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Sewamono
''Sewamono'' (世話物) is a genre of contemporary setting plays in Japanese traditional theatre. The term applies to both bunraku and kabuki. The genre is in contrast to "period setting plays" or jidaimono are Japanese kabuki or plays that feature historical plots and characters, often famous samurai battles. These are in contrast to , contemporary plays, which generally focus on commoners and domestic issues. is usually translated as "period pla .... Though the distinction between "historical" and "contemporary" is not exact, and there are also plays that do not fit either category. Sewamono plays are naturalistic and set in contemporary normal environments rather the historical and samurai plays typical of the bombastic aragoto style. In the conflicted lovers genre, such as '' The Love Suicides at Sonezaki'', conflict between emotions (''ninjo'') and social pressure (''giri'') form the motor of the plot. The engirimono, cut-knot-thing meaning “drama of cutting the love ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jidaimono
are Japanese kabuki or plays that feature historical plots and characters, often famous samurai battles. These are in contrast to , contemporary plays, which generally focus on commoners and domestic issues. is usually translated as "period plays". Film and television productions in this mode are called , and share many of the same features. Overview As the stereotypical audience for and kabuki were the merchant classes () of Edo period Japan, stories involving court nobles and heroic samurai were somewhat far removed from daily life, and the more everyday stories that dealt with contemporary, urban themes. Even though many of the viewers may have been samurai, the Edo period in which these plays were largely composed and performed was a period of peace, and so the notion of fierce battles and heroic sacrifices represented something of a romanticised escape in fiction. Stories were almost always derived from classic epics () or other historical sources, often with elements cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love Suicides At Sonezaki
''The Love Suicides at Sonezaki'' (曾根崎心中, ''Sonezaki Shinjū'') is a jōruri play by the Japanese playwright Chikamatsu Monzaemon. The double suicides that occurred on May 22, 1703 inspired Chikamatsu to write this play and thus ''The Love Suicides at Sonezaki'' made its debut performance on June 20, 1703. Chikamatsu added new scenes in the 1717 revival including the villain's punishment. ''The Love Suicides at Sonezaki'''s reception was popular and helped springboard Chikamatsu's future success as a playwright. In the first year alone since the play's premirere, no less than seventeen couples committed double suicide. In fact, the bakufu banned Chikamatsu's shinjū plays in 1722 because of their content's popularity. ''The Love Suicides at Sonezaki'' was Chikamatsu's first "domestic tragedy" or "domestic play" (''sewamono'') and his first love-suicide play (shinjūmono). Until this play, the common topic for jōruri was jidaimono or "history plays" while kabuki perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namiki Gohei I
Namiki Gohei I ( ja, 並木五瓶初代; 1747 – June 2, 1808) was a Kabuki playwright active in Kyoto, Edo and Osaka. He wrote over 100 plays, mostly in the genres of '' jidai-mono'' (historical) and '' sewa-mono'' (current events). Born in the Doshōmachi district in Osaka in 1747, Gohei was a student of the playwright Namiki Shōzō I. By 1775 he was already the main playwright for the Hayakumo-za Kabuki theatre in Kyoto Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the ci .... Two of his plays have been translated into English, ''The Temple Gate and the Paulownia Crest'' (1778, translated by Alan Cummings) and ''Five Great Powers that Secure Love'' (1794, translated by Julie A. Iezzi), both in ''Kabuki Plays on Stage II: Villainy and Vengeance, 1773-1799'', edited by James R. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
