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Sensuous Sadie
''Sensuous'' is the fifth studio album by Japanese musician Cornelius. It was released on October 25, 2006 by Warner Music Japan. In the United States, the album was released on August 24, 2007 by Everloving Records. ''Sensuous'' peaked at number eight on the Oricon Albums Chart. Critical reception At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, ''Sensuous'' received an average score of 70 based on 18 reviews, indicating "Generally favorable reviews". Heather Phares of AllMusic called ''Sensuous'' "the finest expression of Cornelius' inimitable, playfully sophisticated musical language yet." Eric Harvey of '' Pitchfork'' wrote that the album "represents yet another step forward for Oyamada's unique headphone pop." He added, "It's not quite the departure that ''Point'' was from '' Fantasma'', but it feels like a natural next step." Phull Hardeep of ''NME'' wrote that the album forewent any consistent theme for "a kaleidoscopi ...
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Cornelius (musician)
, also known by his moniker , is a Japanese musician and producer who co-founded Flipper's Guitar, an influential Shibuya-kei band, and subsequently embarked on a solo career. In 1997, he released the album '' Fantasma'', which landed him praise from American music critics, who called him a "modern-day Brian Wilson" or the "Japanese Beck". In 2007, ''Rolling Stone Japan'' named two of Oyamada's albums amongst the "100 Greatest Japanese Rock Albums of All Time", with ''Fantasma'' ranking in 10th place and ''Camera Talk'' by Flipper's Guitar ranking in 35th place. Life and career Oyamada was born in Setagaya, Tokyo, Japan. His first claim to fame was as a member of the pop duo Flipper's Guitar, one of the key groups of the Tokyo Shibuya-kei scene. Following the disbandment of Flipper's Guitar in 1991, Oyamada donned the "Cornelius" moniker and embarked on a successful solo career. He chose his pseudonym in tribute to the character of the same name from the film ''Planet of the Ap ...
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Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ...
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Masumi Itō
(she also goes by the pseudonym ) is a Japanese singer and composer from Ibaraki prefecture in Japan. Itō has composed the soundtracks to many anime television shows and is part of the bands Oranges & Lemons and Heart of Air. Discography Solo works Singles * 2001-12-29: "Hitomi no Naka ni" — PS game ''Sister Princess: Pure Stories'' theme song) * 2003-04-23: "Yasashii Ai no Hane/Nemunemu Tenshi" — anime television series '' Angel Tales'' opening & ending theme) * 2004-05-26: "Futari Dakara" — anime television series ''Koi Kaze'' ending theme * 2005-06-29: "Shōnen Humming" — anime television series ''Absolute Boy'' ending theme Albums * 1997-06-21: ''Waste days'' '' rom METAL BLACK -The First-' * 1998-10-11: ''Door: Drifting Souls'' * 2001-11-07: ''Hana no Oto'' * 2003-12-26: ''Yumefuru Mori e'' * 2004-07-22: ''Harmonies of heaven'' * 2012-16-12: ''Wonder wonderful'' Other * 2001-05-23: anime television series '' Gyoten ningen batseelor'' theme song singl ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Lew Spence
Lew Spence (June 29, 1920, Cedarhurst, New York – January 9, 2008, Los Angeles) was an American songwriter. Spence received little formal musical training, and led a dance band in his hometown as a teenager.Obituary
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He played piano and sang in his twenties, but did not publish any songs until he was almost 30 years old. For much of his career, he wrote melodies, but toward the end of the 1950s he devoted himself primarily to writing lyrics. Among Spence's best-known songs was "", recorded by



Alan And Marilyn Bergman
Alan Bergman (born September 11, 1925) and Marilyn Keith Bergman (November 10, 1928 – January 8, 2022) were an American songwriting duo. Married from 1958 until Marilyn's death, together they wrote music and lyrics for numerous celebrated television, film, and stage productions. The Bergmans enjoyed a successful career, honored with four Emmys, three Oscars, two Grammys (including Song of the Year), and were inducted into the Songwriters Hall of Fame. Biography and career Alan Bergman was born in Brooklyn, New York, in 1925, the son of Ruth (Margulies), a homemaker and community volunteer, and Samuel Bergman, who worked in children's clothing sales. He studied at University of North Carolina at Chapel Hill and earned his master's degree in music at UCLA. Marilyn Bergman was born in 1928, coincidentally at the same Brooklyn hospital where Alan had been born three years earlier, and was the daughter of Edith (Arkin) and Albert A. Katz. Both Alan and Marilyn are from Jewish famili ...
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Erlend Øye
Erlend Øye (born 21 November 1975) is a Norwegian composer, musician, producer, singer and songwriter from Bergen, best known for being one half of the indie folk duo Kings of Convenience, along with Eirik Glambek Bøe. Among other musical projects he is front-man for the band The Whitest Boy Alive, and has contributed to tracks by electronic music artists such as Dntel and Norwegian duo Röyksopp. He is also the co-founder of the independent label Bubbles Records. Since 2012 he has lived in Sicily and played extensively with trio La Comitiva. In addition to his native Norwegian, he also speaks English and some Italian. Biography Bergen Erlend Øye was born on 21 November 1975 in Bergen, his parents met in 1974 in a demonstration in support of the victims of the 1973 Chilean coup d'état against Salvador Allende that took place in Bergen, at which time his father read a poem, which allowed him to meet Øye's mother.CNN ChileLorenzini lanza single junto a Erlend Øye: Nos ...
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Eirik Glambek Bøe
Eirik Glambek Bøe (born 25 October 1975) is a Norwegian musician, writer and vocalist, best known for being part of the indie folk duo Kings of Convenience together with Erlend Øye. He has a degree in psychology from the University of Bergen. Although his native language is Norwegian, many of his writings are in English. He formed the band Skog together with Øye in the 1990s. They formed Kings of Convenience in 1998 and released their first album Quiet Is The New Loud in 2001 (the same year Øye featured in Röyksopp's critically acclaimed debut album Melody A.M.). The duo then went on to release the single Toxic Girl followed by their second album Riot on an Empty Street in 2004. In 2006 he featured in Øye's band The Whitest Boy Alive, and at a lesser degree Kommode, largely made up of the members of Skog. In a rare guest appearance on NPR, Bøe sings on the track "How My Heart Behaves" on Feist's 2007 ''The Reminder''. In October 2009 Kings of Convenience released the ...
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Nie Er
Nie Er (14 February 1912 – 17 July 1935), born Nie Shouxin, courtesy name Ziyi (子義 or 子藝), was a Chinese composer best known for "March of the Volunteers", the national anthem of People's Republic of China. In numerous Shanghai magazines, he went by the English name George Njal, after a character in '' Njal's Saga''.Jones. Andrew F. 001(2001). Yellow Music - CL: Media Culture and Colonial Modernity in the Chinese Jazz Age. Duke University Press. p122 Biography Nie Er's ancestors were from Yuxi, Yunnan, in southwest China. He was born in Kunming, Yunnan. From an early age he displayed an interest in music. From 1918 he studied at the Kunming Normal School's Affiliated Primary School. In his spare time, he learnt to play traditional instruments such as the , , , and , and became the conductor of the school's Children's Orchestra. In 1922 he entered the Private Qiushi Primary School (Senior Section), and in 1925 entered Yunnan Provincial Number One Combined Middle Scho ...
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John Stafford Smith
John Stafford Smith (bapt. 30 March 175021 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach. Smith is best known for writing the music for " The Anacreontic Song", which became the tune for the American patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States. Early life and education Smith was baptised in Gloucester Cathedral, England, on 30 March 1750, the son of Martin Smith, organist of Gloucester Cathedral from 1743 to 1782. He attended the Gloucester cathedral school, where he became a boy-singer. He furthered his career as a choir boy at the Chapel Royal, London, and also studied under Dr. William Boyce. Career By the 1770s he had gained a reputation as a composer and an organist. He was elected as a member of the select Anacreontic Society which boasted amongst ...
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Hiromori Hayashi
was a Japanese composer credited with composing the Japanese national anthem "Kimigayo". Life and career He held several positions in the royal court starting in his youth. He moved to Tokyo after the Meiji Restoration and in 1875 helped carry out 1875 orders to fuse Western musical theory with Japanese theory. The final version of the anthem was first played for Emperor Meiji for his birthday, on 3 November 1880.Chizuko Izawa, Nobuo Ohta (2005). ''Human learning and memory: advances in theory and application : the 4th Tsukuba International Conference on Memory.'' Routledge, Sources conflict over who composed the music.Jun Hongo (July 17, 2007). Hinomaru, 'Kimigayo' express conflicts both past and future. ''Japan Times'' Historian Emiko Ohnuki-Tierney writes, "The composer is nominally identified as Hayashi Hiromori, a musician at the Imperial Court, but Oku Yoshiisa, who worked under Hayashi, is believed to have composed the music, with some rearrangement by Franz Eckert (1852 ...
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Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects, and by the late 1960s, highly experimental pop music, or sou ...
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