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Serbian Rock Music
Serbian rock is the rock music scene of Serbia. During the 1960s, 1970s and the 1980s, while Serbia was a constituent republic of Socialist Federal Republic of Yugoslavia, Serbian rock scene was a part of the SFR Yugoslav rock scene. The Socialist Federal Republic of Yugoslavia was not an Eastern Bloc country, but a member of the Non-Aligned Movement and as such, it was far more open to the Western culture comparing to the other socialist countries. Rock and roll reached Yugoslavia via foreign radio stations, most notably Radio Luxemburg, and rock and roll records, brought in from the West."In Memoriam: intervju sa Nikolom Karaklajićem", timemachinemusic.org Rock and roll influences reached [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serbia
Serbia (, ; Serbian language, Serbian: , , ), officially the Republic of Serbia (Serbian language, Serbian: , , ), is a landlocked country in Southeast Europe, Southeastern and Central Europe, situated at the crossroads of the Pannonian Basin and the Balkans. It shares land borders with Hungary to the north, Romania to the northeast, Bulgaria to the southeast, North Macedonia to the south, Croatia and Bosnia and Herzegovina to the west, and Montenegro to the southwest, and claims a border with Albania through the Political status of Kosovo, disputed territory of Kosovo. Serbia without Kosovo has about 6.7 million inhabitants, about 8.4 million if Kosvo is included. Its capital Belgrade is also the List of cities in Serbia, largest city. Continuously inhabited since the Paleolithic Age, the territory of modern-day Serbia faced Slavs#Migrations, Slavic migrations in the 6th century, establishing several regional Principality of Serbia (early medieval), states in the early Mid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of "art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idoli
Idoli ( sr-cyr, Идоли; trans. The Idols) were a Serbian new wave band from Belgrade. They are considered to be one of the most notable acts of the Yugoslav rock scene, and their 1982 album ''Odbrana i poslednji dani'' was on several occasions voted by the music critics as the greatest Yugoslav rock album. History Merlin and Zvuk Ulice The roots of Idoli can be found in a band called Merlin (not to be confused with the Sarajevo pop rock band of the same name) and then Zvuk Ulice consisting of Vlada Divljan on guitar and vocals, bassist Zdenko Kolar, keyboard player Dragan Mitrić, drummer Kokan Popović, Bora Antić on saxophone and Dragana Milković on piano and vocals. The band played a combination of jazz and pop rock. Besides performing cover versions of notable foreign bands from the sixties, the band wrote their own songs. In 1978, the band performed at the Novi Sad BOOM Festival and at the Zaječar Gitarijada feastival. Even though the band had several recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Električni Orgazam
Električni Orgazam ( sr-cyr, Електрични Оргазам, lit=Electric Orgasm, translit=) is a Serbian rock band from Belgrade. Originally starting as a combination of new wave, punk rock and post-punk, the band later slowly changed their style, becoming a mainstream rock act. They were one of the most notable acts of the former Yugoslav rock scene. History New wave years (1980–1983) The melodic hard rock band Hipnotisano Pile (''Hypnotized Chicken''), formed in 1979, which got the name by the line from the Iggy Pop song " Lust For Life", consisted of Srđan Gojković "Gile" (drums), Ljubomir Jovanović "Jovec" (guitar), Bojan Banović (vocals), Vladan Stepanović (guitar), "Džo" Otašević (keyboards). The band performed their own material, mainly written by Banović, on Guitar festivals in Belgrade. In mid-January 1980, at the Mornar bistro, after a Leb i Sol concert held at the Belgrade Dom Sindikata, Hipnotisano Pile members, drummer Gojković and guitaris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата; trans. ''Charlot the Acrobat'', a Serbo-Croatian language version of Charlie Chaplin's name in the Kingdom of Yugoslavia) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво; trans. ''Lemon Tree''), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir Mihajlović "Gagi", after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan Kojić "Koja" and drummer Ivan Vdović "VD". After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pekinška Patka
Pekinška Patka (Serbian Cyrillic: Пекиншка Патка; trans. ''Peking Duck'') is an eminent Serbian and former Yugoslav punk rock band from Novi Sad. Their debut album, ''Plitka poezija'', released in 1980, is considered the first punk rock album by a band coming from Serbia. Being one of the first punk acts in Yugoslavia, they played a major role in opening doors for many bands that came after. On their second and final album, '' Strah od monotonije'', released in 1981, they turned towards post-punk and darkwave sound, disbanding during the same year. In 2008, the band reunited to perform on the main stage of Exit Festival alongside Sex Pistols, and in 2010, they reunited once again, continuing their activity. History Trafo, Café Express, band formation Pekinška Patka's roots are found in Trafo, a short-lived cover band formed in 1976 by electric guitarist Sreten Kovačević with Nebojša Čonkić providing the vocals. Further featuring Štrc on bass and Zare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music In Yugoslavia
New wave in Yugoslavia ( sr-Cyrl-Latn, Нови талас, Novi talas; hr, Novi val; sl, Novi val; mk, Нов бран) was the new wave music scene of the Socialist Federal Republic of Yugoslavia. As its counterparts, the British and the American new wave, from which the main influences came, the Yugoslav scene was also closely related to punk rock, ska, reggae, 2 Tone, power pop and mod revival. Some of its acts are also counted as belonging to the Yugoslav punk scene which already existed prior to new wave. Such artists were labeled as both punk rock and new wave (the term "new wave" was initially interchangeable with "punk"). Overview The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc and it was open to western influences (the West to some extent even supported Yugoslavia as a " buffer zone" to the Warsaw Pact). The new wave scene in Yugoslavia emerged in the late 1970s and had a significant impact on the Yugoslav culture. The Yugoslav rock scene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punk Rock In Yugoslavia
Punk rock in Yugoslavia was the punk subculture of the former Socialist Federal Republic of Yugoslavia. The most developed scenes across the federation existed in the Socialist Republic of Slovenia, the Adriatic coast of the Socialist Republic of Croatia, the Socialist Autonomous Province of Vojvodina and Belgrade, the capital of both Yugoslavia and the Socialist Republic of Serbia. Some notable acts included: Pankrti, Paraf, Pekinška patka, KUD Idijoti, Niet, Patareni and KBO!. History Although a communist country, the non-aligned SFR Yugoslavia was not part of the Eastern Bloc and it was open to western influences. The Yugoslav rock scene was well developed and covered in the media. The punk scene emerged in the late 1970s, influenced by the first wave of punk rock bands from the United Kingdom and the United States, such as the Sex Pistols, The Clash and the Ramones. The DIY punkzine scene also began to develop. The Yugoslav punk rock bands were the first ones formed in a comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riblja Čorba
Riblja Čorba ( sr-Cyrl, Рибља Чорба, pronounced ; translation: lit. ''Fish Stew'') is a Serbian and former Yugoslav rock band formed in Belgrade in 1978. The band was one of the most popular and most influential acts of the Yugoslav rock scene. Riblja Čorba was formed in 1978 by vocalist Bora Đorđević, guitarist Rajko Kojić, bass guitarist Miša Aleksić and drummer Vicko Milatović. Their debut release, the single "Lutka sa naslovne strane" (1978), saw huge success and launched them to fame. They were soon joined by guitarist Momčilo Bajagić "Bajaga", the new lineup releasing the album ''Kost u grlu'' (1979), which was, largely due to Đorđević's social-related lyrics, a huge commercial and critical success. Their following releases, '' Pokvarena mašta i prljave strasti'' (1981), ''Mrtva priroda'' (1981) and '' Buvlja pijaca'' (1982) launched them to the top of the Yugoslav rock scene; Đorđević's provocative social- and political-related lyrics were pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smak
Smak ( sr-Cyrl, Смак; trans. ''The end time'') was a Serbian and Yugoslav band from Kragujevac. The group reached the peak of popularity in the 1970s when it was one of the most notable acts of the former Yugoslav rock scene. The band's leader, guitarist Radomir Mihailović, nicknamed Točak ("The Wheel"), is considered one of the most influential guitarists on the former Yugoslav rock scene. Formed in 1971 by the guitarist Radomir "Točak" Mihajlović and drummer Slobodan "Kepa" Stojanović, the band did not get a stable lineup until 1975 by which time bassist Zoran Milanović, vocalist Boris Aranđelović and keyboard player Laza Ristovski became the band's official members. However, after recording their eponymous debut album, Ristovski left and the remaining quartet recorded their subsequent albums with various keyboardists before disbanding in 1981. After brief reunions between 1986 and 1992, the two founding members, Mihajlović and Stojanović, reestablished the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
