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Shackerley Marmion
Shackerley Marmion (January 1603 – 1639), also Shakerley, Shakerly, Schackerley, Marmyon, Marmyun, or Mermion, was an early 17th-century dramatist, often classed among the Sons of Ben, the followers of Ben Jonson who continued his style of comedy. He was also a friend and perhaps a protégé of Thomas Heywood. Background The playwright's father, Shackerley Marmion (son of a London lawyer and member of a junior line of the Marmion Barons of Tamworth), held the manor at Aynho in Northamptonshire but was habitually in debt; in time he would pass his debts on to his son. Shakerley Jnr was baptised on 21 Jan 1603 in Aynho church. After Lord Williams's School at Thame in Oxfordshire, Marmion graduated from Wadham College, Oxford, with an M.A. in July 1624. (During his years at Oxford, his father Shackerley Marmion was forced to sell his estate an Aynho to pay his debts.) Details of his life after university are unclear, though there are intimations of legal troubles, disord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dramatist
A playwright or dramatist is a person who writes plays. Etymology The word "play" is from Middle English pleye, from Old English plæġ, pleġa, plæġa ("play, exercise; sport, game; drama, applause"). The word "wright" is an archaic English term for a craftsman or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form—a play. (The homophone with "write" is coincidental.) The first recorded use of the term "playwright" is from 1605, 73 years before the first written record of the term "dramatist". It appears to have been first used in a pejorative sense by Ben Jonson to suggest a mere tradesman fashioning works for the theatre. Jonson uses the word in his Epigram 49, which is thought to refer to John Marston: :''Epigram XLIX — On Playwright'' :PLAYWRIGHT me reads, and still my verses damns, :He says I want the tongue of epigrams ; :I have no salt, no bawdry he doth mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1631 In Literature
This article is a summary of the literary events and publications of 1631. Events * January 9 – '' Love's Triumph Through Callipolis'', a masque written by Ben Jonson and designed by Inigo Jones, is staged at Whitehall Palace. *January 11 – The Master of the Revels in England refuses to license Philip Massinger's new play, ''Believe as You List'', because of its seditious content; it is first performed in a revised version on May 7. * February 5 – Puritan minister and theologian Roger Williams emigrates from England to Boston in the Massachusetts Bay Colony. *February 22 – ''Chloridia'', the year's second Jonson/Jones masque, is performed. *June 10 – The King's Men perform ''Pericles, Prince of Tyre'' (c.1607/8) at the Globe Theatre. *The young Blaise Pascal moves with his family to Paris. *Thomas Hobbes is employed as a tutor by the Cavendish family, to teach the future Earl of Devonshire. *Publication of the "Wicked Bible" by Robert Barker and Martin Lucas, the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1638 In Literature
This article contains information about the literary events and publications of 1638. Events *January 3 – Joost van den Vondel's historical play '' Gijsbrecht van Aemstel'' is first performed, to mark the opening of the Schouwburg of Van Campen, Amsterdam's first public theatre (postponed from 26 December 1637). It is then performed annually in the city on New Year's Day until 1968. *February 6 – ''Luminalia'', a masque written by Sir William Davenant and designed by Inigo Jones, is staged at the English Court. *March 27 – The King's Men perform Chapman's tragedy ''Bussy D'Ambois'' at the English Court. *May – English poet John Milton sets out for a tour of the European continent. He spends the summer in Florence where he later claims to have met the incarcerated Galileo. *October 27 – The King's Men act Ben Jonson's satirical city comedy ''Volpone'' (1606) at the Blackfriars Theatre in London. *''unknown dates'' **An Armenian language edition of the Psalms printed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Golden Ass
The ''Metamorphoses'' of Apuleius, which Augustine of Hippo referred to as ''The Golden Ass'' (''Asinus aureus''), is the only ancient Roman novel in Latin to survive in its entirety. The protagonist of the novel is Lucius. At the end of the novel, he is revealed to be from Madaurus, the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity (''curiositas'') and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an ass. This leads to a long journey, literal and metaphorical, filled with inset tales. He finally finds salvation through the intervention of the goddess Isis, whose cult he joins. Origin The date of composition of the ''Metamorphoses'' is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' ''Apology'' of 158–159, or as the climax of his literary career, and perhaps as late as the 170s or 180s. Apuleius adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , , "Soul" or "Breath of Life") and Cupid (Latin ''Cupido'', "Desire") or Amor ("Love", Greek Eros, Ἔρως), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370, but the '' editio princeps'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1637 In Literature
This article contains information about the literary events and publications of 1637. Events *January – Pierre Corneille's tragicomedy ''Le Cid'' first performed at the Théâtre du Marais in Paris. Based on Guillén de Castro's play ''Las mocedades del Cid'' (1618), it is first published later in the year and sparks the debate of the '' Querelle du Cid'' at the '' Académie française'' over its failure to observe all the classical unities of drama and supposed lack of moral purpose, but proves popular with audiences. *January 24 – ''Hamlet'' is performed before King Charles I and Queen Henrietta Maria at Hampton Court Palace. *July 10 – Thomas Browne is registered as a physician, following which he settles in Norwich. *August 30 – The King's Men mount a production for the English Court of William Cartwright's ''The Royal Slave'' at Christ Church, Oxford. The company is paid an extra £30 "for their pains in studying and acting" the drama. *October 2 – The London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Platonic Love
Platonic love (often lowercased as platonic love) is a type of love in which sexual desire or romantic features are nonexistent or has been suppressed or sublimated, but it means more than simple friendship. The term is derived from the name of Greek philosopher Plato, though the philosopher never used the term himself. Platonic love, as devised by Plato, concerns rising through levels of closeness to wisdom and true beauty, from carnal attraction to individual bodies to attraction to souls, and eventually, union with the truth. Platonic love is contrasted with romantic love. Classical philosophical interpretation Platonic love is examined in Plato's dialogue, the ''Symposium'', which has as its topic the subject of love, or more generally the subject of Eros. It explains the possibilities of how the feeling of love began and how it has evolved, both sexually and non-sexually, and defines genuine platonic love as inspiring a person's mind and soul and directing their att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1641 In Literature
This article contains information about the literary events and publications of 1641. Events *March 12 – Abraham Cowley's play ''The Guardian'' is acted at Trinity College, Cambridge, in the presence of Prince Charles (later King Charles II). *Spring – Pierre Corneille marries Marie de Lampérière. *c. May – William Davenant is convicted of high treason for his part in the First Army Plot in England. *August 5 – Because of an increase in cases of plague, John Lowin delivers warrants to London theatres ordering them to close. *c. December – Edward Hyde, 1st Earl of Clarendon, becomes an advisor to King Charles I of England. New books Prose * George Abbot – ''Vindiciae Sabbathi'' *Moses Amyraut – ''De l'elevation de la foy et de l'abaissement de la raison en la creance des mysteres de la religion'' * Richard Baker – ''Apologie for Laymen's Writing in Divinity, with a Short Meditation upon the Fall of Lucifer'' *Sir Edward Coke – ''The Complete Copyholder'' *Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I of England, James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admissio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors in Caroline era in London. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria of France. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since he started it in 1617; it was with Queen Henrietta's Men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Antiquary (play)
''The Antiquary'' is a Caroline era stage play, a comedy written by Shackerley Marmion. It was acted in the 1634–36 period by Queen Henrietta's Men at the Cockpit Theatre, and first published in 1641. ''The Antiquary'' has been succinctly described as "Marmion's best play." Contemporary references The play drew upon several contemporary sources for its inspiration. Antiquarianism and the collection of "rarities" was a growing trend in Marmion's era. Marmion's title character, Veterano, has a habit of staring at a sculpture with a broken nose; this may have been intended as an allusion to Thomas Howard, 21st Earl of Arundel, a famous antiquarian and art collector of the day. Marmion also was influenced by a contemporary controversy: in 1629, King Charles I and his Privy Council developed a scheme to confiscate the collection of the celebrated antiquary Charles Cotton the elder. Synopsis Marmion set his play in Pisa (although, with references to the Rialto and the senate, he see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salisbury Court Theatre
The Salisbury Court Theatre was a theatre in 17th-century London. It was in the neighbourhood of Salisbury Court, which was formerly the London residence of the Bishops of Salisbury. Salisbury Court was acquired by Richard Sackville in 1564 during the last seven years of his life when he was Chancellor of the Exchequer under Queen Elizabeth; when Thomas Sackville was created Earl of Dorset in 1604, the building was renamed Dorset House. (His grandson, Edward Sackville, 4th Earl of Dorset, was Queen Henrietta Maria's Lord Chamberlain in the 1630s, and was a prime mover in theatre and drama in London in that era, including the force behind the founding of this theatre.) According to contemporary chronicler Edmund Howes, "a new faire Play-house" was erected in 1629, just to the west of the medieval walls of the City of London, between Fleet Street and the River Thames, in a building converted from a barn or granary in the grounds of Dorset House. An enclosed "private" venue lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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