Sentieri Selvaggi
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Sentieri Selvaggi
Sentieri Selvaggi is an Italian musical ensemble, specialising in contemporary music. Its name means "Wild Trails" in English. It was founded in 1997 by Carlo Boccadoro, Filippo Del Corno and Angelo Miotto. The ensemble has worked with composers such as Ludovico Einaudi, Michael Nyman, Philip Glass, Fabio Vacchi, David Lang, James MacMillan, Lorenzo Ferrero, Ivan Fedele and Louis Andriessen. Sentieri Selvaggi has been a regular guest at Italian musical festivals including Teatro Alla Scala, Venice Biennale and MITO Music September, as well as at Italian cultural events including the Literary Festival at Mantua, the Science Festival at Genoa, and at international festivals including the Bang On A Can Marathon in New York City and the SKIF Festival in Saint Petersburg. The group also organized a festival in Milan which, since 2005, has become a contemporary music season with a program of concerts, public talks, and master classes. Every program focuses on a specific theme: in ...
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Musical Ensemble
A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo ( harpsichord and cello) and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families (such as piano, strings, and wind instruments) or group together instruments from the same instrument family, such as string ensembles (e.g., string quartet) or wind ensembles (e.g., wind quintet). Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, ...
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The Man Who Mistook His Wife For A Hat (opera)
''The Man Who Mistook His Wife for a Hat'' is a one-act chamber opera by Michael Nyman to an English-language libretto by Christopher Rawlence, adapted from the case study of the same name by Oliver Sacks by Nyman, Rawlence, and Michael Morris. It was first performed at the Institute of Contemporary Arts, London, on 27 October 1986. The minimalist score makes use of songs by Robert Schumann, in particular, " Ich grolle nicht" from ''Dichterliebe'', in which Dr. S. accompanies Dr. P., singing the ossia as a descant. Mrs. P. plays the piano, the actor actually playing if possible. Roles Synopsis The plot concerns the investigation by a neurologist of the condition of a singer who suffers from visual agnosia. According to the liner notes, Morris, Rawlence, and Nyman had to spend much time convincing the real Mrs. P. (whose husband is implied to have been a known name) that they were not proposing a musical (her word) that would trivialize her late husband's situation in order ...
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James MacMillan
Sir James Loy MacMillan, (born 16 July 1959) is a Scottish classical composer and conductor. Early life MacMillan was born at Kilwinning, in North Ayrshire, but lived in the East Ayrshire town of Cumnock until 1977. His father is James MacMillan and his mother is Ellen MacMillan (née Loy). He studied composition at the University of Edinburgh with Rita McAllister and Kenneth Leighton, and at Durham University with John Casken, where he gained an undergraduate degree and then a PhD degree in 1987. At Durham he was a member of the College of St Hild and St Bede as an undergraduate student and the Graduate Society while studying for his PhD. He was a lecturer in music at the Victoria University of Manchester from 1986 to 1988. After his studies, MacMillan returned to Scotland, composing prolifically, and becoming Associate Composer with the Scottish Chamber Orchestra, often working on education projects. As a young man he was briefly a member of the Young Communist League. R ...
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Giya Kancheli
Gia Kancheli ( ka, გია ყანჩელი; 10 August 1935 – 2 October 2019) was a Georgian composer. He was born in Tbilisi, Georgia but resided in Belgium. After the dissolution of the Soviet Union in 1991, Kancheli lived first in Berlin, and from 1995 in Antwerp, where he became composer-in-residence for the Royal Flemish Philharmonic. He died in his home city of Tbilisi, aged 84. Work In his symphonies, Kancheli's musical language typically consists of slow scraps of minor-mode melody against long, subdued, anguished string discords. Rodion Shchedrin referred to Kancheli as "an ascetic with the temperament of a maximalist; a restrained Vesuvius". Kancheli wrote seven symphonies, and what he termed a liturgy for viola and orchestra, called ''Mourned by the Wind''. His Fourth Symphony received its American premiere, with the Philadelphia Orchestra under Yuri Temirkanov, in January 1978, not long before the cultural freeze in the United States against Soviet culture ...
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Michael Gordon (composer)
Michael Gordon (born July 20, 1956) is an American composer and co-founder of the " Bang on a Can" music collective and festival. He grew up in Nicaragua. Life and career Michael Gordon was born in Florida on July 20, 1956. He grew up in Nicaragua and on the outskirts of Managua in an Eastern European Jewish community before moving to Miami Beach at age of eight. Gordon's music is an outgrowth of his experience with underground rock bands in New York City and his formal training in composition at Yale where he studied with Martin Bresnick. He is based in New York City. Bang on a Can Gordon is one of the founders and artistic directors of New York's Bang on a Can Festival, alongside fellow composers Julia Wolfe—his wife—and David Lang. He has collaborated with them on several projects. The opera ''The Carbon Copy Building'', a collaboration with comic book artist Ben Katchor, received the 2000 Village Voice Obie Award for Best New American Work. A projected comic strip ...
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Glamorama Spies
''Glamorama Spies'' for flute, clarinet, violin, violoncello and piano is a chamber-music work by Italian composer Lorenzo Ferrero, written in 1999. Overview The composition was commissioned by Sentieri Selvaggi and first performed by them at the Teatro Manzoni in the year 2000. The American premiere took place in Houston on 17 February 2014. ''Glamorama Spies'' was inspired by Bret Easton Ellis' 1998 satire novel ''Glamorama''. Analysis The piece consists of a single movement lasting around six minutes, written in a chromatic and dissonant idiom. The opening section begins with a semitonal "anxiety" theme and ostinato figures atop an ostinato bass line, marked by off-beat bass accents. A lyrical section follows in which these elements gradually move to the background while a gentle, contrapuntal "sentimental" theme emerges in the cello. The exchange between the two contrasting main themes is interrupted from time to time by dramatic chords on the piano, representing the po ...
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Ivan Fedele
Ivan Fedele (born 6 May 1953 in Lecce) is an Italian composer. He studied at the Milan Conservatory. Fedele's compositions are published by Edizioni Suvini Zerboni, and many of his works are recorded on Stradivarius Records. Selected works ;Stage *''Oltre Narciso'', Cantata profana for una azione scenica ecular Cantata for a Scenic Actionfor mezzo-soprano, baritone, 2 dancers, male chorus and small orchestra (1982); libretto by the composer * ''Antigone'', opera in 7 scenes (2005–2006); libretto after Sophocles by Giuliano Corti and the composer; premiere 24 April 2007, Teatro Comunale, Florence. ;Orchestra *''Chiari'' (1981) *''Epos'' (1989) *''Carme'' for chamber orchestra (1992) *''Carme Secondo'' (1993) *''Allegoria dell'indaco'' for small orchestra (1994); original version for 11 instruments *''Scena'' (1997–1998) *''Codex'' for chamber orchestra (1999); arrangement of music by Johann Sebastian Bach *''Accord'' for chamber orchestra (2003) *''Ali di Cantor'' for 4 o ...
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Michael Daugherty
Michael Kevin Daugherty (born April 28, 1954) is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired ''Metropolis Symphony'' for Orchestra (1988–93), ''Dead Elvis'' for Solo Bassoon and Chamber Ensemble (1993), '' Jackie O'' (1997), ''Niagara Falls'' for Symphonic Band (1997), ''UFO'' for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), ''Bells for Stokowski'' from ''Philadelphia Stories'' for Orchestra (2001) and for Symphonic Band (2002), '' Fire and Blood'' for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, ''Time Machine'' for Three Conductors and Orchestra (2003), ''Ghost Ranch'' for Orchestra (2005), ''Deus ex Machina'' for Piano and Orchestra (2007), ''Labyrinth of Love'' for Soprano and Chamber Winds (2012), ''American Gothic'' for Orchestra (2013), and ''Tales of Hemingway'' for Cello and Orchestra ...
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Jesus' Blood Never Failed Me Yet
''Jesus' Blood Never Failed Me Yet'' is a 1971 composition by Gavin Bryars based on a loop of an unknown homeless man singing a brief improvised stanza. The loop was the singer's recollection of the chorus of a gospel hymn, by James M Black, published in 1911. Rich harmonies, comprising string and brass, are gradually overlaid over the stanza. The piece was first recorded for use in a documentary which chronicles street life in and around Elephant and Castle and Waterloo, in London. When later listening to the recordings, Bryars noticed the clip was in tune with his piano and that it conveniently looped into 13 bars. For the first LP recording, he was limited to a duration of 25 minutes; later he completed a 60-minute version of the piece for cassette tape; and with the advent of the CD, a 74-minute version. It was shortlisted for the 1993 Mercury Prize. Bryars says: :In 1971, when I lived in London, I was working with a friend, Alan Power, on a film about people living rou ...
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Gavin Bryars
Richard Gavin Bryars (; born 16 January 1943) is an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music. Early life and career Born on 16 January 1943 in Goole, in the East Riding of Yorkshire, England, Bryars studied philosophy at Sheffield University but became a jazz bassist during his three years as a philosophy student. The first musical work for which he is remembered was his role as bassist in the trio Joseph Holbrooke, alongside guitarist Derek Bailey and drummer Tony Oxley. The trio began by playing relatively traditional jazz – they toured with saxophonist Lee Konitz in 1966 – before moving into free improvisation. Bryars became dissatisfied with this when he saw a young bassist (later revealed to be Johnny Dyani) play in a manner that seemed to him to be artificial, and he abandoned improvisation, becoming interested in composition instead. In 1998 the trio reformed briefly, ...
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Luciano Berio
Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition ''Sinfonia'' and his series of virtuosic solo pieces titled ''Sequenza''), and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition. Biography Berio was born in Oneglia (now part of Imperia), on the Ligurian coast of Italy. He was taught piano by his father and grandfather, who were both organists. During World War II, he was conscripted into the army, but on his first day, he injured his hand while learning how a gun worked and spent time in a military hospital. Following the war, Berio studied at the Milan Conservatory under Giulio Cesare Paribeni and Giorgio Federico Ghedini. He was unable to continue studying the piano because of ...
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Hallelujah Junction
''Hallelujah Junction'' is a composition for two pianos written in 1996 by the American composer John Adams. Adams titled his autobiography after this composition. A two-CD retrospective album of works by Adams on the Nonesuch label is also entitled ''Hallelujah Junction'', but does not include the composition. Composition The name comes from a small truck stop on US 395 which meets Alternate US 40, (now State Route 70) near the California–Nevada border. Adams said of the piece, "Here we have a case of a great title looking for a piece. So now the piece finally exists: the 'junction' being the interlocking style of two-piano writing which features short, highly rhythmicized motives bouncing back and forth between the two pianos in tightly phased sequences". The work centers around delayed repetition between the two pianos, creating an effect of echoing sonorities. There is a constant shift of pulse and meter, but the main rhythms are based on the rhythms of the word "Hal–l ...
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