Persian masters like Hafez and Omar Khayyám. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concrete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad-Taqi Bahar
Mohammad-Taqi Bahar ( fa, محمدتقی بهار; also romanized as Mohammad-Taqī Bahār; 10 December 1886 in Mashhad – 22 April 1951 in Tehran), widely known as Malek osh-Sho'arā ( fa, ملکالشعراء) and Malek osh-Sho'arā Bahār ("poet laureate," literally: ''the king of poets''), was a renowned Iranian poet, scholar, politician, journalist, historian and Professor of Literature. Although he was a 20th-century poet, his poems are fairly traditional and strongly nationalistic in character. Bahar was father of prominent Iranist, linguist, mythologist and Persian historian Mehrdad Bahar. Biography Mohammad-Taqí Bahār was born on 10 December 1886 in the Sarshoor District of Mashhad, the capital city of the Khorasan Province in the north-east of Iran. His father was Mohammad Kazem Sabouri, the Poet Laureate of the shrine in Mashhad who held the honorific title of ''Malek o-Sho'arā'' ("King of Poets"), while his mother was a devout woman named Hajjiyeh Sakineh Kha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
