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Sepid Persian Poetry
''Sepid'' poetry (''sepid'', "white") or "White Poetry" is a free verse movement of Modern Persian poetry that departs from Classical Persian Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and u ... prosody and adopts "new content, viewpoint, and diction". Ahmad Shamloo is considered the founder of the White Poetry movement,Anthony Appiah and Diana Ayton-Shenker, "On the Death of a Prominent Contemporary Poet", ''The Poetry of Central California'' which came to its mature form and general acceptance after Bijan Jalali. For the last two decades of his life, Manouchehr Atashi was also involved in ''Sepid'' poetry. Notes {{poetry-stub Persian literature Poetry movements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French '' vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Persian Poetry
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajiki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Literature
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Taji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metre (poetry)
In poetry, metre ( Commonwealth spelling) or meter ( American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ahmad Shamloo
Ahmad Shamlou ( fa, احمد شاملو, ''Ahmad Šāmlū'' , also known under his pen name A. Bamdad ( fa, ا. بامداد)) (December 12, 1925 – July 23, 2000) was an Iranian poet, writer, and journalist. Shamlou was arguably the most influential poet of modern Iran. His initial poetry was influenced by and in the tradition of Nima Youshij. In fact, Abdolali Dastgheib, Iranian literary critic, argues that Shamlou is one of the pioneers of modern Persian poetry and has had the greatest influence, after Nima, on Iranian poets of his era. Shamlou's poetry is complex, yet his imagery, which contributes significantly to the intensity of his poems, is accessible. As the base, he uses the traditional imagery familiar to his Iranian audience through the works of Persian masters like Hafez and Omar Khayyám. For infrastructure and impact, he uses a kind of everyday imagery in which personified oxymoronic elements are spiked with an unreal combination of the abstract and the concre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijan Jalali
Bijan Jalali ( fa, بیژن جلالی; 1927 – January 2000) was a modern Persian poet. Jalali was born in Tehran, Iran. His works include: The Color of Water, Days, Dailies, Our Heart and the World, Play of Light, and The Water and the Sun. See also * Nima Yooshij * Persian literature Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources h ... References نگاهی به جهان شاعرانهی بیژن جلالی Persian-language poets 20th-century Iranian poets 1927 births 2000 deaths 20th-century poets {{iran-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manouchehr Atashi
Manouchehr Atashi ( fa, منوچهر آتشی) (September 25, 1931 – November 20, 2005) was a Persian Persian may refer to: * People and things from Iran, historically called ''Persia'' in the English language ** Persians, the majority ethnic group in Iran, not to be conflated with the Iranic peoples ** Persian language, an Iranian language of the ... poet, writer, and journalist. He was born in 1931 in Dashtestan, Bushehr province. His poetry is the poetry of the revolting warrior of the humiliated southern tribesman. He takes his work seriously and although attached to his native birthplace his poems are universal scope. In his later works Atashi has relaxed his rhythm and has moved toward direct expression of emotion. Works * ''Poetry Collections by Atashi'': * ''Āhang-e digar (Another melody), Tehran, 1959'' * ''Āvāz-e ḵāk (The song of the earth), Tehran, 1967'' * ''Bar entehā-ye aḡāz (At the end of the beginning), Tehran, 1972'' * ''Bārān-e barg-e ḏo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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