Sessho-seki
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Sessho-seki
The , or "Killing Stone", is a stone in the volcanic mountains of Nasu, Tochigi, Nasu, an area of Tochigi Prefecture, Japan, that is famous for sulphurous Onsen, hot springs. In Japanese mythology, the stone is said to kill anyone who comes into contact with it. In Japan, rocks and large stones in areas where Volcanic gas, volcanic toxic gases are generated are often named ''Sessho-seki'' (殺生石), meaning Killing Stone, and the representative of such stones is this one associated with the legend of Tamamo-no-Mae and the Kitsune, nine-tailed fox.Sessho-seki.
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Legend

The stone is believed to be the transformed corpse of Tamamo-no-Mae, a beautiful woman who was exposed as a Kitsune, nine-tailed fox working for an evil ''daimyō'' plotting to kill E ...
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Kitsune
In Japanese folklore, , are foxes that possess paranormal abilities that increase as they get older and wiser. According to ''yōkai'' folklore, all foxes have the ability to shapeshift into human form. While some folktales speak of employing this ability to trick others—as foxes in folklore often do—other stories portray them as faithful guardians, friends, and lovers. Foxes and humans lived close together in ancient Japan; this companionship gave rise to legends about the creatures. have become closely associated with Inari, a Shinto or spirit, and serve as its messengers. This role has reinforced the fox's supernatural significance. The more tails a has—they may have as many as nine—the older, wiser, and more powerful it is. Because of their potential power and influence, some people make sacrifices to them as to a deity. Conversely foxes were often seen as " witch animals", especially during the Edo period (1603–1867), and were thought of as goblins who could ...
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Tamamo-no-Mae
Tamamo-no-Mae (, , also ) is a legendary figure in Japanese mythology. One of the stories explaining the legend comes from Muromachi period genre fiction called '' otogizōshi''. In the otogizōshi Tamamo-no-Mae was a courtesan under the Japanese Emperor Konoe (who reigned from 1142 through 1155). Legends Stories of Tamamo-no-Mae being a legendary fox spirit appear during the Muromachi period as otogizōshi (prose narratives), and were also mentioned by Toriyama Sekien in ''Konjaku Hyakki Shūi''. Edo period folklore then conflated the legend with similar foreign stories about fox spirits corrupting rulers, causing chaos in their territories. In the story told by Hokusai, formed in the Edo period, the nine-tailed fox first appeared in China and possessed Daji, a concubine of the Shang dynasty's last ruler King Zhou. She enchanted the king and brought on a reign of terror that led to a rebellion that ended the Shang dynasty. The fox spirit fled to Magadha of Tianzhu (ancient ...
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Nasu, Tochigi
270px, Panorama of Yumoto area of Nasu is a town located in Tochigi Prefecture, Japan. , the town had an estimated population of 24,851 in 10,400 households, and a population density of 67 persons per km². The total area of the town is . Geography Nasu is located in the mountainous far northeast of Tochigi Prefecture. The Naka River runs through the southwestern portion of the town and the Kurokawa River through the northeast. Surrounding municipalities Tochigi Prefecture * Ōtawara * Nasushiobara Fukushima Prefecture * Shirakawa * Tanagura * Nishigō Climate Nasu has a Humid continental climate (Köppen ''Dfb'') characterized by warm summers and cold winters with heavy snowfall. The average annual temperature in Nasu is . The average annual rainfall is with July as the wettest month. The temperatures are highest on average in August, at around , and lowest in January, at around . Demographics Per Japanese census data, the population of Nasu has declined slowly over ...
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Noh Plays
is a major form of classical Japanese dance-drama that has been performed since the 14th century. Developed by Kan'ami and his son Zeami, it is the oldest major theatre art that is still regularly performed today. Although the terms Noh and '' nōgaku'' are sometimes used interchangeably, ''nōgaku'' encompasses both Noh and ''kyōgen''. Traditionally, a full ''nōgaku'' program included several Noh plays with comedic ''kyōgen'' plays in between; an abbreviated program of two Noh plays with one ''kyōgen'' piece has become common today. Optionally, the ritual performance ''Okina'' may be presented in the very beginning of ''nōgaku'' presentation. Noh is often based on tales from traditional literature with a supernatural being transformed into human form as a hero narrating a story. Noh integrates masks, costumes and various props in a dance-based performance, requiring highly trained actors and musicians. Emotions are primarily conveyed by stylized conventional gestures whi ...
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Mythological Objects
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soci ...
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Tsukioka Yoshitoshi
Tsukioka Yoshitoshi ( ja, 月岡 芳年; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker. Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods li ...
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Toriyama Sekien
200px, A Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama">Miage-nyūdō.html" ;"title="Mikoshi-nyūdō, specifically a Miage-nyūdō">Mikoshi-nyūdō, specifically a Miage-nyūdō, as portrayed by Toriyama , real name Sano Toyofusa, was an 18th-century scholar, ''kyōka'' poet, and ''ukiyo-e'' artist of Japanese folklore. Born to a family of high-ranking servants to the Tokugawa shogunate, he was trained by Kanō school artists Kanō Gyokuen and Kanō Chikanobu, although he was never officially recognized as a Kanō school painter. Art career After retiring from service to the shogunate, he became a teacher to numerous apprentices in poetry and painting. He was among the first to apply Kanō techniques to ''ukiyo-e'' printmaking, inventing key new techniques along the way, such as ''fuki-bokashi'', which allowed for replicating color gradations. Most famously, he was the teacher of Kitagawa Utamaro and Utagawa Toyoharu. Sekien is best known for his mass-pro ...
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Kido Okamoto
was a Japanese author. His real name was . His best known work is the Shin Kabuki play Bancho Sarayashiki. Kido was born in the district of Shiba Takanawa, a neighbourhood in Minato Ward, Tōkyō Family Kido’s father, Okamoto Keinosuke (岡本佳之助) (later Kiyoshi - 清), was a samurai who, after the Meiji Restoration left the service of the Tokugawa Shōgunate and went to work for the British Legation as an interpreter. He was good friends with Ichikawa Danjūrō IX (九代目市川團十 - Kudaime Ichikawa Danjūrō), Konakamura Kiyonori (小中村清矩), Kawanobe Mitate (川辺御楯) anKurokawa Mayori (黒川真頼)who together formed the Antiquarian Society (Kyūko Kai - 求古会) to promote the modernisation of Kabuki based on the doctrine of the Theatre Reform Movement (Engeki Kairyō Kai - 演劇改良運動). He was also friends witMorita Kan’ya XII (十二代目守田勘弥)the owner-manager (zamoto -座元) of the Shintomiza Theatre, an employee of th ...
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