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Senecan Tragedy
Senecan tragedy refers to a set of ten Ancient Rome, ancient Roman tragedies, probably eight of which were written by the Stoicism, Stoic philosopher and politician Lucius Annaeus Seneca. Senecan Tragedies The group comprises: * ''Hercules (Seneca), Hercules Furens'' * ''Medea (Seneca), Medea'' * ''Troades (Seneca), Troades'' * ''Phaedra (Seneca), Phaedra'' * ''Agamemnon (Seneca), Agamemnon'' * ''Oedipus (Seneca), Oedipus'' * ''Phoenissae (Seneca), Phoenissae'' * ''Thyestes (Seneca), Thyestes'' * ''Hercules Oetaeus'' * ''Octavia (play), Octavia'' ''Hercules Oetaeus'' is generally considered not to have been written by Seneca, and ''Octavia'' is certainly not. Many of the Senecan tragedies employ the same Greek myths as tragedies by Sophocles, Aeschylus, and Euripides; but scholars tend not to view Seneca's works as direct adaptations of those Attic works, as Seneca's approach differs, and he employs themes familiar from his philosophical writings. It is possible that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Misfortunes Of Arthur
''The Misfortunes of Arthur, Uther Pendragon's son reduced into tragical notes'' is a play by the 16th-century English dramatist Thomas Hughes. Written in 1587, it was performed at Greenwich before Queen Elizabeth I on February 28, 1588. The play is based on the Arthurian legend, specifically the story of Mordred's treachery and King Arthur's death as told in Geoffrey of Monmouth's ''Historia Regum Britanniae''. Several of Hughes' fellow members at Gray's Inn participated in ''The Misfortunes of Arthur''’s writing and production for the inn's revels.Smith, Christopher (1991). "Hughes, Thomas". In Lacy, Norris J., ''The New Arthurian Encyclopedia'', p. 241. New York: Garland. . Nicholas Trotte provided the introduction, Francis Flower the choruses of Acts I and II, William Fulbecke wrote two speeches, while Francis Bacon, Christopher Yelverton, John Lancaster, and Flower oversaw the dumb shows. Lancaster and John Penruddocke directed the drama at Court. The play was greatly influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Norton
Thomas Norton (153210 March 1584) was an English lawyer, politician, writer of verse, and playwright. Official career Norton was born in London, the son of Thomas Norton and the former Elizabeth Merry. He was educated at Cambridge. He became a secretary to Edward Seymour, 1st Duke of Somerset. In 1555 he was admitted as a student at the Inner Temple. He married Margery Cranmer, the daughter of Archbishop Thomas Cranmer and his wife Margarete, with whom he had no children. Margery died before 1568. In 1568, Thomas married Alice Cranmer, the daughter of Archdeacon Edmund Cranmer, the brother of the Archbishop of Canterbury, with whom he did have issue. Norton served in Parliament as the representative of Gatton. In 1562 he became M.P. for Berwick, and was active in politics. He became the unofficial leader of a group of about fifty members of the House of Commons, which G. R. Elton saw as the first semi-official opposition in Parliament. He was inspired by the religious views ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Sackville, 1st Earl Of Dorset
Thomas Sackville, 1st Earl of Dorset (153619 April 1608) was an English statesman, poet, and dramatist. He was the son of Richard Sackville, a cousin to Anne Boleyn. He was a Member of Parliament and Lord High Treasurer. Biography Early life Thomas Sackville was born at Buckhurst, in the parish of Withyham, Sussex. His mother Winifrede was the daughter of Sir John Bridges, Lord Mayor of London. He was educated at St John's College, Cambridge, where he obtained his M.A., and Hertford College, Oxford. He joined the Inner Temple, and was called to the bar. Political career He first entered the House of Commons in 1558 as one of the knights of the shire for Westmorland. In 1559 he was elected for East Grinstead, and then in 1563 for Aylesbury. In 1566 Sackville travelled to Rome, where he was arrested and detained as a prisoner for fourteen days, for reasons not clear, but at the time there was great tension between England and the Papacy. His father died that year and he retur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorboduc (play)
''The Tragedie of Gorboduc'', also titled ''Ferrex and Porrex'', is an English play from 1561. It was first performed at the Christmas celebration given by the Inner Temple in 1561, and performed at Whitehall before Queen Elizabeth I on 18 January 1561, by the Gentlemen of the Inner Temple. The authors were Thomas Norton and Thomas Sackville, said to be responsible for the first three Acts, and the final two, respectively. The first quarto, published by the bookseller William Griffith, was published 22 September 1565. A second authorized quarto corrected by the authors followed in 1570, and was printed by John Day with the title ''The Tragedie of Ferrex and Porrex''. A third edition was published in 1590 by Edward Allde. The play is notable for several reasons: as the first verse drama in English to employ blank verse; for its political subject matter (the realm of Gorboduc is disputed by his sons Ferrex and Porrex), which was still a touchy area in the early years of Eliza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorboduc TP 1565
Gorboduc (''Welsh:'' Gorwy or Goronwy) was a legendary king of the Britons as recounted by Geoffrey of Monmouth. He was married to Judon. When he became old, his sons, Ferrex and Porrex, feuded over who would take over the kingdom. Porrex tried to kill his brother in an ambush, but Ferrex escaped to France. With the French king Suhardus, he invaded Britain, but was defeated and killed by Porrex. Porrex was killed in revenge by his own mother Judon, then the high strata of society killed his mother and then there was a war between high strata and low strata leading to an anarchy in the society. This anarchy led to civil war denouncing Gorboduc.Geoffrey of Monmouth: ''The History of the Kings of Britain: an Edition and Translation of De Gestis Britonum (Historia Regum Britanniae)'', Boydell & Brewer, 1 Jan 2007, p.44. Geoffrey does not state when Gorbuduc died, but he is not mentioned after the account of the strife between his sons. Cultural references Gorboduc's life is the subjec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revenge Play
The revenge tragedy, or revenge play, is a dramatic genre in which the protagonist seeks revenge for an imagined or actual injury. The term ''revenge tragedy'' was first introduced in 1900 by A. H. Thorndike to label a class of plays written in the late Elizabethan and early Jacobean eras (circa 1580s to 1620s).Kerrigan, John. ''Revenge Tragedy: Aeschylus to Armageddon''. Oxford: Oxford University Press. 1996. Print. Origins Most scholars argue that the revenge tragedies of William Shakespeare and his contemporaries stemmed from Roman tragedy, in particular, Seneca's ''Thyestes.''Bowers, Fredson Theyer. Elizabethan Revenge Tragedy: 1587–1642. Glaucester, MA: Peter Smith. 1959. Print. p. 41. Seneca's tragedies followed three main themes: the inconsistency of fortune ('' Troades''), stories of crime and the evils of murder (''Thyestes''), and plays in which poverty, chastity and simplicity are celebrated ('' Hippolytus''). In ''Thyestes'', Seneca portrayed the evil repercussions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Humanists
Renaissance humanism was a revival in the study of classical antiquity, at first in Italy and then spreading across Western Europe in the 14th, 15th, and 16th centuries. During the period, the term ''humanist'' ( it, umanista) referred to teachers and students of the humanities, known as the , which included grammar, rhetoric, history, poetry, and moral philosophy. It was not until the 19th century that this began to be called ''humanism'' instead of the original ''humanities'', and later by the retronym ''Renaissance humanism'' to distinguish it from later humanist developments. During the Renaissance period most humanists were Christians, so their concern was to "purify and renew Christianity", not to do away with it. Their vision was to return ''ad fontes'' ("to the sources") to the simplicity of the New Testament, bypassing the complexities of medieval theology. Under the influence and inspiration of the classics, humanists developed a new rhetoric and new learning. Some scho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clytemnestra By John Collier, 1882
Clytemnestra (; grc-gre, Κλυταιμνήστρα, ''Klytaimnḗstrā'', ), in Greek mythology, was the wife of Agamemnon, king of Mycenae, and the twin sister of Helen of Troy. In Aeschylus' ''Oresteia'', she murders Agamemnon – said by Euripides to be her second husband – and the Trojan princess Cassandra, whom Agamemnon had taken as a war prize following the sack of Troy; however, in Homer's ''Odyssey'', her role in Agamemnon's death is unclear and her character is significantly more subdued. Name Her Greek name ''Klytaimnḗstra'' is also sometimes Latinized as Clytaemnestra. It is commonly glossed as "famed for her suitors". However, this form is a later misreading motivated by an erroneous etymological connection to the verb ''mnáomai'' (, "woo, court"). The original name form is believed to have been ''Klytaimḗstra'' () without the ''-n-''. The present form of the name does not appear before the middle Byzantine period. Homeric poetry shows an awareness of bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soliloquy
A soliloquy (, from Latin ''solo'' "to oneself" + ''loquor'' "I talk", plural ''soliloquies'') is a monologue addressed to oneself, thoughts spoken out loud without addressing another. Soliloquies are used as a device in drama to let a character make their thoughts known to the audience, address it directly or take it into their confidence. But sometimes that confidence may be partial--when characters share only part of their thoughts to the audience. English Renaissance drama used soliloquies to great effect, such as in the soliloquy "To be, or not to be", the centerpiece of Shakespeare's ''Hamlet''. See also * Aside *Backstory *Exposition (narrative) *Internal monologue *List of narrative techniques *Narration Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the ... References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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