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Sextet (Poulenc)
Francis Poulenc's ''Sextuor'' (Sextet), FP 100, is a chamber music piece written for a standard wind quintet ( flute, oboe, clarinet, bassoon, and French horn) and piano. Estimates about the time of its composition range from between 1931 and 1932 and 1932 alone. It received its debut in 1933 but was later revised in 1939. Performed in its entirety, the three-movement piece lasts approximately 18 minutes. Background Francis Poulenc, though rejected by the director of the Paris Conservatoire for the tendency of his compositional style to be overly progressive, was the most prolific member of the group of 20th-century French composers known as Les Six. In his Sextet there are obvious influences of the incidental music heard during the group's weekend visits to the circus as well as their general adherence to the melodic precedents set forth by Satie. Poulenc composed the piece around the same time as his cantata ''Le Bal Masqué'' and Concerto for Two Pianos. Structure and an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Nouvelles Littéraires
''Les Nouvelles littéraires'' was a French literary and artistic newspaper created in October 1922 by the Éditions Larousse. It disappeared in 1985 after having taken the title '. History ''Les Nouvelles littéraires'' were headed by from 1922 to 1936 then by André Gillon, and then his son Étienne Gillon. René Minguet was its director from 1971 to 1975 followed by from 1975 to 1983. The editors were successively Gilbert Charles, Frédéric Lefèvre from 1922 until 1949, from 1949 to 1962, and until its disestablishment in 1985. The magazine, at first artistic and literary, became interested in cinema and science afterwards. It ceased publication from 1940 until 1945. In 1924, the newspaper published an appendix entitled '' L'Art vivant''. Some collaborators * Raymond Woog * Jean-Louis Ezine * Michel Field * Jeanne Cressanges * Pierre Billard * Pierrette Micheloud * Pascal Mérigeau * Maurice Féaudierre * Madeleine Masson *Maryse Choisy Sources *1973: ''D'une rive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Temps
''Le Temps'' (literally "The Time") is a Swiss French-language daily newspaper published in Berliner format in Geneva by Le Temps SA. It is the sole nationwide French-language non-specialised daily newspaper of Switzerland. Since 2021, it has been owned by Fondation Aventinus, a not-for-profit organisation. According to the Research Department on Public Opinion and Society (FÖG) of the University of Zurich, it is of "high quality". History and profile First published on 18 March 1998, it is the result of the merger of three major newspapers from the Lake Geneva region: the '' Journal de Genève'', ''Gazette de Lausanne'' and '' Le Nouveau Quotidien.'' Previously owned by Ringier, it has been majority-owned by the not-for-profit Fondation Aventinus (95.5%). The remaining shares are held by the Groupe Le Monde (2.1%) and the employee-owned Société des rédacteurs et du personnel du Temps SA (2.4%). , the newspaper had around 120 employees, spread across newsrooms in Geneva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Florent Schmitt
Florent Schmitt (; 28 September 187017 August 1958) was a French composer. He was part of the group known as Les Apaches. His most famous pieces are ''La tragédie de Salome'' and ''Psaume XLVII'' (Psalm 47). He has been described as "one of the most fascinating of France's lesser-known classical composers". Biography Early life and career Born in Meurthe-et-Moselle, Schmitt took music lessons in Nancy with the local composer Gustave Sandré. At the age of 19 he entered the Paris Conservatoire, where he studied with Gabriel Fauré, Jules Massenet, Théodore Dubois, and Albert Lavignac. In 1900 he won the Prix de Rome. During the 1890s he became friendly with Frederick Delius, who was living in Paris at the time, and Schmitt prepared vocal scores for four of Delius's operas: ''Irmelin'', ''The Magic Fountain'', ''Koanga'' and ''A Village Romeo and Juliet''. From 1929 to 1939 Schmitt worked as a music critic for ''Le Temps'', where he proved controversial. He was known to shout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Cahuzac
Louis (Jean Baptiste) Cahuzac (12 July 1880 – 9 August 1960) was a French people, French clarinetist and composer. Cahuzac was an outstanding performer and one of the few clarinetists who made a career as a soloist in the first part of the 20th century. Life and career Louis Cahuzac was born in Quarante, in Languedoc, in the south of France. His teachers were Felix Pagès in Toulouse conservatoire and Cyrille Rose in the Paris Conservatory. Cahuzac made the first recording of Carl Nielsen's Clarinet Concerto (Nielsen), Clarinet Concerto, a piece originally written for the Danish clarinetist Aage Oxenvad. On 22 November 1956, at the age of 76, he recorded the Clarinet Concerto (Hindemith), Clarinet Concerto in A major by Paul Hindemith for the EMI, EMI music label under the composer's baton. He was a great teacher also and many students became famous like Eduard Brunner (Munich's Bavarian Radio Symphony), Yona Ettlinger, Hans Rudolph Stalder, Gervase de Peyer, André Bout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Moyse
Marcel Moyse (pron. ''moh-EEZ''; May 17, 1889, in St. Amour, France – November 1, 1984, in Brattleboro, Vermont, United States) was a French flautist. Moyse studied at the Paris Conservatory and was a student of Philippe Gaubert, Adolphe Hennebains, and Paul Taffanel; all of whom were flute virtuosos in their time. Moyse played principal flute in various Paris orchestras and appeared widely as a soloist and made many recordings. His trademark tone was clear, flexible, penetrating, and controlled by a fast vibrato. This was a characteristic of the 'French style' of flute playing that was to influence the modern standard for flutists worldwide. Moyse taught on the faculty of the Conservatoire de musique du Québec à Montréal, and was a founder of the Marlboro Music School and festival in Vermont. Moyse strove to teach his students "not how to play the flute, but to make music". Among his students were James Galway, Paula Robison, Trevor Wye, William Bennett, Carol Wincenc, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rondo
The rondo is an instrumental musical form introduced in the Classical period. Etymology The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round". Despite the common etymological root, rondo and rondeau as musical forms are essentially different. Rondeau is a ''vocal'' musical form that was originally developed as monophonic music (in the 13th century) and then as polyphonic music (in the 14th century). Notably, both vocal forms of rondeau nearly disappeared from the repertoire by the beginning of the 16th century. In French, ''rondeau'' is used for both forms, while in English ''rondeau'' is generally used for the ''vocal'' musical form, while ''rondo'' is used for the ''instrumental'' musical form.Don Neville, "Rondò", ''The New Grove Dictionary of Opera'', 4 vols., edited by Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rounded Binary Form
Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B. Binary form was popular during the Baroque period, often used to structure movements of keyboard sonatas. It was also used for short, one-movement works. Around the middle of the 18th century, the form largely fell from use as the principal design of entire movements as sonata form and organic development gained prominence. When it is found in later works, it usually takes the form of the theme in a set of variations, or the Minuet, Scherzo, or Trio sections of a "minuet and trio" or "scherzo and trio" movement in a sonata, symphony, etc. Many larger forms incorporate binary structures, and many more complicated forms (such as the 18th-century sonata form) share certain characteristics with binary form. Structure A typical example of a piece in binary form has two large sections of roughl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divertissement
''Divertissement'' (from the French 'diversion' or 'amusement') is used, in a similar sense to the Italian 'divertimento', for a light piece of music for a small group of players, however the French term has additional meanings. During the 17th and 18th century, the term implied incidental aspects of an entertainment (usually involving singing and dancing) that might be inserted in an opera or ballet or other stage performance. In the operas produced by the Académie Royale de Musique, both tragédies lyriques and comédies lyriques, these 'divertissements' were sometimes linked to the main plot, or performed at the close of the performance. (Similar examples during the 19th century include Charles Gounod's opera ''Faust'' and Delibes's ballet ''Coppélia''.) Special entertainments of a similar kind given ''between'' the acts of an opera were called 'intermèdes'. The term is also sometimes used for a ballet suite of loosely connected dances. One 20th-century example is Jacques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
