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Serenade For Strings (Elgar)
The Serenade for String Orchestra in E minor, Op. 20, is an early piece in three short movements, by Edward Elgar. It was written in March 1892 and first performed privately in that year; its public premiere was in 1896. It became one of Elgar's most popular compositions, and has been recorded many times. Background and first performances In 1892 Elgar had yet to achieve the public recognition that came to him by the end of the decade. His compositions did not earn him enough to support his wife and daughter; he earned most of his living conducting local musical ensembles and teaching in his native Worcestershire, while continuing to compose. The Serenade for Strings may be a revised version of an earlier set of ''Three Sketches for Strings'', performed in May 1888 at a concert of the Worcestershire Musical Union. The sketches had the individual titles "Spring Song" (Allegro), "Elegy" (Adagio) and Finale (Presto); the manuscript of the ''Three Sketches'' does not survive, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United States Army Band
The United States Army Band, also known as "Pershing's Own", is the premier musical organization of the United States Army, founded in 1922. There are currently nine official performing ensembles in the unit: The U.S. Army Concert Band, The U.S. Army Ceremonial Band, The U.S. Army Chorus, The U.S. Army Blues, The U.S. Army Band Downrange, The U.S. Army Herald Trumpets, The U.S. Army Strings, The U.S. Army Voices, and The U.S. Army Brass Quintet. History The United States Army Band was established on 25 January 1922 by General of the Armies John J. Pershing, Army Chief of Staff in emulation of European military bands he heard during World War I. In its early years, the band was featured on RCA, CBS, the Mutual Broadcasting Network, and other networks. The band also completed four national tours between 1928 and 1931 and was noted for its professionalism during a trip to Spain for the Ibero-American Exposition of 1929. In June 1943, the United States Army Band was called overse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrance Collingwood
Lawrance Arthur Collingwood CBE (14 March 1887 – 19 December 1982) was an English conductor, composer and record producer. Career Collingwood was born in London and attended Westminster Choir School, beginning his musical career as a choirboy at Westminster Abbey from 1897 to 1902.Walker, Malcolm. Lawrance Collingwood. ''Classical Recordings Quarterly.'' Summer 2014, No 77, pp. 39–44. Around 1903 he attended High Wycombe Royal Grammar School. Appointed organist at St Thomas's Hospital and then at All Saints, Gospel Oak, he studied at the Guildhall School of Music and Exeter College (1907–1911), where he was organ scholar. In the autumn of 1911 he went to Russia and enrolled at the Saint Petersburg Conservatory where he studied under Alexander Glazunov, Maximilian Steinberg and Nikolai Tcherepnin. After graduating Collingwood returned to England in 1918 to begin military service but went back to Russia and worked for some years as assistant conductor to Albert Coates at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Thomas Beecham
Sir Thomas Beecham, 2nd Baronet, Order of the Companions of Honour, CH (29 April 18798 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic Orchestra, London Philharmonic and the Royal Philharmonic Orchestra, Royal Philharmonic orchestras. He was also closely associated with the Royal Liverpool Philharmonic, Liverpool Philharmonic and The Hallé, Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of United Kingdom, Britain and, according to the BBC, was Britain's first international conductor. Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at Royal Opera House, Covent Garden, Theatre Royal, Drury Lane, Drury Lane and Her Majesty's Theatre, His Majesty's Theatre with international stars, his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Philharmonic
The Royal Philharmonic Orchestra (RPO) is a British symphony orchestra based in London, that performs and produces primarily classic works. The RPO was established by Thomas Beecham in 1946. In its early days, the orchestra secured profitable recording contracts and important engagements including the Glyndebourne Festival Opera and the concerts of the Royal Philharmonic Society. After Beecham's death in 1961, the RPO's fortunes declined steeply. The RPO battled for survival until the mid-1960s, when its future was secured after a report by the Arts Council of Great Britain recommended that it should receive public subsidy. A further crisis arose in the same era when it seemed that the orchestra's right to call itself "Royal" could be withdrawn. In 2004, the RPO acquired its first permanent London base, at Cadogan Hall in Chelsea, London, Chelsea. The RPO also gives concerts at the Royal Festival Hall, the Royal Albert Hall and venues around the UK and other countries. The cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Goehr
Walter Goehr (; 28 May 19034 December 1960) was a German composer and conductor. Biography Goehr was born in Berlin, where he studied with Arnold Schoenberg and embarked on a conducting career, before being forced as a Jew to seek employment outside Germany after working for Berlin Radio in 1932. He was invited to become music director for the Gramophone Company (later EMI), so he moved to London. In 1937, he conducted the London Philharmonic Orchestra in the premiere recording of Bizet's Symphony in C. During his years as a staff conductor for EMI, he conducted the orchestra for many recordings, including accompaniments for arias sung by Beniamino Gigli, Richard Tauber and Joseph Schmidt. In more popular items, his name appears on the record labels as 'G. Walter' or 'George Walter'. In addition, he conducted for many concerto recordings, including some by Benno Moiseiwitsch, Myra Hess and others. After the war he conducted for several smaller recording companies based in Europe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Collins (composer)
Anthony Vincent Benedictus Collins (3 September 189311 December 1963) was a British composer and conductor. He scored around 30 films in the US and the UK between 1937 and 1954, and composed the British light music classic ''Vanity Fair'' in 1952. His Decca Records, Decca recordings of the seven Sibelius symphonies was the second cycle by a single conductor and orchestra released.Michael Kennedy (music critic), Kennedy, Michael (2006). ''The Oxford Dictionary of Music''. Biography Collins was born in Hastings, East Sussex, in 1893. At the age of seventeen he began to perform as violinist in the Hastings Municipal Orchestra. He then served four years in the British Army, army. Beginning in 1920 he studied violin with Achille Rivarde and composition with Gustav Holst at the Royal College of Music. In 1926, he began his musical career performing as principal viola in the London Symphony Orchestra. For ten years he performed in that orchestra and also in the Royal Opera House Cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Philharmonic Orchestra
The London Philharmonic Orchestra (LPO) is one of five permanent symphony orchestras based in London. It was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras. The founders' ambition was to build an orchestra the equal of any European or American rival. Between 1932 and the Second World War the LPO was widely judged to have succeeded in this regard. After the outbreak of war, the orchestra's private backers withdrew and the players reconstituted the LPO as a self-governing cooperative. In the post-war years, the orchestra faced challenges from two new rivals; the Philharmonia and the Royal Philharmonic, founded respectively in 1946 and 1947, achieved a quality of playing not matched by the older orchestras, including the LPO. By the 1960s the LPO had regained its earlier standards, and in 1964 it secured a valuable engagement to play in the Glyndebourne Festival during the summer mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegretto
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larghetto
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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