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Shangri La (Doris Duke)
The Shangri La Museum of Islamic Art, Culture & Design is housed in the former home of Doris Duke near Diamond Head just outside Honolulu, Hawaii. It is now owned and operated as a public museum of the arts and cultures of the Islamic world by the Doris Duke Foundation for Islamic Art (DDFIA). Guided tours depart from the Honolulu Museum of Art, which operates the tours in co-operation with DDFIA. Construction of Shangri La took place from 1936 to 1938, after Doris Duke's 1935 honeymoon which took her through the Islamic world. For nearly 60 years, Duke commissioned and collected artworks for the space, eventually forming a collection of over 4,000 objects. The structure was designed by Marion Sims Wyeth. An artistic reflection of the construction of Shangri La can be found in Kiana Davenport's novel ''Song of the Exile''. The building was opened to the public as a museum, the Shangri La Museum for Islamic Art, Design & Culture, in 2002. Collections and exhibitions The mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
India
India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Then, int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zahra Noorbakhsh
Zahra Noorbakhsh (born June 11, 1980) is an Iranian-American comedian, writer, actor and co-host of the ''#GoodMuslimBadMuslim'' podcast. ''The New Yorker'' called her one-woman show ''All Atheists Are Muslim'' a highlight of the New York International Fringe Festival. She is a contributor to the ''New York Times'' featured anthology ''Love Inshallah: The Secret Love Lives of American Muslim Women'', with a monthly column entitled, "My Infidel Husband". Noorbakhsh was a featured comic at the first-ever Muslim Funny Fest in New York City. Career Noorbakhsh graduated from the University of California, Berkeley with a degree in Theatre & Performance Studies in 2006. Though she began as a stand-up comic, her love of impressions, characters and storytelling drew her into the world of theater and ultimately solo performance. Her solo performance career began in 2007 under the direction of W. Kamau Bell at the Solo Performance Workshop, where Noorbakhsh penned several shows, including ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alsarah
Alsarah (Arabic: السارة) (born 1982) is a Sudanese-American singer, songwriter, and ethnomusicologist. She is the leader of the group Alsarah & the Nubatones, and has performed with other groups such as The Nile Project. Her stage name is a combination of her given name with the Arabic definite article. Early life Alsarah was born in Khartoum, Sudan. Both her parents are human-rights activists. When she was eight, her family fled the country during the 1989 coup by future president Omar al-Bashir to avoid being killed as dissidents. They then lived in Taez, Yemen, before fleeing again due to the country's 1994 civil war. They subsequently arrived in the United States claiming political asylum and settled in Boston. During this turbulent period, she often found solace in music, listening to bootleg recordings in Yemen and taking casual piano lessons from a family friend. In the United States, she sang in several world music choirs and attended high school at Pioneer Val ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lānai (Hawaiian Language)
A lanai or lānai is a type of roofed, open-sided veranda, patio, or porch originating in Hawaii. Many homes, apartment buildings, hotels and restaurants in Hawaii are built with one or more lānais. In Hawaii, the term's use has grown colloquially to encompass any sort of outdoor living area connected to or adjacent to an interior space—whether roofed or not—including apartment and hotel balconies. Examples One example of Hawaiian architecture featuring a lānai is the Albert Spencer Wilcox Beach House on the Island of Kauai. The residence of Queen Liliuokalani, Washington Place in Honolulu, was constructed with "open lānais" on all sides. Architectural feature The use of the ''lānai'' is one of the "Hawaiian modern" features in the style of some of the buildings of Vladimir Ossipoff, who saw in the lanai functional similarities to the Japanese ''engawa''. A lanai may also be a covered exterior passageway. Disney animator Dorse Lanpher (1935–2011) notes in his memoirs t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reem Bassous
Reem Miriam Bassous is a Lebanese artist. She was born on July 19, 1978; she was raised in Athens, Athens, Greece until she was four years old due to conflict in Lebanon. She moved back to Lebanon later that year. At the age of seventeen, Reem attended the Lebanese American University in Beirut, Beirut, Lebanon, and at the age of 21 she attended George Washington University in Washington, D.C. There she earned her master's degree in painting and drawing. She moved to Hawaii in 2006, and became a lecturer at the University of Hawaii. Much of the artist's work deals with her memories of the Lebanese Civil War and its aftereffects. ''Memory for Forgetfulness'', in the collection of the Honolulu Museum of Art, shows the destruction caused by this conflict. Solo exhibitions * 2019. "Endless Red", Aupuni Space, Honolulu, HI * 2016 "Prey/Pray", SBCAST Gallery, Santa Barbara, CA * 2015 ''Beyond the Archive'', Honolulu Museum of Art; Honolulu, HI * 2013 ''Green Line'', The Washing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bahia Shehab
Bahia Shehab ( ar, بهية شهاب; born 1977) is a multidisciplinary artist, designer, historian, creative director, educator and activist based in Cairo, Egypt. Her work is concerned with identity and cultural heritage, and uses Islamic art history and in particular Islamic calligraphy and graphic design to explore contemporary Arab politics, feminist discourse and social issues. Her culturally oriented work is concerned with using history as a means to better understand the present, and to find solutions for the future. Shehab is interested in the ways in which art can be employed for social change, and has explored this phenomenon through her artwork, which draws upon such socially charged themes as Arab identity and women's rights. Her research is largely concerned with understanding Arabic script, and much of her work explores both traditional and refashioned Arabic calligraphy. By imbuing traditional Arabic and Islamic scripts with political messages, she has used art to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faig Ahmed
Faig Ahmed () (born 1982 in Sumqayit, Azerbaijan) is an Azerbaijani contemporary visual artist who is best known for his surrealist weavings which integrate visual distortions into traditional oriental rugs. Ahmed graduated from the sculpture program at the Azerbaijan State Academy of Fine Arts in Baku in 2004. In 2007, Ahmed's work was included in the Azerbaijan's first pavilion in the Venice Biennalle in 2013 he participated in the show “Love Me, Love Me Not” and the 11th Mercosul Visual Arts Biennial in 2018. While Ahmed has created artworks in multiple media, including sculpture, video, and installation, he is best known for his surrealist sculptural textiles, which apply optical illusions in the form of often psychedelic visual manipulations (including warping, glitching, melting, pixelating, and unraveling) to traditional Islamic rugs. The textiles are manufactured by a group of skilled weavers who follow Ahmed's designs paying strict attention to traditional Azerbaijan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayv Kahraman
Hayv Kahraman (born 1981) is an Iraqi-American-Swedish artist of Kurdish descent, who was born in Baghdad and fled to Sweden with family during the Gulf War, studied in Florence, and is currently based in Los Angeles. She is primarily a painter. Life and career Born in Baghdad, Iraq in 1981 to Kurdish parents, a Kurdish mother from Slemani. Her family fled to Sweden in the aftermath of the Persian Gulf War (1990-1991). During the Iran–Iraq War, Hayv spent a lot of her time in the basement of her uncle's house. Her relatives would all huddle around candles and play card games. While living in Iraq, she attended the Music and Ballet School in central Baghdad. One night, her family packed their car and hired a smuggler to take them to Sweden, and this is when she became a refugee. She enrolled in music and ballet classes, but decided to leave due to the teacher's racism. She studied at the Academy of Art and Design in Florence, Italy. She lives and works in California, United Stat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shalimar Gardens, Lahore
The Shalimar Gardens ( ur, , translit=Shālāmār Bāgh) are a Mughal garden complex located in Lahore, Pakistan. The gardens date from the period when the Mughal Empire was at its artistic and aesthetic zenith, and are now one of Pakistan's most popular tourist destinations. The Shalimar Gardens were laid out as a Persian paradise garden intended to create a representation of an earthly utopia in which humans co-exist in perfect harmony with all elements of nature. Construction of the gardens began in 1641 during the reign of Emperor Shah Jahan, and was completed in 1642. In 1981 the Shalimar Gardens were inscribed as a UNESCO World Heritage Site as they embody Mughal garden design at the apogee of its development. Names The courtiers told the Maharaja Ranjit Singh "that Shala was a Turkic word which means pleasure and the mar means the place to live in". "The arguments of the courtiers in favour of the Turkic signification of the word failing to make any impression on Ranjit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chehel Sotoun
Chehel Sotoun ( fa, چهل ستون, literally: “Forty Columns”) is a Persian pavilion in the middle of a park at the far end of a long pool, in Isfahan, Iran, built by Shah Abbas II to be used for his entertainment and receptions. In this palace, Shah Abbas II and his successors would receive dignitaries and ambassadors, either on the terrace or in one of the stately reception halls. The name, meaning "Forty Columns" in Persian, was inspired by the twenty slender wooden columns supporting the entrance pavilion, which, when reflected in the waters of the fountain, is said to appear to be forty. As with Ali Qapu, the palace contains many frescoes and paintings on ceramic. Many of the ceramic panels have been dispersed and are now in the possession of major museums in the west. They depict specific historical scenes such as the infamous Battle of Chaldiran against the Ottoman Sultan Selim I, the reception of an Uzbek King in 1646, when the palace had just been completed; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Empire
The Mughal Empire was an early-modern empire that controlled much of South Asia between the 16th and 19th centuries. Quote: "Although the first two Timurid emperors and many of their noblemen were recent migrants to the subcontinent, the dynasty and the empire itself became indisputably Indian. The interests and futures of all concerned were in India, not in ancestral homelands in the Middle East or Central Asia. Furthermore, the Mughal empire emerged from the Indian historical experience. It was the end product of a millennium of Muslim conquest, colonization, and state-building in the Indian subcontinent." For some two hundred years, the empire stretched from the outer fringes of the Indus river basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India. Quote: "The realm so defined and governed was a vast territory of some , rang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
