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Shahnameh Of Rashida
''Shahnameh'' of Rashidā ( fa, شاهنامهٔ رشیدا) is an illustrated manuscript of the ''Shahnameh'', the national epic of Greater Iran. It contains 738 pages with 93 miniatures in Isfahan School. The miniatures have been attributed to Mohammad Yusef, a Safavid-era painter. This manuscript dates from the 17th century and now it is located in the Golestan Palace. The calligraphy Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined ... of this manuscript has been attributed to ʿAbd al-Rashid Daylami and for this reason, it is called the "Rashida ''Shahnameh''". The miniatures of this ''Shahnameh'' are very similar to the miniatures of the Windsor ''Shahnameh'' so it has been suggested that these manuscripts have been prepared by the same painters. References {{Shahname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Yusuf Young 1640
Muhammad ( ar, مُحَمَّد; 570 – 8 June 632 CE) was an Arab religious, social, and political leader and the founder of Islam. According to Islamic doctrine, he was a prophet divinely inspired to preach and confirm the monotheistic teachings of Adam, Abraham, Moses, Jesus, and other prophets. He is believed to be the Seal of the Prophets within Islam. Muhammad united Arabia into a single Muslim polity, with the Quran as well as his teachings and practices forming the basis of Islamic religious belief. Muhammad was born approximately 570CE in Mecca. He was the son of Abdullah ibn Abd al-Muttalib and Amina bint Wahb. His father Abdullah was the son of Quraysh tribal leader Abd al-Muttalib ibn Hashim, and he died a few months before Muhammad's birth. His mother Amina died when he was six, leaving Muhammad an orphan. He was raised under the care of his grandfather, Abd al-Muttalib, and paternal uncle, Abu Talib. In later years, he would periodically seclude himse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' or ''Shahnama'' ( fa, شاهنامه, Šāhnāme, lit=The Book of Kings, ) is a long epic poem written by the Persian poet Ferdowsi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 " distichs" or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems. It tells mainly the mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater region influenced by Persian culture such as Armenia, Dagestan, Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language, regarded as a literary masterpiece, and definitive of the ethno-national cultural identity of Iran. It is also important to the contemporary adherents of Zoroastrianism, in that it tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Epic
A national epic is an epic poem or a literary work of epic scope which seeks or is believed to capture and express the essence or spirit of a particular nation—not necessarily a nation state, but at least an ethnic or linguistic group with aspirations to independence or autonomy. National epics frequently recount the origin of a nation, a part of its history, or a crucial event in the development of national identity such as other national symbols. History In medieval times Homer's ''Iliad'' was taken to be based on historical facts, and the Trojan War came to be considered as seminal in the genealogies of European monarchies. Virgil's ''Aeneid'' was taken to be the Roman equivalent of the ''Iliad'', starting from the Fall of Troy and leading up to the birth of the young Roman nation. According to the then prevailing conception of history, empires were born and died in organic succession and correspondences existed between the past and the present. Geoffrey of Monmou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greater Iran
Greater Iran ( fa, ایران بزرگ, translit=Irān-e Bozorg) refers to a region covering parts of Western Asia, Central Asia, South Asia, Xinjiang, and the Caucasus, where both Iranian culture and Iranian languages have had a significant presence and impact. Historically, this was a region long-ruled by the dynasties of various Iranian empires, under whose rule the local populace incorporated considerable aspects of Persian culture through extensive inter-contact, or alternatively where sufficient Iranian peoples settled to still maintain communities who patronize their respective cultures; it roughly corresponds geographically to the Iranian plateau and its bordering plains. The Encyclopædia Iranica uses the term ''Iranian Cultural Continent'' to describe this region. In addition to the modern state of Iran, the term "Greater Iran" includes all of the territory ruled by various Iranian peoples throughout history, including in Mesopotamia, the eastern half ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isfahan School
The Isfahan School () is a school of Islamic philosophy. It was founded by Mir Damad and reached its fullest development in the work of Mulla Sadra. The name was coined by Seyyed Hossein Nasr and Henry Corbin. Because of the attention of Abbas I of Persia, Shah Abbas during the Safavid Dynasty in Iran to intellectual tradition in Islam, Isfahan (city), Isfahan became a famous academic city and the intellectual center of Iran at the time, along with the cities of Rey, Iran, Rey and Shiraz, Iran, Shiraz. Historical context This school of thought began to develop once Iran was economically and politically stable. The Safavid court also provided funding for the arts, which also contributed to the development. At the time, there were many disputes between Shiite scholars, such as Ahamad Alavi, and Christian and Jewish scholars. In this period the intellectual life of Shahab al-Din Suhrawardi, Suhrevardi was revived by Mir Damad and Mulla Sadra. According to Seyyed Hosein Nasr, this sch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohammad Yusef The Painter
Mohammad Yusef the Painter ( fa, محمد یوسف نگارگر) was a Safavid era Persian painter of the Isfahan school. He was an apprentice of Reza Abbasi. The Shahnameh of Rashida is attributed to him. It seems that he and Mohammad Qasem were close co-workers, as their names are usually mentioned together. The Windsor Shahnameh (also known as the ''Shahnameh of Qarachaqay Khan'') contains 148 or 149 miniatures, all of them are attributed to Mohammad Yusef and Mohammad Qasem, except the first two miniatures. The miniatures of this Shahnameh are very similar to the miniatures of the Shahnameh of Rashida, and therefore it has been suggested that these manuscripts of Shahnameh have been prepared by same painters. Miniatures File:Rostam_and_Sohrab_from_the_Windsor_Shahnameh.png , Depiction of Rostam and Sohrab The tragedy of Rostam and Sohrab forms part of the 10th-century Persian epic ''Shahnameh'' by the Persian poet Ferdowsi. It tells the tragic story of the heroes Rosta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Safavid Dynasty
The Safavid dynasty (; fa, دودمان صفوی, Dudmâne Safavi, ) was one of Iran's most significant ruling dynasties reigning from 1501 to 1736. Their rule is often considered the beginning of modern Iranian history, as well as one of the gunpowder empires. The Safavid Shāh Ismā'īl I established the Twelver denomination of Shīʿa Islam as the official religion of the Persian Empire, marking one of the most important turning points in the history of Islam. The Safavid dynasty had its origin in the Safavid order of Sufism, which was established in the city of Ardabil in the Iranian Azerbaijan region. It was an Iranian dynasty of Kurdish origin, but during their rule they intermarried with Turkoman, Georgian, Circassian, and Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), Appendix II "Genealogy of the Muslim Marriages of the Princesses of Trebizond" dignitaries, nevertheless they were Turkis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golestan Palace
The Golestan Palace ( fa, کاخ گلستان, ''Kākh-e Golestān''), also transliterated as the Gulistan Palace and sometimes translated as the Rose Garden Palace from Persian language, was built in the 16th century, renovated in the 18th century and finally rebuilt in 1865. It is the former official royal Qajar complex in Tehran. One of the oldest historic monuments in the city of Tehran, and of world heritage status, the Golestan Palace belongs to a group of royal buildings that were once enclosed within the mud-thatched walls of Tehran's arg ("citadel"). It consists of gardens, royal buildings, and collections of Iranian crafts and European presents from the 18th and 19th centuries. History Tehran's arg ("citadel") was built during the reign of Tahmasp I (r. 1524–1576) of the Safavid dynasty (1502–1736), and was later renovated by Karim Khan of the Zand dynasty (r. 1750–1779). Agha Mohammad Khan of the Qajar dynasty (1742–1797) chose Tehran as his capital. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windsor Shahnameh
The Windsor ''Shahnameh'' or ''Shahnameh'' of Qarajaghay Khan ( fa, شاهنامه قرچغای خان) is an illustrated manuscript of the '' Shahnameh'', the national epic of Greater Iran. It is one of the most famous manuscripts of the ''Shahnameh'', dating from 1648. The painters are Muhammad Qasim and Muhammad Yusuf. The miniatures of this ''Shahnameh'' are very similar to the miniatures of the ''Shahnameh'' of Rashida, and therefore it has been suggested that these manuscripts have been prepared by the same painters. The Windsor ''Shahnameh'' contains 148 or 149 miniatures and is written in Nastaʿlīq script by Mohammad Hakim Hosseini to the order of Qarachaqay Khan (one of the commanders-in-chief of Abbas I of Persia). It is in very good condition compared to other manuscripts of the ''Shahnameh''. It is not clear how and when this version of the ''Shahnameh'' was acquired by Ahmad Shah Durrani and subsequently his heir, Kamran Shah. In 1839, the Windsor ''Shahname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuscripts Of Shahnameh
A manuscript (abbreviated MS for singular and MSS for plural) was, traditionally, any document written by hand – or, once practical typewriters became available, typewritten – as opposed to mechanically printed or reproduced in some indirect or automated way. More recently, the term has come to be understood to further include ''any'' written, typed, or word-processed copy of an author's work, as distinguished from the rendition as a printed version of the same. Before the arrival of printing, all documents and books were manuscripts. Manuscripts are not defined by their contents, which may combine writing with mathematical calculations, maps, music notation, explanatory figures, or illustrations. Terminology The study of the writing in surviving manuscripts, the "hand", is termed palaeography (or paleography). The traditional abbreviations are MS for manuscript and MSS for manuscripts, while the forms MS., ms or ms. for singular, and MSS., mss or mss. for plu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
