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Senesino Portrait Edited.jpg
Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel. Early life and career Senesino was the son of a barber from Siena (hence his stage-name). He joined the cathedral choir there in 1695 and was castrated at the comparatively late age of thirteen. His debut was at Venice in 1707, and during the next decade he acquired a European reputation and, by the time he sang in Lotti's ''Giove in Argo'' in 1717 at Dresden, a commensurately enormous salary. As with many castrati, reports of Senesino's acting were not always positive, to say the least. The impresario Count Francesco Zambeccari wrote of his performance in Naples in 1715: "Senesino continues to comport himself badly enough; he stands like a statue, and when occasionally he does make a gesture, he makes one directly the opposite of what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senesino Portrait Edited
Francesco Bernardi (; 31 October 1686 – 27 November 1758), known as Senesino ( or traditionally ), was a celebrated Italian contralto castrato, particularly remembered today for his long collaboration with the composer George Frideric Handel. Early life and career Senesino was the son of a barber from Siena (hence his stage-name). He joined the cathedral choir there in 1695 and was castrated at the comparatively late age of thirteen. His debut was at Venice in 1707, and during the next decade he acquired a European reputation and, by the time he sang in Lotti's ''Giove in Argo'' in 1717 at Dresden, a commensurately enormous salary. As with many castrati, reports of Senesino's acting were not always positive, to say the least. The impresario Count Francesco Zambeccari wrote of his performance in Naples in 1715: "Senesino continues to comport himself badly enough; he stands like a statue, and when occasionally he does make a gesture, he makes one directly the opposite of what i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica (''opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1686 Births
Events January–March * January 3 – In Madras (now Chennai) in India, local residents employed by the East India Company threaten to boycott their jobs after corporate administrator William Gyfford imposes a house tax on residences within the city walls. Gyfford places security forces at all entrances to the city and threatens to banish anyone who fails to pay their taxes, as well as to confiscate the goods of merchants who refuse to make sales. A compromise is reached the next day on the amount of the taxes. * January 17 – King Louis XIV of France reports the success of the Edict of Fontainebleau, issued on October 22 against the Protestant Huguenots, and reports that after less than three months, the vast majority of the Huguenot population had left the country. * January 29 – In Guatemala, Spanish Army Captain Melchor Rodríguez Mazariegos leads a campaign to conquer the indigenous Maya people in the rain forests of Lacandona, departing fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anecdotes And Character Of Senesino (from ''The Westminster Magazine'' 1777)
An anecdote is "a story with a point", such as to communicate an abstract idea about a person, place, or thing through the concrete details of a short narrative or to characterize by delineating a specific quirk or trait. Occasionally humorous, anecdotes differ from jokes because their primary purpose is not simply to provoke laughter but to reveal a truth more general than the brief tale itself. Anecdotes may be real or fictional; the anecdotal digression is a common feature of literary works and even oral anecdotes typically involve subtle exaggeration and dramatic shape designed to entertain the listener. An anecdote is always presented as the recounting of a real incident involving actual people and usually in an identifiable place. In the words of Jürgen Hein, they exhibit "a special realism" and "a claimed historical dimension" . Etymology and usage The word ''anecdote'' (in Greek: ἀνέκδοτον "unpublished", literally "not given out") comes from Procopius of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polifemo (opera)
''Polifemo'' is an opera in three acts by Nicola Porpora with a libretto by Paolo Rolli. The opera is based on a combination of two mythological stories involving the cyclops Polyphemus: His killing of Acis and his blinding by Ulysses. The last of five operas Porpora composed while residing in London, the opera premiered on 1 February 1735 at King's Theatre, and featured the famed castrato singers Farinelli and Senesino. ''Polifemo'' was Porpora's second-most popular opera, after his '' Arianna in Nasso''. Background The beginning of eighteenth-century saw the rise of Italian culture in London. Not only was Italian literature popular, but there was a "sudden craze for Italian opera". Among the many creative energies of Italian creators in the 18th century it was felt that opera best encapsulated the principles of neoclassicism. Italian opera had been presented in London as early as 1705 with Thomas Clayton's ''Arsinoe, Queen of Cyprus''. The success of George Frideric Handel's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Porpora
Nicola (or Niccolò) Antonio Porpora (17 August 16863 March 1768) was an Italian composer and teacher of singing of the Baroque music, Baroque era, whose most famous singing students were the castrati Farinelli and Caffarelli (castrato), Caffarelli. Other students included composers Matteo Capranica and Joseph Haydn. Biography Porpora was born in Naples. He graduated from the music conservatory Music Conservatories of Naples, Poveri di Gesù Cristo of his native city, where the civic opera scene was dominated by Alessandro Scarlatti. Porpora's first opera, ''Agrippina,'' was successfully performed at the Neapolitan court in 1708. His second, ''Berenice'', was performed at Rome. In a long career, he followed these up by many further operas, supported as ''maestro di cappella'' in the households of aristocratic patrons, such as the commander of military forces at Naples, prince Philip of Hesse-Darmstadt, or of the Portuguese ambassador at Rome, for composing operas alone did not yet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Burney
Charles Burney (7 April 1726 – 12 April 1814) was an English music historian, composer and musician. He was the father of the writers Frances Burney and Sarah Burney, of the explorer James Burney, and of Charles Burney, a classicist and book donor to the British Museum. He was a close friend and supporter of Joseph Haydn. Early life and career Charles Burney was born at Raven Street, Shrewsbury, the fourth of six children of James Macburney (1678–1749), a musician, dancer and portrait painter, and his second wife Ann (''née'' Cooper, c. 1690–1775). In childhood he and a brother Richard (1723–1792) were for unknown reasons sent to the care of a "Nurse Ball" at nearby Condover, where they lived until 1739. He began formal education at Shrewsbury School in 1737 and was later sent in 1739 to The King's School, Chester, where his father then lived and worked. His first music master was a Mr Baker, the cathedral organist, and a pupil of Dr John Blow. Returning to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farinelli
Farinelli (; 24 January 1705 – 16 September 1782) was the stage name of Carlo Maria Michelangelo Nicola Broschi (), a celebrated Italian castrato singer of the 18th century and one of the greatest singers in the history of opera. Farinelli has been described as having had soprano vocal range and as having sung the highest note customary at the time, C6. Early years Broschi was born in Andria (in what is now Apulia, Italy) into a family of musicians. As recorded in the baptismal register of the church of S. Nicola in Andria, his father Salvatore was a composer and '' maestro di cappella'' of the city's cathedral, and his mother, Caterina Barrese, a citizen of Naples. The Duke of Andría, Fabrizio Carafa, a member of the House of Carafa, one of the most prestigious families of the Neapolitan nobility, honored Maestro Broschi by taking a leading part in the baptism of his second son, who was baptised Carlo Maria Michelangelo Nicola. n later life, Farinelli wrote: "Il Duca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Opera Of The Nobility
The Opera of the Nobility (or Nobility Opera ) was an opera company set up and funded in 1733 by a group of nobles (under Frederick, Prince of Wales) opposed to George II of Great Britain, in order to rival the (Second) Royal Academy of Music company under Handel (backed by George II and his queen). Nicola Porpora was invited to be its musical director and Owen Swiny considered as its talent scout. The company had Senesino (who had fallen out with Handel) as its lead singer and was based at a theatre at Lincoln's Inn Fields under John Rich which had become available on Rich's opening of the Theatre Royal, Covent Garden. The company's first opera was '' Arianna in Nasso'' by Porpora, a direct challenge to Handel's ''Arianna in Creta''. The company was not a success in its initial 1733-34 season. Though Farinelli joined it late in the season and thus made it financially solvent, he was unable to prevent its eventual bankruptcy. At the end of its initial season it took over the Kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis And Galatea (Handel)
''Acis and Galatea'' ( HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, his 1708 setting of the same story to different music. He later adapted the original English work into a two-act work in 1739. ''Acis and Galatea'' was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. As is typical of the genre, ''Acis and Galatea'' was writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deborah (Handel)
''Deborah'' ( HWV 51) is an oratorio by George Frideric Handel. It was one of Handel's early oratorios in English and was based on a libretto by Samuel Humphreys. It received its premiere performance at the King's Theatre in London on 17 March 1733. The story of the oratorio takes place in a single day and is based on the Biblical stories found in 4 and 5 Judges. The Israelites have been subjugated for 20 years by the Canaanites, when the prophetess Deborah foretells the death of the Canaanite commander Sisera at the hands of a woman. The Israelite commander Barak leads them into battle against the Canaanites. The Israelites are victorious and a woman, Jael, assassinates Sisera as he sleeps in her tent. Handel reused music from numerous previous compositions for ''Deborah''. The work, with large choruses and grand orchestral effects, was very successful and was revived by Handel in subsequent years. Background By 1733, Handel had spent nearly twenty years composing and prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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