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Septuple Meter
Septuple meter (British: metre) or (chiefly British) septuple time is a meter with each bar (American: measure) divided into 7 notes of equal duration, usually or (or in compound meter, time). The stress pattern can be , , or occasionally , although a survey of certain forms of mostly American popular music suggests that is the most common among these three in these styles. A time signature of , however, does not necessarily mean that the bar is a compound septuple meter with seven beats, each divided into three. This signature may, for example, be used to indicate a bar of triple meter in which each beat is subdivided into seven parts. In this case, the meter is sometimes characterized as "triple septuple time". It is also possible for a time signature to be used for an irregular, or "additive" metrical pattern, such as groupings of eighth notes. Septuple meter can also be notated by using regularly ''alternating'' bars of triple and duple or quadruple meters, for examp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usul (music)
{{refimprove, date=January 2011 In Ottoman classical music, ''usul'' is an underlying rhythmic cycle that complements the melodic rhythm and sometimes helps shape the overall structure of a composition. An usul can be as short as two beats or as long as 128 beats. Usul is often translated as "meter", but usul and meter are not exactly the same. Both are repeating rhythmic patterns with more or less complex inner structures of beats of differing duration and weight. But a student learning Turkish music in the traditional ''meşk'' system first memorizes the usul kinetically by striking the knees with the hands. The student then sings the vocal or instrumental composition while performing the underlying usul. This pedagogical system helps the student memorize the composition while internalizing the underlying rhythmic structure. Usul patterns have standard pronounceable vocables built from combinations of the syllables ''düm'', ''dü-üm'', ''tek'', ''tekkyaa'', ''teke'', ''te-ek'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Valentin Alkan
Charles-Valentin Alkan (; 30 November 1813 – 29 March 1888) was a French Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the mino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Reicha
Anton (Antonín, Antoine) Joseph Reicha (Rejcha) (26 February 1770 – 28 May 1836) was a Czech-born, Bavarian-educated, later naturalized French composer and music theorist. A contemporary and lifelong friend of Beethoven, he is now best remembered for his substantial early contributions to the wind quintet literature and his role as teacher of pupils including Franz Liszt, Hector Berlioz and César Franck. He was also an accomplished theorist, and wrote several treatises on various aspects of composition. Some of his theoretical work dealt with experimental methods of composition, which he applied in a variety of works such as fugues and études for piano and string quartet. None of the advanced ideas he advocated in the most radical of his music and writings, such as polyrhythm, polytonality and microtonal music, were accepted or employed by other nineteenth-century composers. Due to Reicha's unwillingness to have his music published (like Michael Haydn before him), he fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
36 Fugues (Reicha)
36 Fugues, sometimes assigned opus number 36, is a cycle of fugues for piano composed by Anton Reicha. It was first published by the composer in 1803 and served as an illustration of a ''nouveau système'' (Fr. "new system") Reicha invented for fugue composition. This system involved, among other things, extensive use of polyrhythms, derived from traditional music, and fugal answers on any and all Degree (music), scale degrees, rather than just the Dominant (music), dominant, which was standard at the time. Historical background Reicha most probably started composing the fugues during his short stay in Hamburg. In 1799 he moved to Paris and soon published a collection of twelve fugues there, all of which were subsequently included in ''36 Fugues'' (as numbers 1, 2, 4, 8, 20–23, 25–27 and 35).Stone, Grove By 1802 Reicha moved to Vienna, but the same year two more works that would later be included in the collection were published in Paris. These were a ''fantaisie'' from ''Etud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalamatianos
The Kalamatianós ( el, Καλαματιανός) is one of the best known dances of Greece. It is a popular Greek folkdance throughout Greece, Cyprus and internationally and is often performed at many social gatherings worldwide. As is the case with most Greek folk dances, it is danced in chain with a counterclockwise rotation, the dancers holding hands. It is a joyous and festive dance; its musical beat is , subdivided into of three parts of 3+2+2 beats, corresponding to 3 steps per bar. There are 12 steps in the dance corresponding to 4 bars of music. These steps include 10 steps counterclockwise ("forward") followed by 2 steps clockwise ("backwards"). Depending on the occasion and the dancers' proficiency, certain steps may be taken as jumps or squats. The lead dancer usually holds the second dancer by a handkerchief, this allowing him or her to perform more elaborate steps and acrobatics. The steps of the Kalamatianós are the same as those of the Syrtos, but the l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Parnassus
Mount Parnassus (; el, Παρνασσός, ''Parnassós'') is a mountain range of central Greece that is and historically has been especially valuable to the Greek nation and the earlier Greek city-states for many reasons. In peace, it offers scenic views of the countryside, being a major international recreational site, with views of montane landscapes. Economically its rolling foothills and valleys host extensive groves of olive, a cash crop marketed world-wide since prehistory. The mountain is also the location of historical, archaeological, and other cultural sites, such as Delphi perched on the southern slopes of the mountain in a rift valley north of the Gulf of Corinth. Parnassus is laced with trails for hiking in the three warm seasons. In the winter the entire range is open to skiing, especially from the resorts of Arachova. Its melting snows are a source of municipal water to the surrounding communities. The mountain is composed of limestone, but also contains bauxit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Microtonal Music
Microtonal music or microtonality is the use in music of microtones—intervals smaller than a semitone, also called "microintervals". It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave. In other words, a microtone may be thought of as a note that falls between the keys of a piano tuned in equal temperament. In ''Revising the musical equal temperament,'' Haye Hinrichsen defines equal temperament as “the frequency ratios of all intervals are invariant under transposition (translational shifts along the keyboard), i.e., to be constant. The standard twelve-tone ''equal temperament'' (ET), which was originally invented in ancient China and rediscovered in Europe in the 16th century, is determined by two additional conditions. Firstly the octave is divided into twelve semitones. Secondly the octave, the most fundamental of all intervals, is postulated to be pure (beatless), as described by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albania
Albania ( ; sq, Shqipëri or ), or , also or . officially the Republic of Albania ( sq, Republika e Shqipërisë), is a country in Southeastern Europe. It is located on the Adriatic and Ionian Seas within the Mediterranean Sea and shares land borders with Montenegro to the northwest, Kosovo to the northeast, North Macedonia to the east and Greece to the south. Tirana is its capital and largest city, followed by Durrës, Vlorë, and Shkodër. Albania displays varied climatic, geological, hydrological, and morphological conditions, defined in an area of . It possesses significant diversity with the landscape ranging from the snow-capped mountains in the Albanian Alps as well as the Korab, Skanderbeg, Pindus and Ceraunian Mountains to the hot and sunny coasts of the Albanian Adriatic and Ionian Sea along the Mediterranean Sea. Albania has been inhabited by different civilisations over time, such as the Illyrians, Thracians, Greeks, Romans, Byzantines, Venetians, and Ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epirus
sq, Epiri rup, Epiru , native_name_lang = , settlement_type = Historical region , image_map = Epirus antiquus tabula.jpg , map_alt = , map_caption = Map of ancient Epirus by Heinrich Kiepert, 1902 , coordinates = , coor_pinpoint = , coordinates_footnotes = , subdivision_type = Present status , subdivision_name = Divided between Greece and Albania [Baidu] |
Koliada
Koliada or koleda (Cyrillic: коляда, коледа, колада, коледе) is the traditional Slavic name for the period from Christmas to Epiphany or, more generally, to Slavic Christmas-related rituals, some dating to pre-Christian times. It represents a festival or holiday, celebrated at the end of December to honor the sun during the winter solstice. It also involves groups of singers who visit houses to sing carols. Terminology The word is still used in modern Ukrainian ("Коляда", Koliadá), Belarusian (''Каляда'', Kalada, Kaliada), Polish (Szczodre Gody ''kolęda'' ), Bulgarian, Macedonian, Serbo-Croatian (''Коледа, Коледе, koleda, kolenda''), Lithuanian (''Kalėdos, Kalėda''), Czech, Slovak, Slovene (''koleda'') and Romanian (''Colindă''). The word used in Old Church Slavonic language (Колѧда - Kolęnda) sounds closest to the current Polish language pronunciation, as Polish is one of two Slavic languages which retains the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirin
, photo=Pirin-mountains-Bansko.jpg , photo_caption=Pirin scenery in winter , country= Bulgaria, , parent= , geology= granite, gneiss, marble, limestone , area_km2=2585 , range_coordinates = , length_km=80 , length_orientation= north-south , width_km=40 , width_orientation= north-south , highest= Vihren , elevation_m=2915 , coordinates = , map_image=Bulgaria Pirin mountain geographic map bg.svg The Pirin Mountains ( bg, Пирин ) are a mountain range in southwestern Bulgaria, with Vihren at an altitude of 2,914 m being the highest peak. The range extends about 80 km from the north-west to the south-east and is about 40 km wide, spanning a territory of . To the north Pirin is separated from Bulgaria's highest mountain range, the Rila Mountain, by the Predel saddle, while to the south it reaches the Slavyanka Mountain. To the west is located the valley of the river Struma and to the east the valley of the river Mesta separates it from the Rh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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