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Shad Collins
Lester Rallingston "Shad" Collins (June 27, 1910 – June 6, 1978) was an American jazz trumpet player, composer and arranger, who played in several leading bands between the 1930s and 1950s, including those led by Chick Webb, Benny Carter, Count Basie, Lester Young, Cab Calloway and Sam "The Man" Taylor. Life and career Born in Elizabeth, New Jersey, United States, the son of a clergyman, he acquired the nickname of "Shad" in his teens, and by the late 1920s had joined Charlie Dixon's band. He also performed with pianist Eddie White, before joining Chick Webb's band in 1931. In the mid-1930s he played in Teddy Hill's band, with whom he toured in Britain and Europe, before joining the Count Basie Orchestra. Biography by Eugene Chadbourne |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual experti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oran "Hot Lips" Page
Oran Thaddeus "Hot Lips" Page (January 27, 1908 – November 5, 1954) was an American jazz trumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist. Page was a member of Walter Page's Blue Devils, Artie Shaw's Orchestra and Count Basie's Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox.Thedeadrockstarsclub.com Retrieved April 30, 2019. He was one of the five musicians booked for the opening night at Birdland with in 1949. Life and career Oran Thadeus Page was born in |
For Basie
''For Basie'' is an album by American jazz saxophonist Paul Quinichette featuring tracks recorded in 1957 and released on the Prestige label. Reception Allmusic awarded the album 4½ stars and reviewer Scott Yanow stated, "the sextet jams on five Basie-associated tunes from the 1930s and 40s, none of which are exactly overplayed ... Each of the songs serves as a strong vehicle for swing-oriented solos and the musicians sound quite inspired. Recommended". In JazzTimes, Stanley Dance wrote "Paul Quinichette was not styled the Vice-Pres for nothing. Of all the tenor players Lester Young inspired, he passed on the message the most faithfully. He was too often dismissed as an imitator, but Young’s language seemed to be natural to him, so that his flow was not broken up by the fashionable ejaculations necessary to others. The program of Basie hits perhaps imposed limitations of another kind".Dance, SJazzTimes Reviewaccessed July 30, 2018 Track listing # "Rock-a-Bye Basie" (Count Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Like Basie!
''Like Basie!'', (also released as ''Like Who?'' and ''Paul Quinichette''), is an album by American jazz saxophonist Paul Quinichette featuring tracks recorded in 1959 and released on the United Artists label. accessed July 30, 2018 Reception awarded the album 4½ stars and reviewer Scott Yanow stated, "This set features the tenor-saxophonist with Count Basie sidemen both past and present ... Quinichette might have been derivative but he always showed enthusiasm and skill in being creative within the Lester Young approach and this is a fine and formerly obscure effort". On |
Basie Reunion
''Basie Reunion'' is an album by Count Basie Orchestra members led by jazz saxophonist Paul Quinichette featuring tracks recorded in 1958 and released on the Prestige label. The first two tracks are correctly identified on the CD reissue; the original LP issue has the titles reversed (although Ira Gitler correctly identifies the titles in his liner notes). In 1982, Prestige issued this session as a gatefold LP paired with ''For Basie'' as ''Basie Reunions''; this issue also has the track titles reversed. Reception Allmusic awarded the album 4½ stars and reviewer Ken Dryden stated, "While this session isn't meant to substitute for the original recordings by Count Basie, the consistently swinging performances make this meeting of mostly Basie alumni worth purchasing". On All About Jazz, Derek Taylor wrote "Brimming with talent from bands past and present the one-shot aggregation places a premium on expansive individual solos and relaxed first-rate swing ... This disc a winner on a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Quinichette
Paul Quinichette (May 17, 1916 – May 25, 1983) was an American jazz tenor saxophonist. He was known as the "Vice President" or "Vice Prez" for his emulation of the breathy style of Lester Young, whose nickname was "The President", or simply "Prez". Young called Quinichette "Lady Q". Early life Quinichette was born in Denver, Colorado, United States. He had clarinet and alto saxophone lessons as a child, before switching to tenor saxophone. Around the age of 13, he had informal lessons from Lester Young. Quinichette attended Denver University, transferred to Tennessee State College, and then returned to Denver University, from which he graduated in music. While in college he played with local bands, and during summer vacations he toured with Nat Towles and the trumpeter Lloyd Hunter. Later life and career Quinichette worked with Shorty Sherock in the late 1930s, and was then with Ernie Fields (1942), and Jay McShann (1942–43). He was with Johnny Otis on the West Coast f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Price
Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings. Life and career Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington's daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label. During his early career, he was a singer and dancer in local venues in the Dallas area. Price lived and played jazz in Kansas City, Chicago and Detroit. In 1938 he was hired by Decca Records as a session sideman on piano, assisting singers such as Trixie Smith and Sister Rosetta Tharpe. Price's trio accompanied Rosetta Tharpe and Marie Kni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spike Hughes
Patrick Cairns "Spike" Hughes (19 October 1908 – 2 February 1987) was a British musician, composer and arranger involved in the worlds of classical music and jazz. He has been called Britain's earliest jazz composer. Later in his career, he became better known as a broadcaster and humorous author. Early career Born in London, England, Hughes was the son of Irish composer, writer and song collector Herbert Hughes and great grandson of the sculptor Samuel Peploe Wood. His childhood, spent mostly with his mother Lilian Meacham (1886–1973), a Harley Street psychiatrist, involved extensive travelling in France and Italy, as well as a more settled period of education at Perse School in Cambridge.Gammond, Peter. 'Hughes, Patrick Cairns pike in ''The Oxford Dictionary of National Biography'' In 1923, at the age of 15 he spent an extended period in Vienna to study composition with Egon Wellesz. While there he claimed to have visited the opera nearly 450 times, always standing at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit " What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Complete RCA Victor Recordings
''The Complete RCA Victor Recordings'' is a 1995 compilation 2-CD set of sessions led by Jazz trumpeter and composer Dizzy Gillespie recorded for the RCA Victor label between 1937 and 1949. Reception Writing for Allmusic, Richard S. Ginell states: "Although the sheer scope of this double-CD roundup of all of Dizzy's Victor sessions places it most obviously within the evolution of bebop, it is absolutely essential to Latin Jazz collections as well".Ginell, R. G.Allmusic Review accessed February 20, 2014 Music historian and Arts Administrator for the National Endowment for the Arts, A. B. Spellman recommended the album for the NPR Basic Jazz Record Library, stating: "Primarily, I say this for the big band, but that's not all that's on here. You have some very early Dizzy, when he's playing with the Teddy Hill Orchestra or with the Lionel Hampton Orchestra. You have some small group stuff from the 52nd Street time, when he was playing all the clubs there. And you also have a ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vic Dickenson
Victor Dickenson (August 6, 1906 – November 16, 1984) was an American jazz trombonist. His career began in the 1920s and continued through musical partnerships with Count Basie (1940–41), Sidney Bechet (1941), and Earl Hines. Life and career Born in Xenia, Ohio, in 1906, Dickenson wanted to be a plasterer like his father, but he abandoned the idea after injuring himself by falling off a ladder.John S. Wilson"Vic Dickenson, a trombonist with Basie band in 40's, dies" ''The New York Times'', November 18, 1984. He studied organ from 1922, then changed to performing trombone with local bands. He made his recording debut in December 1930 as a vocalist with Luis Russell's band. He joined Blanche Calloway's orchestra in the early 1930s. He led his own groups both on the east and west coast between 1947 and the mid-1950s. From then he was a session man. He appeared on the television program '' The Sound of Jazz'' in 1957 with Count Basie, Coleman Hawkins, Roy Eldridge, Gerry Mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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